Sources Flashcards
Aesthetic Emotions
Menninghaus et al. 2019
BRECVEM
Juslin at al. 2008
Aesthetic Judgment (BRECVEMA)
Juslin 2013
The 7 Basic Emotions
Ekman 1999
GEMS
Zentner et al. 2008
Super Expressive Voice Theory
Juslin et al. 2001
Emotional Markers in speech similar to music
Juslin et al. 2013
Circumplex Model
Russel 1980
PAD
Mehrabian and Russell 1980
Auditory Cheesecake Hypothesis
Pinker 1997
Sexual Selection
Darwin 1871
COUNTERED by Mehr et al. 2020
Credible Signalling
Mehr et al. 2020
Primate vocalisations
Group strength/size/cooperation and parental proximity
Musical omnipresence across global societies
Mehr et al. 2019
Survey of 315 societies globally
NHS Ethnography
Mehr et al. 2019
Cross cultural use/recognition of particular features for song types (dance, healing, love songs, lullabies)
Statistical Musical Universals
Savage et al. 2015
Music for Social Bonding
Savage et al, 2020
Unifies other evolutionary theories
Gene-culture evolution
Simulation hypothesis (emotional processing)
Mar & Oatley, 2008
Pleasurable compassion theory (emotional processing)
Huron et al. 2020
Social Surrogacy (emotional processing)
Lee et al. 2013
Distraction (emotional processing)
Drake et al. 2012
Structural similarities between linguistic and musical syntax
Rohrmeier, 2011
Regional speech rhythms mirrored in cultural musics
McGowan et al. 2011
Equidistant scales
Balzano, 1982: non equidistant scales make music easier to remember
Sethares, 2005: tone spectra of Balinese gamelan instruments
Pitch contour important to musical memory
Dowling, 1978
Octave Equivalence
Bachem, 1950
Break down of Phase locking
Palmer & Russell, 1986
WEIRD
Henrich et al., 2010
