specific 3 Flashcards

1
Q

According to the archeological

record, the Nok flourished from approximately

A

900 bce to 200 ce

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2
Q

people migrated to the nok region around __ due to __

A

3000 bce;
increasing droughts and the resulting expansion of
inhospitable areas of desert in the north.

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3
Q

unique feature of nok region

A

annual monsoons that brought abundant water for

seven months out of the year

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4
Q

Nok civilization was
primarily __, though it was in the process of
evolving into a more sophisticated culture, with __

A

n eolithic;
iron
introduced around 400 BCE

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5
Q

The initial discovery of significant Nok sites occurred

in the

A

1880s

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6
Q

how were nok sites discovered?

A

british were trying to discover the source of tin

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7
Q

bernard fagg

A

came to the nok region in the 1940s as a cadet
administrator of mining operations who also happened
to have training in archeological studies. discovered “Jemaa Head”. worked diligently to ensure that miners
who unearthed such objects in the process of their
excavation operations alerted him to other discoveries.
Indeed, he worked with the local population
as he “sought to gain their cooperation in reporting
and preserving any artifact they would find instead
of destroying it by superstition or ignorance.”

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8
Q

describe mediums in nok terra cotta sculpture

A

They are coil-built of local
clays mixed with materials such as rock gravel
to add grit and to strengthen the clay so that it
does not break when exposed to high temperatures
during the firing process

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9
Q

nok sculpture – The surfaces of
the terracottas were made smooth through the application
of

A

a slip of ochre or a solution of decomposed

mica schist before firing

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10
Q

nok figures appear to depict __, as indicated by __

A

rulers, priests, or other high-ranking individuals;
as indicated by their elaborate hairstyles and costuming,
including ample beaded ornaments

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11
Q

nok figures – Archeological
evidence suggests that the figures were not
used in a funerary context:

A

they were not found in

tombs or in conjunction with human remains

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12
Q

nok figures – were probably used in religious ceremonies, as __

A

they
have been discovered in shrines or sacred house
and temple complexes.

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13
Q

artrepro Nok Sculpture: a __ form decorated w/ __

A

cylindrical;

series of reliefs

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14
Q

artrepro Nok Sculpture: depicts what?

A

series of narrative scenes. images
of mothers with children, as well as activities
of everyday life, such as processing grain, carrying
water, and cooking food.

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15
Q

who owns the Nok Sculpture?

A

Musee du Quai Branly in Paris

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16
Q

Nok Sculpture: above smaller relief figures, there are __

A

6 larger characters – 3 male, 3 female, arms raised, holding a massive snake

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17
Q

4 typical physical characteristics of Nok

characters

A

stylized eyes and eyebrows, exaggerated
lips and flared nostrils, broad foreheads, and
beaded necklaces.

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18
Q

what does the snake often symbolize in african culture?

A

A common symbol of fertility and the ancestors in

African culture

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19
Q

significance of snake in Nok Sculpture?

A

the snake’s connection to scenes
of agriculture and maternity here may relate the
sculpture to some sort of ritual practice connected
to fertility

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20
Q

Igbo Ukwu is a region in

A

eastern nigeria

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21
Q

describe the name ibgo ukwu

A

translates to “Great
Igbo” – a name intended “to distinguish it from other
places of that name.

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22
Q

Based on archeological

evidence at the site, the igbo ukwu area appears to have been

A

a major center for the Igbo people at one time. The
evidence of wealth indicates its function as the residence
of high-status individuals, possibly the priest
class or the king.

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23
Q

igbo ukwu – While the site originally functioned

as the heart of Igbo culture, it appears to have been

A

abandoned suddenly, possibly in the wake of some

disaster

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24
Q

the first nok bronze items were discovered by

A

a local
man, Isaiah Anozie, who was digging a hole in order
to install a water tank on his property

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25
Q

It is believed that the inhabitants of Igbo Ukwu

learned the art of lost wax casting around the [ YEAR ] through __

A

9th century;
their contact with the Arab world
to the north

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26
Q

The first bronze sculptures were created [ where? ] during [ when ]?

A

island of Crete;
first half of the second
millennium BCE

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27
Q

early bronze works were generally __ and __

A

small scale, cast as solid forms

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28
Q

solid casting method (bronze)?

A

simple mold would be made, typically of clay,

and filled with liquefied bronze

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29
Q

Great advancements
were made as the Greeks developed the lost
wax technique, which allowed for

A

the creation of

much larger structures

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30
Q

The direct method of lost wax casting begins

with

A

the creation of a basic form developed in clay,

often over some sort of structural armature.

