3 Flashcards

1
Q

armory show

A

responsible for the eventual shift of

the center of the art world from Paris to New York.

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2
Q

harlem renaissance imspired (2)

A
  1. jacob lawrence

2. romare bearden

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3
Q

dada

A

post-wwi. originated
among a group of disaffected intellectuals living in
Zurich and grew out of the angst of artists who were
disillusioned with the war. Dada was an art that
aimed to protest against everything in society and
to lampoon and ridicule accepted values and norms.

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4
Q

Duchamp, in fact, invented a new category of artworks

that he referred to as

A

ready mades

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5
Q

ready-mades. what were they

A

By taking
an ordinary object and giving it a new context,
Duchamp would create a work of art. In this way,
Duchamp challenged traditional ideas about the
way the artist functions-rather than physically
making a work of art, an object became a work of
art merely through the artist’s choice.

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6
Q

bull’s head

A

in a famous work Picasso took
an ordinary object-bicycle handlebars-and made
them appear as bull horns when coupled with a bicycle
seat

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7
Q

surrealists

A

Some artists, influenced by the theories of Sigmund
Freud, attempted to portray the inner workings
of the mind in their artworks. This group of artists
became known as the Surrealists and included
artists such as Salvador Dali, Rene Magritte, and Joan Miro .

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8
Q

One of the most influential events in the history of

art took place in Germany

A

btwn WWI and WWII. bauhaus was established

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9
Q

bauhaus

A

school of design. established standards for architecture
and design that would have a profound influence on
the world of art. The Bauhaus made a bold attempt
to reconcile industrial mass-manufacture with aesthetic
form

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10
Q

bauhaus view

A
form should follow
function and should be true to the materials used
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11
Q

josef albers

A

bauhaus faculty. came to US after nazis closed down the school.

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12
Q

During the 1950s the art scene in New York was

dominated by

A

the ideas and writings of critics such

as Harold Rosenberg and Clement Greenberg

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13
Q

greenberg was an advocate for

A

abstraction

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14
Q

Abstract Expressionism

A

Beginning in the 1940s, Abstract Expressionist
artists followed Kandinsky’s dictum that art, like
music, could be free from the limitations of pictorial
subject matter. These artists aimed at the direct
presentation of feeling with an emphasis on dramatic
colors and sweeping brushstrokes.

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15
Q

abstract expressionism reached its pinnacle with the work of

A

jackson pollock

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16
Q

Abstract Expressionist works tended to fall into

two types:

A

action painting and color field paintings

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17
Q

action painting

A

employed dramatic
brushstrokes or Pollock’s innovative dripping
technique

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18
Q

color field paintings

A

featured
broad areas of color and simple, often geometric
forms.

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19
Q

two wellknown

color field artists.

A

mark rothko and josef albers

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20
Q

jasper johns

A

created a series of works that
featured common things such as flags, numbers,
maps, and letters.

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21
Q

Robert Rauschenberg

A

created sculptures from the cast-off objects

he found around him to create what he called “combines.”

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22
Q

pop art

A

1960s. incorporation of images
of mass culture, violated the traditional unspoken
rules regarding what was appropriate subject
matter for art.

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23
Q

andy warhol

A

icon of pop art. His soup cans, Brillo boxes,
and images of movie stars were created with a factory-like
silkscreen approach that he used to mock
the art world.

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24
Q

roy lichtenstein

A

adopted the imagery of comic books and
recreated them on such a large scale that the pattern
of dots used to print them was made massive

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25
Q

robert indiana

A

used stencils that had been
originally used to produce commercial signs to create
his own artistic messages.

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26
Q

minimalism

A

sought to reduce art to its barest
essentials, emphasizing simplification of form and
often featuring monochromatic palettes

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27
Q

hard edge painting

A

invention of acrylic paint and the airbrush enabled Minimalist
painters to achieve very precise outlines,
which resulted in the term “hard-edge painting.”

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28
Q

frank stella

A

The artist who is best known for these large, entirely

non-objective paintings

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29
Q

david smith medium

A

stainless tell

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30
Q

dan flavin medium

A

neon tubing

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31
Q

photorealism

A

a hyper-real quality results from the
depiction of the subject matter in sharp focus, as in
a photograph

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32
Q

2 photorealist artists

A

chuck close, duane hanson

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33
Q

One intriguing development in the contemporary

art world since the 1970s

A

art is no longer
limited to gallery or museum spaces, and many important
works of art are departures from traditional
formats.

