Baroque- Introduction (2) Flashcards

1
Q

Who wrote Treatise on Harmony?

A

Jean-Philippe Rameau

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

The Baroque era saw an increase in the number of…

A

major and minor keys available to composers.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

During the Baroque era, the _________ modes emerged as the preferred modes.

A

Ionian and Aeolian

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Fortspinnung is a German term that means…

A

“spinning out.”

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Do Baroque scores suggest tempos?

A

No, the composer assumed that the performer would be able to choose a suitable tempo.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Who wrote Essay on the True Art of Playing Keyboard Instruments

A

Carl Philipp Emanuel Bach

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Who wrote A Treatise on the Fundamental Principles of Violin Playing

A

Leopold Mozart

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Johann Joachim Quantz was _________’s colleague at the court of Frederick the Great in Berlin.

A

Johann Joachim Quantz was C.P.E. Bach’s colleague at the court of Frederick the Great in Berlin.

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Who wrote On Playing the Flute

A

Johann Joachim Quantz

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Monody emphasized the _____ of the ______ voices, as a single vocal line and a simple accompaniment replaced the rich vocal polyphony of the Renaissance.

A

polarity; outer

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Who were the Baroque castrati?

A

Men who sang high parts and enjoyed star status

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

first used as a derogatory term in reference to the ornate art and music of the 18th century
now generally used with reference to the art, architecture, and music of the 17th and early 18th centuries

A

Baroque

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

a musical shorthand developed in the Baroque era
numbers are placed above or below the bass line to show harmonic progression
performed or “realized” by the basso continuo
provides harmonic framework for the performance of a vocal or instrumental work

A

Figured bass

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Baroque performance practice
generally involves two performers—one playing the notated bass line, one realizing the harmonies indicated by the figured bass
harmonies usually played on a keyboard instrument such as the harpsichord or organ, or on a plucked string instrument such as the lute
provides harmonic framework for the performance of a vocal or instrumental work

A

Basso continuo

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

Baroque performance practice
generally involves two performers—one playing the notated bass line, one realizing the harmonies indicated by the figured bass
harmonies usually played on a keyboard instrument such as the harpsichord or organ, or on a plucked string instrument such as the lute
provides harmonic framework for the performance of a vocal or instrumental work

A

The affections

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Baroque practice of changing dynamics abruptly

results in stark contrast rather than gradual change

A

terraced dynamics

17
Q

two-part form: A || B ||
both parts often repeated
Section A generally ends with an authentic cadence in the dominant or relative major key
frequently used in Baroque dances and keyboard pieces

A

binary form

18
Q

two-part musical form: A || B + A1 ||
opening material from Section A returns after Section B material
key structure similar to binary form

A

rounded binary form

19
Q

three-part form A || B || A ||
Section A generally ends with a closed cadence in the tonic key
Section B generally creates contrast with a different key and/or new material
often used in Baroque arias

A

ternary form