Renaissance- motet Flashcards
Renaissance motet would be based on a…
single Latin text
One of the most important changes to the 15th-century motet, as compared to the motet of the 13th century, was the use of…
a single text instead of multiple texts heard simultaneously.
By the early 15th century, the motet was becoming a purely _________ genre
sacred
How many quatrians does Josquin’s song have?
Five, as well as an opening and a final couplet
True or False?
Josquin’s music includes both hocket effects and passages in nonimitative counterpoint.
False
Josquin’s music includes both complex patterns of imitation and more homorhythmic passages.
True or False?
Josquin is known for the use of both paratactic form and occasional use of word painting in his motets.
True
Josquin is known for the use of both paratactic form and occasional use of word painting in his motets.
What is significant about the opening couplet of Josquin’s song?
In the opening sections, the strict imitation falls from the high voices down to the lowest.
The opening couplet begins with two points of imitation. First, each voice enters in turn with “Ave Maria,” beginning with an ascending perfect fourth. Next, each voice in turn sings “gratia plena,” beginning with a gradual descent through the same perfect fourth.
What is significant about the final couplet of Josquin’s song?
The use of a brief rest just before the conclusion serves to interrupt the momentum and emphasize the move toward the final cadence. The final cadence on C features the transparent and austere sound of open fifths on the solemn word “Amen.”
Josquin des pres was an outstanding representative of…
the Franco-Flemish school
Renaissance motet featured the more serious style of imitative counterpoint found in Masses, often in…
a series of sections, and often in alternation with contrasting homorhythmic sections.
What is significant about the first quatrain of Josquin’s song?
The first quatrain begins with paired imitation, as a soprano and alto duet are imitated by a tenor and bass duet. The upper-voice duet becomes a lower-voice trio as the alto continues.
What is significant about the fifth quatrian of Josquin’s song?
The final cadence of this quatrain and how it emphasizes the word “glorificato.”
Define homorhythmic texture
in a multi-voiced composition, when all voices sing in the same rhythm
a chordal (homophonic) texture results
coupled with syllabic text setting, this technique delivers the text clearly
the listener’s attention is drawn to the top voice
Define points of imitation
in imitative counterpoint, a series of thematic entries
a motive is passed from one voice to another
could occur at any place in the work, and would often feature a motive other than the imitative theme heard at the beginning
Define imitative counterpoint
a type of polyphony associated with Renaissance style
“counterpoint” comes from the Latin punctis contra punctum (“note against note”)
“imitation” refers to the passing of a motive or theme from one voice to another