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34
Q

christo and jeanne-claude

A

earthworks. Beginning
in Europe, Christo startled the world with the
idea that landscape or architecture is something that
can be packaged. He wrapped several well-known
monuments in fabric, built a twenty-four-mile-long
cloth fence in California, surrounded eleven Florida
islands with pink plastic, and set up orange fabric
gates on pathways throughout Central Park.

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35
Q

postmodernism

A

takes many forms across a variety of media. Postmodern works
tend to reintroduce traditional elements or to exaggerate
modernist techniques by using them to the
extreme. Postmodern works often return to earlier
styles, periods, and references and often question
the mores and beliefs of contemporary society.

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36
Q

phillip johnson

A

leading propoent of postmodernism. at one time
was known as one of the leading modern architects
of the International Style. suggested the radical
idea that one of the functions of art was decoration,
and with the AT&T (now Sony) Building (1984), he
added a finial to the top of the standard office tower.

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37
Q

emperor of qin

A

first emperor to unite the kingdom. He had a
full army of soldiers and their equipment, including
their horses, created life-size in clay and buried as
part of his tomb.

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38
Q

which medium was popular during tang dynasty

A

ceramic

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39
Q

what
often astonishes people unfamiliar with the art of
India is

A

the influence of greek art on the classical images of buddha

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40
Q

japanese artistic traditions favor (2)

A

isometric perspective and flat areas of color

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41
Q

japanese artists are best known in the western world for

A

printmaking

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42
Q

Oceania is the collective name for the thousands

of islands that constitute

A

Polynesia, Melanesia,

and Micronesia

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43
Q

asmat

A

melanesian. most important artistic traiditons related to warfare. they traiditonally engaged in head hunting practices. Enormous
carved wooden shields decorated with beautiful
black, red, and white abstract patterns were traditionally
used for protection in raids among groups
throughout the area; today these shields are seen as
cultural symbols, but they no longer serve the same
function in war.

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44
Q

maori

A

of New Zealand seek cultural renewal by reviving

old traditions in a new context.

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45
Q

Following the Koran’s scriptures,

Islamic art is

A

largely non figurative

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46
Q

mosque

A

features qibla wall facing toward mecca; site for communal prayer

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47
Q

best known pyramid in the ancient americas

A

pyramid of the sun in mexico

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48
Q

the
majority of artifacts from ancient american cultures are only
from the last

A

2000 years

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49
Q

During the later
centuries of the prehistoric period, the Native
Americans of the Southwest demonstrated remarkable
architectural skills in

A

the building of pueblo

complexes.

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50
Q

6 formal qualities of art

A

line, shape, form, space, color, and texture

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51
Q

most basic of art elements

A

line

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52
Q

The strict definition

of a line is

A

path of pt moving thru space

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53
Q

Horizontal and vertical lines create

A

stable and static feeling

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54
Q

Horizontal lines, such as the line

of the horizon, suggest a feeling of

A

peace and tranquility

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55
Q

shape vs form

A

shape 2d, form 3d

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56
Q

organic shapes/forms

A

living things

tend to be freeform and irregular in shape or form..tend to express movement and rhythm.

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57
Q

A geometric shape or form can convey a sense

A

order and stability

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58
Q

space

A

an element of art related to the organization

of objects and the areas around them.

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59
Q

positive space

A

The objects,
shapes, or forms in an artwork occupy what
is termed positive space. also called ‘figure’

60
Q

In three-dimensional forms, negative

space

A

may surround the forms or may be created

as a result of open spaces within the forms.

61
Q

whats negative space

A

the area around the positive space

62
Q

2 primary types of sculpture

A

freestanding,
or fully in the round, and relief, meaning that
the sculpture projects from a surface or background
of which it is a part

63
Q

aerial/atmospheric perspective

A

a technique that takes into account the
ways that fog, smoke, and airborne particles change
the appearance of things when they are viewed
from a distance

64
Q

when an aritst uses aerial perspective,

A

objects that are farther away will appear lighter and
more neutral in color and will lack contrast of color
or value.

65
Q

linear perspective

A

this
perspective is founded on the visual phenomenon
that as lines recede into the distance, they appear
to converge and eventually vanish at a point on the
horizon.

66
Q

Hue

A

simply the name of a color

67
Q

3 primary colors

A

red blue yellow

68
Q

tertiary colors

A

made by

combining a primary and an adjacent secondary color. there are six of them

69
Q

Two important variables affecting color are

A

the
amount of light that is reflected and the purity of
the color.