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31
Q

lost wax casting: __ is applied over the dried core and __

A

thin layer of beeswax,

worked to great detail

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32
Q

“gates”

A

wax rods that are stuck into the surface of the form in lost wax casting. vents are stuck along with wax rods

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33
Q

investment mold

A

the clay outer casing that covers the entire structure in lost wax casting, with the various rods and pins left
to protrude through its surface

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34
Q

after the investment mold thing is done, the object is then

A

fired, either in a pit or a kiln

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35
Q

why is it called “lost” wax casting?

A

when fired, The wax melts and runs

out of the form through the gates that have been installed

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36
Q

lost wax casting: role of vents?

A

help the gasses that are produced

during the firing process escape easily

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37
Q

lost wax casting: role of pins?

A

hold the entire object stable as a thin negative space

develops in the area formerly occupied by the wax

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38
Q

llost wax casting: after negative space is created,

A

Molten bronze is now poured into the funnel, filling

this negative space

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39
Q

lost wax casting: after the object has cooled,

A

the

investment mold is broken off.

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40
Q

in the indirect method of lost wax casting, the __ are retained, allowing __, unlike the direct method where __

A

original sculpture and master mold;
the figure to be recast in the future;
the original (wax) form is lost

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41
Q

nok bowl: held by who?

A

british museum

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42
Q

nok bowl: what shape

A

crescent; half-calabash, slightly pinched at the center

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43
Q

nok bowl: the exterior is covered with

A

curving
rows of geometric patterns –
particularly spiral
and concentric circle designs in low relief

44
Q

nok bowl: the geometric patterned rows are separated by

A

raised and dotted lines, in slightly

higher relief than the flattened geometric rows.

45
Q

nok bowl: the handle appears as

A

a twisted rope-like form with

three spiral knobs positioned at each end

46
Q

nok bowl: donated by ?

A

F. W. Carpenter. Carpenter, who served
as District Commissioner for the Awka region in Nigeria,
visited the site of Igbo Ukwu in 1939. He collected
several items during the visit, offering several,
including this bowl, to the Museum in 1956.

47
Q

The Ife settlement is __ located in __

A

city of the Yoruba people; located in southwestern Nigeria

48
Q

the Ife settlement was most active when?

A

12 - 15th centuries

49
Q

Yoruba mythology

A

describes Ife as the
center of the creation of the world and of humanity.
It is believed that the land upon which the city was
established was created by the god Oduduwa, who
thus became the ancestor of the first Yoruba king.

50
Q

today Ife is seen as

A

as the spiritual

center of Yoruba culture.

51
Q

Oni.

A

The king in Yoruba culture

52
Q

the Oni gains his authority from the fact that

A

he traces

his descent to Oduduwa, the creator of Ife and humankind.

53
Q

Yoruba tradition says that

A

Oduduwa gave
a series of crowns to his children, whom he then sent
out into the world to form their own kingdoms.

54
Q

The king only appeared publicly in Ife

A

twice a

year, for the feasts of Orishanla and of Ogun.

55
Q

Yoruba – why king’s mouth covered?

A

yoruba believed that it was

dangerous for the king to open his mouth in public.

56
Q

Yoruba – why king’s face covered?

A

Yoruba understood the head to be the repository

of the king’s inner power

57
Q

YOruba – what was his face covered with?

A
  1. veil of beads
  2. woven hair hanging down from crown
  3. hold a fly whisk up to mouth
58
Q

Ife is best known for

A

highly naturalistic bronze sculpture

59
Q

Shaw, Willet, Fagg

Igbo, Ife, Nok

connect person to culture

A

Willett – Ife
Fagg – Nok
Shaw – Igbo

60
Q

Ife brass head created using ?

A

lost wax casting technique

61
Q

ife brass head – one of the most notable features is

A

the use of various linear effects and punched holes

across its surface.

62
Q

ife brass head – __ visible around the lips of the figure; their purpose?

A

a series of punctures;
used to anchor a decorative beard
or veil of some sort, probably made of small black
glass beads

63
Q

which detail do 12 of the 13 bronze heads discovered in the Yoruba area share?

A

the features are covered w/ vertical incised markings, which likely reference a facial covering element

64
Q

ife brass head – the head has holes in the back of the neck. what does this suggest about its usage?

A

These were likely used to attach
the bronze to some other object, possibly a carved
wooden body. It is possible that the head would have
been used in procession for some sort of ritual, such
as a funerary rite.

65
Q

the kingdom of benin’s capital location

A

situated at Edo (now Benin City)

66
Q

kingdom benin was known was __ in precolonial era

A

Igodomigodo

67
Q

benin – The Kingdom’s

power came through

A

its military might-the
king could offer protection to neighboring groups
in exchange for tax dollars and access to local natural
resources.

68
Q

benin braonze sculpture made from __ using __

A

brass; lsost wax casting technique

69
Q

Ase

A

Yoruba king’s inner power

70
Q

Oba

A

benin king

71
Q

Much Benin bronze work was intended to

A

decorate oba’s palace

72
Q

British Benin Punitive

Expedition of 1897

A

During this mission, 1,200
British soldiers, led by Admiral Sir Harry Rawson,
attacked and looted the Kingdom of Benin. This act
was in response to an earlier show of force on the
part of the Eda people.

