Sources Flashcards

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1
Q

Aesthetic Emotions

A

Menninghaus et al. 2019

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2
Q

BRECVEM

A

Juslin at al. 2008

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3
Q

Aesthetic Judgment (BRECVEMA)

A

Juslin 2013

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4
Q

The 7 Basic Emotions

A

Ekman 1999

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5
Q

GEMS

A

Zentner et al. 2008

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6
Q

Super Expressive Voice Theory

A

Juslin et al. 2001

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7
Q

Emotional Markers in speech similar to music

A

Juslin et al. 2013

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8
Q

Circumplex Model

A

Russel 1980

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9
Q

PAD

A

Mehrabian and Russell 1980

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10
Q

Auditory Cheesecake Hypothesis

A

Pinker 1997

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11
Q

Sexual Selection

A

Darwin 1871

COUNTERED by Mehr et al. 2020

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12
Q

Credible Signalling

A

Mehr et al. 2020
Primate vocalisations
Group strength/size/cooperation and parental proximity

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13
Q

Musical omnipresence across global societies

A

Mehr et al. 2019

Survey of 315 societies globally

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14
Q

NHS Ethnography

A

Mehr et al. 2019

Cross cultural use/recognition of particular features for song types (dance, healing, love songs, lullabies)

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15
Q

Statistical Musical Universals

A

Savage et al. 2015

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16
Q

Music for Social Bonding

A

Savage et al, 2020
Unifies other evolutionary theories
Gene-culture evolution

17
Q

Simulation hypothesis (emotional processing)

A

Mar & Oatley, 2008

18
Q

Pleasurable compassion theory (emotional processing)

A

Huron et al. 2020

19
Q

Social Surrogacy (emotional processing)

A

Lee et al. 2013

20
Q

Distraction (emotional processing)

A

Drake et al. 2012

21
Q

Structural similarities between linguistic and musical syntax

A

Rohrmeier, 2011

22
Q

Regional speech rhythms mirrored in cultural musics

A

McGowan et al. 2011

23
Q

Equidistant scales

A

Balzano, 1982: non equidistant scales make music easier to remember
Sethares, 2005: tone spectra of Balinese gamelan instruments

24
Q

Pitch contour important to musical memory

A

Dowling, 1978

25
Q

Octave Equivalence

A

Bachem, 1950

26
Q

Break down of Phase locking

A

Palmer & Russell, 1986

27
Q

WEIRD

A

Henrich et al., 2010