Schumann, Piano Trio In G Minor, Exposition Flashcards

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1
Q

When was this composed?
Where is Schumann from?
Who was she good friends with?

A

1846
Leipzig, same a Bach
Brahms

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2
Q

What instruments is a piano trio for?
How many movements does it have?
What was a piano trio popular at the time?

A

Piano, violin, cello
4, 1 = allegro
Most households had a piano

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3
Q

What roles are each of the instruments given?
Relationship between instruments

A

Equal roles- piano more interesting as Schumann a piano player
Contrapuntal

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4
Q

Form of piece?

A

Sonata:
Exposition (express ideas)
Development
Recapitulation (ideas replayed/recapped)

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5
Q

What 2 ideas/themes make up the exposition?
How are the ideas used?

A

1st subject:
Lyrical
2 phrases
More substance

2nd subject:
Chordal
Syncopated

Passed around disscussivley (conversation)

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6
Q

Bars 1-8 key

A

Home key
Gm

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7
Q

What plays the tune/has the most melodic ideas throughout ALL pieces?

A

Violin

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8
Q

Describe the harmony of the entire piece

A

Tonal
Some chromatic movements
Diminished chords

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9
Q

Describe the themes of the entire piece

A

Distinct rhythmic character

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10
Q

Describe the tempo & meter of the entire piece

A

Clear sense of key, pulse & metre

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11
Q

What does the 1st subject consist of?
When is it played?
Texture

A

Phrase 1A: 1-4
Phrase 1B: 5-8
Melody & chords- homophonic

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12
Q

What does phrase 1A start and end with?

A

Downward open 5th
Dominant IV-V cadence

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13
Q

What does phrase 1B start and end with?

A

Dominant (V)
Sequence of dotted crotchets

Home key Gm
Perfect cadence

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14
Q

How do phrase 1A and B contrast each other?

A

1A = reeling chamber chords
1B = spiked, off-beat chords

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15
Q

How is the 1st subject developed? (instruments)

A

1-8 (1A & 1B) repeated
BUT
Roles on instruments change
Cello enters with bass line
Violin has new countersubject

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16
Q

What is the texture of the exposition?

A

Polyphonically animated homophony (clear melody & accompaniment but few poly elements)

17
Q

What chord is played at bar 11

A

Augmented 6th

18
Q

What happens to the pitch at bar 16?

A

Melody an octave higher

19
Q

When is there a link passage/transition to the 2nd subject?
What does this consist of?
What is the key?

A

22-45
2X Phrase 1C & 1D
Bflat relative major

20
Q

What is phrase 1C?
What is phrase 1D?

A

Spiked homophonic phrase

Fragmented falling idea
Short
Off-best phrases

21
Q

When is the 2nd subject played?
What does it consist of?
What instrument’s pitch is changed?

A

45-90
Phrase 2A & 2B
Cello in tenor (higher) range

22
Q

What pedal note is used in the 2nd subject?
What cadence is used?

A

F
Perfect in Bflat relative major

23
Q

Describe phrases 2A & 2B?
Together, how are they played?

A

2A = block chords, syncopated
2B = diminished 7th chord rising
Repeated X2 ascending or descending in pitch

24
Q

Describe the violins & cello:
Bars 53-55
Bars 61-68

A

Imitate each other
Unison octaves

25
Q

Describe the chords played in bar 73

A

Double stopped
Cycle of 5ths
On piano

26
Q

Describe the melody at end of exposition

A

Down pattern
Imitative

27
Q

Cadence at bar 83
Effect of type of cadence

A

Perfect in dominant Vm9
Adds dissonant extremism to cadence

28
Q

When is the cadette?

A

Bars 73-90

29
Q

Describe the new idea added in bar 85

A

Parallel 3rds on piano (idea used later on)