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difficult ones > Restorative Art II Test 1 > Flashcards

Restorative Art II Test 1 Flashcards

1
Q

the relationship of the size of one feature as compared with another feature… or with the width or length of the face

A

proportion

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2
Q

vertical equals

A

length

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3
Q

horizontal equals

A

width

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4
Q

the vertical measurement of a part of a feature

A

height

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5
Q

The value of the study of facial proportions

A
  1. Notes similarities in size of facial features

2. Notes differences in size relationships

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6
Q

EVERYTHING is guided by….

A

proportions

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7
Q

the most common geometric head shape

A

oval

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8
Q

imaginary parallel lines…one at top of head and one at base of chin

A

length of the head

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9
Q

top of head is also called

A

vertex

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10
Q

extends across the corners of eyes

A

midline of the length of head

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11
Q

dimension from tip of nose to greatest protrusion of back of head is equal to___________________

A

size of the length of head

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12
Q

average adult’s height is…..

A

7.5 - 8 head lengths

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13
Q

distance from the root of the nose to the base of the wing of the nose is equal to _______________

A

length of the first two joints of the index finger

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14
Q

vertical distance from the base of the nose to the line of closure of the lips is equal to ______________

A

distance from the tip of the index finger to the first joint

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15
Q

measured from normal hairline to the base of the chin…including the ears.

A

face

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16
Q

what is crucial to restorative art?

A

the ears

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17
Q

the width of the face is equal to______________

A

two-thirds (2/3) of the length of the face

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18
Q

the face is divided into ______ measurements to determine the entire length of the face.

A

1/3

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19
Q

the lower 1/3 of the face can be divided into ____ equal lengths.

A

3

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20
Q

the lower 1/3 of the face is divided into what parts?

A
  1. Base of nose
  2. Line of lip closure
  3. Top of chin
  4. Base of chin
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21
Q

Divide the face in 3 equal parts by drawing lines through the…..

A
  1. hairline
  2. eyebrows
  3. base of nose
  4. base of chin
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22
Q

divide the face in 2 equal halves by drawing a line at the…

A
  1. Vertex of the cranium
  2. Line of eye closure
  3. Base of the chin
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23
Q

the widest part of the head is measured by the __________

A

distance between the two parietal eminences

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24
Q

the face is ____ noses long

A

3

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25
Q

the length of the nose is equal to___________

A

length of the ear

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26
Q

the width of the nose at the wings is equal to __________

A

the width of an eye

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27
Q

the face is _____ eyes wide from __________ to _________________

A

5
zygomatic arch
zygomatic arch

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28
Q

the distance between the eyes is equal to_______________

A

the width of ONE eye

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29
Q

the mouth is _____ eyes wide

A

2

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30
Q

the superior border of the ear is on the same ____________________________

A

horizontal plane as the eyebrows

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31
Q

the inferior border of the ear is on the same ______________________________

A

horizontal plane as the base of the nose

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32
Q

the face is ___ ears long

A

3

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33
Q

4 facial features that are used as units of measurements for the face.

A
  1. head
  2. nose
  3. eyes
  4. ear
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34
Q

Sanders states…“when using the ________ as a unit of measure, hold the ____________ parallel to the __________.

A

index finger
thumb
index finger

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35
Q

the distance from the tip of the thumb to the tip of the finger is equal to ______

A
  1. length of the ear
  2. length of the nose
  3. normal hairline to root of nose
  4. base of nose to bottom of chin
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36
Q

the basic dimensional unit or width measurement is…….

A

one eye

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37
Q

to reveal asymmetry it is a good idea to invert the photo when doing a RA to get a new perspective

A

concept of inversion

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38
Q

Surface that lies at right angle to source of illumination.

A

Highlights

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39
Q

Surface that DOES NOT lie at right angle to source of illumination.

A

Shadow

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40
Q

types of lighting…

A
  1. normal
  2. directional
  3. flat
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41
Q

lighting from above (no special placement of lights)

A

Normal lighting

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42
Q

lighting pointing directly (special placement of lights…purposeful)

A

Directional lighting

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43
Q

typically from a flash…very dark then a flash of light

A

flat lighting

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44
Q

in facial profiles ____________ or ______________ will be very important

A

degree

projection

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45
Q

most common profile form

A

convex

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46
Q

least common profile form

A

concave

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47
Q

standard basic profile form

A

vertical

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48
Q

forehead tends to be level with chin & upper lip

A

vertical

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49
Q

forehead tends to recede as well as the chin…looks like a rounded ball.

