Classical- introduction Flashcards
This was an era characterized by rational thinking, the pursuit of knowledge, and…
a growing desire for social equality.
One of the most important developments in the sphere of musical composition in the latter part of the 18th century was…
the creation of sonata form.
Vienna, the capital of Austria, was a leading cosmopolitan center in the late…
18th century.
Sturm und Drang is a late 18th-century literary movement that emerged in Germany. It translates as…
“storm and stress.”
refers to the cultures of ancient Rome and Greece as well as the art, architecture, and music of the late 18th century
adheres to principles of symmetry, balance, and proportion
places emphasis on high quality, enduring value, and timeless excellence
Classicism
a multi-movement structure that emerged in the Classical era
exemplified in the symphony, string quartet, sonata, and concerto
sonata cycle
a formal structure often used in the first movement of a sonata cycle
an outgrowth of rounded binary form, it consists of three sections: exposition (statement, including two or more themes separated by a transition), development (departure), and recapitulation (return)
also known as sonata-allegro form
sonata form
In the early 18th century, the string orchestra supported by ________ became a standard performing ensemble.
continuo
The four Viennese masters,_____________________ created over _________
Haydn, Mozart, Beethoven and Schubert,
150 symphonies in all.
The symphony was the most important and popular genre of instrumental music in the…
18th century.
a formal structure often used in the first movement of a sonata cycle
evolved out of rounded binary form, where Section A is repeated and Section B features two subsections, including a return to the opening material
consists of exposition (statement of two or more contrasting themes), development (departure), and recapitulation (return)
also known as sonata-allegro form
sonata form
the first main section in sonata form
two themes or theme groups, normally contrasting in character, are presented
the first theme is in the tonic key
the second theme (or group of themes) is in a contrasting key; generally in the dominant or relative major
exposition
the second main section in sonata form
themes from the exposition are revitalized through fragmentation, contrapuntal manipulation, sequential treatment, as well as through changes to orchestration; modulation produces increased harmonic tension
one or more new themes may also be introduced
development
the third main section in sonata form
first and second themes are both restated, either in original or in modified form, in the tonic key
recapitulation
from the Latin for “tail” (cauda)
a concluding section reaffirming the tonic key
coda