70
Q

value

A

lightness or darkness of a color or of

gray.

71
Q

neutrals

A

black and white. they are not hues

72
Q

intensity

A

refers to the brightness or purity of a
color. The unmixed primary colors, being pure in
color, are generally considered to be the most intense
colors.

73
Q

Adding black or gray to a color will

A

reduce its intensity

74
Q

Adding a color to its complement

A

lowers the intensity of the color, making it more dull

or neutral in tone

75
Q

local color

A

refers to the “true” color of an object or area as
seen in normal daylight, irrespective of the effects
of distance or reflections from other objects.

76
Q

optical color

A

refers
to the effect that special lighting has on the color of
objects.

77
Q

arbitrary color

A

Artists who use arbitrary color choose colors for

their emotional or aesthetic impact.

78
Q

composition

A

refers to the artist’s organization

of the elements of art

79
Q

rhythm

A

the principle that we associate with
movement or pattern. Artists create a sense of
movement or rhythm in their artwork through
the repetition of elements such as line, shape, color,
and texture. The artist
directs the movement of our eye through the use of
repeated elements.

80
Q

2 aspects of repetition

A

motif and pattern

81
Q

motif

A

single element of a pattern

82
Q

pattern

A

involves the
repetition of certain elements-color or line-or
motifs within a work of art

83
Q

balance

A

equal distribution of visual

weight in a work of art.

84
Q

proportion

A

refers to the size relationships

among the parts of a composition

85
Q

scale

A

the dimensional relation of the parts of a work to
the work in its entirety, and can refer to the overall
size of an artwork. also refers to the relative size of elements
within the artwork.

86
Q

arguably the most basic of art processes

A

drawing

87
Q

Drawing is primarily based on the use of

A

lind

88
Q

Charcoal is so soft that

A

the color of the paper
used will show through in places where the strokes
are applied lightly.

89
Q

hard vs light pencils

A

hard - light, thin lines

soft - thicker lines that may vary from light to dark

90
Q

shading is used to

A

change values

91
Q

The major drawback of pastels is that

A

theyre very fragile. pastel drawings must be cared for gently; theyre sprayed with fixatives to prevent smearing

92
Q

four principal printmaking processes

A

relief prints, intaglio prints, lithographs, screen prints

93
Q

all printmaking processes use

A

some sort of printing plate
(a “matrix”) on which an image is created. Ink is applied
to the plate, and the image is transferred to paper
or another material.

94
Q

relief printmaking

A

the artist cuts away parts

from the surface of the plate

95
Q

2 intaglio processes

A

engraving and etching

96
Q

etching

A

the design is incised through a layer of wax or varnish

applied to the surface of a metal plate

97
Q

intaglio

A

works in the opposite
manner from relief printmaking. In the intaglio
process, lines are incised on the wood or soft metal
plate. later immerses plate in acid

98
Q

lithography

A

the image is

drawn with a waxy pencil or crayon directly on a plate

99
Q

screen prints are used to print most

A

t shirts

100
Q

silk screening process

A

a photograph or other image
is transferred or adhered to a silk or synthetic fabric
that has been stretched onto a frame. The image
serves as a sort of stencil, blocking out areas of the
permeable fabric.

101
Q

paint is usually composed of 3 diff materials

A

pigments, binders, solvents

102
Q

pigments

A

finely ground materials that may be

natural or synthetic. N

103
Q

binder

A

holds the grains of pigment together and allows the
paint to adhere to a surface. Egg yolks, linseed oil,
and wax can all be used as binders

104
Q

solvent

A

such as water or oil can be added to
change the consistency of the paint or alter its drying
time

105
Q

The fresco technique is

usually used to paint on

A

walls/ceilings

106
Q

In creating

a buon “true” fresco

A

the artist mixes pure powdered pigments
with water and applies them to a wet plaster ground.
The paint is permanently bound in the plaster, so
the artist must plan carefully because he or she will
not be able to make changes after the fact

107
Q

fresco secco

A

artist will apply paints to dry rather than wet plaster

108
Q

diego rivera

A

famous mexican muralist of the early 20th century. used fresco secco

109
Q

tempera

A

water-based paint; uses egg as a binder

110
Q

limitations to tempera painting

A

colors dry quickly, and so they
cannot be blended once they are applied to a surface.
Tempera also has a narrow tonal range-colors
are either light or dark-and it cannot achieve
the close imitation of natural effects that oil paints
can

111
Q

advantage of tempera

A

many ancient tempera paintings still retain their clear and brilliant colors

112
Q

oil paints are more __ than tempera

A

versatile

113
Q

oil paints can be __ and __

A

easily mixed; thinned to build up layers of delicate glazes

114
Q

glazes

A

thin transparent or semi-transparent layers that

are applied over another color to alter it slightly.