A

convex

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50
Q

forehead tends to protrude as well as the chin…looks like punched in center of face.

A

concave

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51
Q

the ___________ is not included in our discussion on facial forms

A

nose

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52
Q

a person can also have a ____________ facial profile

A

combination

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53
Q

three basic facial profile forms

A
  1. convex
  2. concave
  3. vertical
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54
Q

what 3 things form the VERTICAL PROFILE?

A
  1. forehead
  2. upper lip area
  3. chin
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55
Q

the forehead will be described in its direction from the _________ going up.

A

eyebrows

56
Q

the chin is described in its relationship to the _____________

A

upper lip

57
Q

there are ____ profile combinations

A

6

58
Q

profile combinations are in what order as far as terms?

A

Forehead first

Chin second

59
Q

6 types of profile combinations

A
  1. convex-concave
  2. concave-convex
  3. vertical-convex
  4. vertical-concave
  5. convex-vertical
  6. concave-vertical
60
Q

Forehead recedes and chin protrudes

A

Convex-concave

61
Q

Forehead protrudes and chin recedes

A

Concave- convex

62
Q

Forehead is straight and chin recedes

A

Vertical-convex

63
Q

Forehead is straight and chin protrudes

A

Vertical-concave

64
Q

Forehead recedes and chin is straight

A

Convex-vertical

65
Q

Forehead protrudes and chin is straight

A

Concave-vertical

66
Q

the form of the head does not stay consistent throughout _______

A

a lifetime

67
Q

head shape is influenced by its _________

A

bony structure

68
Q

to get a geometric head form, we take width measurements and in those measurements we look at the width of the ___________________ and put them together along with the ___________________

A

bi-parietal
bi-zygomatic
bi-mandibular

length of the head

69
Q

types of geometric head shapes…

A
  1. Oval shape
  2. Round shape
  3. Square shape
  4. Triangular shape
  5. Inverted triangular shape
  6. Diamond shape
  7. Oblong shape
70
Q

most common head shape (cranium is slightly wider than jaws)

A

oval shape

71
Q

also called infantine/infantile (cranium with maximum amount of curvature)

A

round shape

72
Q

forehead is wide & angles of mandible (jaw “strong jaw”) are wide & low (has very little curvature)

A

square shape

73
Q

least common (Wider at angles of mandible than at the forehead)

A

triangular shape

74
Q

forehead is wider than mandible…narrows considerably. (Base is superior to the apex)

A

Inverted triangular shape

75
Q

cheek bones wider than forehead and mandible. Narrows on top and bottom

A

Diamond shape

76
Q

head is long and narrow throughout (almost rectangular)

A

Oblong shape

77
Q

least common head shape

A

triangular

78
Q

bilateral forms of the head & facial features

A
  1. bilateral-two sides
  2. bilateral differences
  3. bilateral silhouette
79
Q

two sides

A

bilateral

80
Q

dissimilarities that exists between one side and another

A

bilateral differences

81
Q

bilateral viewpoint of both sides (from top or bottom)

A

bilateral silhouette

82
Q

features that exhibit asymmetry

A
  1. Eyelids & Eyebrows
  2. Ears (exhibit the greatest differences in position, form, & size)
  3. Cheeks
  4. Nose & Mouth (pay attention to line of closure on mouth)
83
Q

Surfaces exhibiting a similarity of bilateral curvature:

These can all be seen in bilateral silhouette

A
  1. Forehead
  2. Cheeks
  3. Superior Integumentary Lip
  4. Chin (oval, round, angular, & square)
84
Q

lack of symmetry, balance, or proportion

A

asymmetry

85
Q

outline or surface form

A

contour

86
Q

a hollow or shallow concave area in a surface

A

depressions

87
Q

the silhouettes of the face from the side view

A

facial profiles

88
Q

a photograph or painting in which the subject has been posted and lighted flatteringly by a professional photographer or artist.

