Section 1: Chapter 12 Voice Motion Flashcards
What is voice leading?
Arranging chord tones in a progression in order to create smoother transitions from one chord to the next is known as voice leading.
What is relative motion?
The direction that two or more voices move as a series of chords change within a progression is known as Relative Motion.
What is contrary motion?
Two voices moving in opposite directions.
What is parallel motion?
Two voices moving in the same direction by the same interval, without regard for quality.
What is similar motion?
Two voices moving in the same direction but by different intervals.
What is oblique motion?
One voice moving up or down while the other remains the same.
What is the most common choice for doubling chord tones?
The most common choice for doubling chord tones of root position triads is the root.
What chord tone is the best option hen trying to o omit a chord tone?
Since the 3rd of the chord is used to establish chord quality, the best option when omitting a chord tone would be the 5th.
What are the two voicing options when writing four part harmony?
Closed and open voicings
What is open spacing?
One method is open spacing, which is a compound interval (greater than an octave). Alternatively, closed spacing is a simple interval (an octave or less).
What is closed spacing?
closed spacing is a simple interval (an octave or less).
What determines open and closed spacing?
This is determined by the distance between the Soprano and Tenor voices.
What are parallel fifths and octaves?
Parallel fifths and octaves occur when two voices moves in the same direction, at the same interval of a fifth or an octave. When connecting parallel fifths, octaves are generally avoided.
What do tendency tones do?
Tendency tones resolve in certain directions. These notes should resolve in the proper direction in as few steps as possible.
What is a general rule about tendency tones?
The leading tone will always want to resolve up to the tonic when in the outer voicings. It is also a general rule to avoid doubling tendency tones.