115
Q

impasto

A

Oils can be applied thickly or in heavy lumps to

make an impasto surface.

116
Q

describe encaustic process

A

colored molten wax is fused with the surface

via the application of hot irons. very durable

117
Q

gouache

A

a water-based opaque paint that
is similar to school-quality tempera, but of higher
quality. Gouache has more body and dries more
slowly than watercolor

118
Q

advantages of gouache

A

good medium for creating
bright colors and meticulous details and is often
used for design and fine artwork

119
Q

watercolor

A

most common water based paint. theyre transparent. watercolor isn’t forgiving of mistakes

120
Q

in water color painting, how is stuff done

A

lightest colors applied first. work from background to foreground. broad to detailed areas

121
Q

acrylic paint

A

recent development. Made from synthetic materials, plastics, and polymers,
acrylics were developed after World War II

122
Q

adv of acrylic paint

A

very versatile. They do not require the
slow, careful building up of successive layers with
long drying periods in between as do oils. alternative for artists who are allergic to oil paint and turpentine

123
Q

disadv of acrylic paint

A

unable to achieve some of the subtleties

of which oil paints are capable

124
Q

Sculpture is created in four basic ways:

A

carving,

modeling, casting, and construction

125
Q

modeling

A

additive process. A soft, workable
material like clay, wax, plaster, or papier-mache is
formed by hand. Amounts of these materials can be
added to the surface, and the surface can be shaped
and decorated by hand or with simple tools

126
Q

cast form

A

Sometimes an unfired clay or wax sculpture can
become the basis for a cast form. In this process,
the original form is encased in plaster. When the
plaster hardens, it is removed from the original
form and retained for use as a mold. The mold can
then be filled

127
Q

alexander calder

A

created mobiles with forms suspended by wire

which can be moved by wind or air currents.

128
Q

Often, an essential part of the work of environmental

artists is

A

the process of collaborating with the
community and governmental agencies to gain approval
for their proposed works

129
Q

The artist Robert Rauschenberg (1925-2008) is

well known for

A

his mixed media pieces that combine

silkscreen images with paint.

130
Q

joseph cornell

A

twentieth-century artist
who filled open boxes with a variety of objects that
visually created symbolic and metaphoric statements.

131
Q

Since performances cannot be sold as
objects, this art form has also been viewed by many
as

A

an escape from the increasing commercialization

of art

132
Q

Pottery is a medium based upon

A

the use of natural materials

133
Q

slip

A

liquid clay

134
Q

Using the potter’s wheel,

A

the potter forms the basic
shapes of the pot by manipulating the ball of clay as
it turns on the wheel.

135
Q

Once the clay form has air-dried,

A

the kiln, a specialized

oven, is loaded and fired.

136
Q

what happens in the kiln

A

a

chemical change takes place. The pots harden permanently. pots may be fired again after glazes and clay are added

137
Q

glazes

A

when melted, form a glassy, waterproof surface on

the pots that is both decorative and useful.

138
Q

glass was first made

A

in the Middle East in the third millennium

BCE.

139
Q

glass is most often made of

A

silica, which is
derived from sand, flint, or quartz, combined with
other raw materials.

140
Q

post and lintel construction technique

A

a long.stone or wooden beam is placed horizontally
across upright posts. The famous Greek
Parthenon is an example of post-and-lintel construction.

141
Q

In the medieval period, a skeletal building style

developed that

A

alternated between strong buttresses
and thin walls with stained-glass windows, which
admitted more light and color into the building

142
Q

flying buttresses

A

external arches that counterbalanced the outward

thrust of the high, vaulted ceilings

143
Q

antonio gaudi

A

created ingenious
buildings of cut stone in Spain in the late 1800s and
early 1900s. Without any flat surfaces or straight
lines, Gaudi’s buildings are very organic in appearance.

144
Q

__ annd __ have become the favored materials
for large public, commercial, and multi-family
housing

A

steel and conrete

145
Q

__ and __ continue to be

commonly used for residential homes.

A

wood and brick