73
Q

In 1892 the British Vice-Consul of Oil Rivers Protectorate
visited Benin City and convinced the king
to sign a treaty

A

abolishing human sacrifice and the

slave trade in the Kingdom

74
Q

benin city treaty – Only later did the Oba

realize that the agreement was actually intended to

A

convert the Kingdom into a colony of Britain.

75
Q

Upon

oba’s refusal to honor the treaty,

A

the British sent various

troops into the area to force his compliance

76
Q

what was the act of violencec committed by the benin people?

A

On January 4, 1897, a small group of approximately
250 men, under the leadership of Acting Consul
General James Philips, were attacked by the king’s
military and were slaughtered. Only two men survived.

77
Q

act of violencec committed by the benin people. what did the british do in retaliation?

A

the British sent troops into Benin
City on February 9th. All of the city was burned
to the ground, and the treasures of the palace were
brought back to England. Many were sold to offset
the cost of the military campaign-acts that today
would be considered theft under international law.

78
Q

benin bronze plaques – how were they usually used?

A

hung on pillars throughout the palace by nails
punched directly through them. Their function was
to serve as courtly decoration, thereby showing the
wealth, power, and character of the king

79
Q

Benin Bronze Plaque: depicts what?

A

two musicians and a page holding
a ceremonial sword as they flank a high-ranking
warrior, possibly a war chief or the Oba himself

80
Q

Benin Bronze Plaque: how is the central figure’s improtance shown? (2)

A
  1. very high relief

2. much larger than other figures

81
Q

asante empire spanned where?

A

much of present-day central and southern Ghana

82
Q

asante empire founded by

A

King (Asantehene) Osei

Tutu

83
Q

The Asante economy centered on

A

trade in gold

and slaves

84
Q

describe asante government

A

highly centralized,
with the king supported by a network of chiefs
and advisors who reinforced his power

85
Q

Asante religious

practice centered on

A

reverence of the Golden

Stool

86
Q

symbolization of Golden Stool

A

the main symbol of kingship, which was
believed to have descended from heaven upon Osei
Tutu’s assumption of power

87
Q

The
Asante were granted independence in __, well
before __

A

1935;
the independent nation of Ghana was established
in 1957

88
Q

years of anglo asante wars

A

1823 to 1900

89
Q

the name kente cloth comes from the word

A

kenten, which translates as “basket” in

Asante

90
Q

kente cloth is also often referred to as

A

nwentoma, or

woven cloth

91
Q

kente cloth: The origin legend of this fabric tells of

A

two hunters from the village of Bonwire who discovered
a spider spinning a web deep in the forest.
After watching the spider closely, the men returned
to their village and produced a weaving of their
own

92
Q

kente cloth origin legend: the hunters used _____ to produce their own weaving

A

black and white raffia fibers

93
Q

Kente cloth
was indeed originally produced by __ and __
weavers in solely __ patterns

A

asante, ewe

black and white

94
Q

The piece of kente cloth shown in your Art Reproductions

Booklet is held by

A

Newark Museum

in New Jersey

95
Q

artrepro kente cloth made of

A

rayon

96
Q

artrepro kente cloth presents typical kente elements, including

A

its general coloration and design

97
Q

6 colors of artrepro kente cloth

A

gold, orange, red, greens,

blues, and black

98
Q

In America, kente cloth has

been particularly significant

A

as a symbol of Black

pride

99
Q

kente cloth – Additionally, patterns are associated with particular
proverbs and concepts such as

A

kingship, creativity,

and generosity

100
Q

kente cloth color symbolism

black –

A

maturity, spirituality, Africa

101
Q

kente cloth color symbolism

blue –

A

harmony, peace

102
Q

kente cloth color symbolism

green –

A

harvesting, planting, vegetation

103
Q

kente cloth color symbolism

red –

A

blood, sacrifice, politics

104
Q

kente cloth color symbolism

gold –

A

royalty, wealth, status

105
Q

Kente cloth, like so many of the objects we have

studied, is an important symbol of

A

african kingship

106
Q

Inspired to discover the source of this tin,
expeditions were sent into __, led by
men such as __. The eventual discovery of rich ore deposits
led to the establishment of __, centered on __. Much of this activity occurred
around the village of __.

A

Inspired to discover the source of this tin,
expeditions were sent into northern Nigeria, led by
men such as the English mining engineer Henry William
Laws. The eventual discovery of rich ore deposits
led to the establishment of a robust tin-smelting
industry in the region, centered on the Shere Hills
of the Jos plateau. Much of this activity occurred
around the village of Nok.