A

professional portrait

89
Q

side view of the human head

A

profile

90
Q

act of throwing forward; a part extending beyond the level of its surroundings

A

projection

91
Q

return of light waves from surfaces; the bending or folding back of a part upon itself

A

reflection

92
Q

the process of taking in, as in a colored object which absorbs certain rays of light and reflects other rays giving the objects its recognizable color.

ex: an apple is called red if the red rays are reflected and the other rays in the light are absorbed.

A

absorption

93
Q

the latin term for ear is…

A

pinna

94
Q

no two ears are________

A

identical…not even on same individual

95
Q

the _________ & ____________ of an ear can be different

A

shape

placement

96
Q

the ears change _________ in a lifetime than any other facial feature.

A

less

97
Q

the ear is formed like a ____________

A

wedge

98
Q

the ear is made mostly of ____________….except the _______

A

cartilage

lobe

99
Q

best structure to use when seeking location for modeled ear

A

External Auditory Meatus

100
Q

As the Zygomatic Arch comes through, it divides

A

the length of the ear in half

101
Q

Anatomical Structures of the Temporal Bone used for Locating the Modeled Ear

A
  1. External Auditory Meatus (ear passage)
  2. Zygomatic Arch
  3. Mandibular Fossa
  4. Mastoid Process
102
Q

the zygomatic arch ABUTS the top of the……

A

external auditory meatus

103
Q

the hinge portion (indention) that is located directly in front of the External auditory meatus?

A

mandibular fossa

104
Q

located behind and below the external auditory meatus

A

mastoid process

105
Q

internal ear bones

A
  1. malleus
  2. incus
  3. stapes
106
Q

the internal ear bones have ______________ on surface form

A

NO EFFECT

107
Q

parts of the ear are classified as…

A

Hollows or Cavities

Elevations or Ridges

108
Q

5 hollows or cavities of the ear…

A
  1. Ear Passage
  2. Concha (shell)
  3. Triangular Fossa
  4. Scapha
  5. Intertragic Notch
109
Q

orifice that leads into the hearing organ. Not visible from the frontal view or from the direct profile view.

A

ear passage

110
Q

the concave shell of the ear. Considered to be behind or above the ear passage. Walled in completely on both sides. Sometimes the vertical dimension can be cut in half.

A

concha

111
Q

the deepest depression of the ear

A

concha

112
Q

it is the depression that is between the crura of the antihelix

A

triangular fossa

113
Q

second deepest depression of the ear

A

triangular fossa

114
Q

shallowest depression of the ear

A

scapha

115
Q

the fossa that is between the inner and outer rim of the ear. may be tough to find sometimes

A

scapha

116
Q

notch or opening between Tragus & Antitragus of the ear

A

intertragic notch

117
Q

the intertragic notch is also called the ….

A

spill way

118
Q

5 elevations or ridges of the ear

A
  1. Helix & Crus
  2. Antihelix & Crura
  3. Tragus
  4. Antitragus
  5. Lobe
119
Q

outer rim of the ear…looks like a backwards question mark.

A

helix

120
Q

beginning of the Helix…outer rim…where the Helix may originate confirm this*

A

crus of the helix

121
Q

the crus of the helix can also originate (2)

A

Anterior area of the Concha

Posterior area of the Concha

122
Q

anterior portion of the helix will merge with the….

A

temple

123
Q

superior portion of the helix separates from the _________ at the ______ of the head

A

temple

side

124
Q

the amount of separation of the superior portion from the head is about the width of a _________

A

pencil

125
Q

inner rim of the ear

A

antihelix

126
Q

the antihelix will bifurcates as it moves _________

A

superiorly

127
Q

the antihelix bifurcates into the _______ of the antihelix

A

crura

128
Q

elevation that protects the ear…

A

tragus

129
Q

the tragus projects from __________ & ________ margin of the cheek

A

posterior

lateral

130
Q

eminence obliquely opposite the tragus..

A

antitragus

131
Q

the antitragus is located on the ________ border of the lobe of the ear

A

superior

132
Q

inferior fatty 1/3 of the ear…no cartilagenous lower part of the ear.

A

lobe

133
Q

the anterior border of the lobe attaches to the_______

A

face

134
Q

use the anterior margin as guide for the __________-

A

inclination of the ear

135
Q

draw an imaginary line from attachment at the ________ down to the _______

A

temple

lobe

136
Q

Line can be _____________ somewhat to the line on the _______________ from brow to __________

A

parallel
bony profile
upper lip

difficult ones (14 decks)

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