Pitch Flashcards

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1
Q

Define PITCH

A

The perceptual correlate of FREQUENCY

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2
Q

Explain SPECTRAL THEORY OF PITCH PERCEPTION; what biological mechanisms does it involve?

A

Process involving the inner ear and the basilar membrane that separates a complex tone into its constituent parts which are localised along the membrane’s length

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3
Q

What are the properties of the basilar membrane that allow it process sounds?

A
  • A longitudinal, harmonic complex wave reaches basilar membrane where its vibrations act at a right angle to the basilar membrane
  • transformed into transverse waves (constituent ‘pure tones’)
  • Thick base and thin apex that are receptive to high and low frequency vibrations respectively
  • Sectional thresholds or CRITICAL BANDS along the basilar membrane localise frequencies and split the complex tone into its constituent parts (TONOTOPY)
  • Each band is stimulated by a certain range frequencies alone (auditory filters)
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4
Q

How does the information from the basilar membrane become a perceived sound?

A
  • Hair cells in the cochlea receive localised signals from the basilar membrane and undergo electrochemical transfer to convert the information into neural signals sent to the brain
  • The brain receives the broken-down sound and attempts to match its particular pattern/energy distribution to a known template
  • Once matched, the strata are combined into a single perceptual stream
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5
Q

Explain TEMPORAL THEORY OF PITCH PERCEPTION; what biological mechanisms does it involve? what is PHASE LOCKING?

A
  • PHASE LOCKING: the localised vibrations along the basilar membrane are entrained by nerve impulses
  • These impulses correspond to peaks of a transverse wave
  • Separate pure tone transverse waves are communicated to the brain and undergo the template matching process
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6
Q

Explain VOLLEY THEORY

A
  • The impulses of individual nerve cells cannot keep up with wave form that have high periodicity
  • Multiple nerve cells ‘take it in turns’ to entrain the full periodic sequence between them
  • Signals undergo AUTOCORRECTIVE ANALYSIS in the brain that combines separate firing patterns into overall periodic stream (where the signal correlates highly with itself)
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7
Q

What is the significance of the range 2 - 4 kHz?

A
  • This is the range at which phase locking breaks down and spectral methods of pitch perception take over
  • Pitch limit of conventional musical instruments
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8
Q

What are the limits of human hearing?

A

20Hz - 20kHz

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9
Q

Define PITCH INTERVALS

A
  • AKA ‘melodic intervals’ in Western Music Theory terminology
  • The perceptual correlate of frequency ratios
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10
Q

What determines the consonance of pitch combinations?

A

To Western ears, simple integer frequency ratios sound consonant and more complex ratios sound dissonant

E.g., an 8ve = 2:1 and a p5th = 3:2, while a maj7 = 15:8

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11
Q

What is OCTAVE EQUIVALENCE?

A
  • Notes an octave apart share an underlying identity of 2:1
  • Demonstrated by instruments with an equal temperament
  • Ratios between pitches retained regardless on starting frequency
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