Middle Ages- Mass Flashcards
Define isorhythm
a compositional device perfected in the ars nova
combines melodic patterns (color) with rhythmic patterns (talea)
color and talea are typically not the same length, overlapping rather than coinciding
Guillaume de Machaut was the most celebrated and significant composer of…
the French ars Nova
Which is from the Mass Proper?
A. Offertory
B. Agnus Dei
C. Gloria
A. Offertory
Which word refers to one voice, called the dux or “leader,” starting with a theme, and another voice called the comes or “follower,” following a few beats later singing exactly the same theme, continuing throughout the piece?
A. imitation
B. Canon
B. Canon
In the Kyrie of the Messe de Nostre Dame, the _________ is polyphonic
A. Kyrie and Christe sections
B. Chant
A. Kyrie and Christe sections
The Kyrie of the Messe de Nostre Dame is based on the…
Dorian mode
How many voices are there in the Kyrie of the Messe de Nostre Dame?
four
Guillaume de Machaut composed the first complete polyphonic setting of…
the Mass Ordinary: Messe de Nostre Dame
In the Kyrie of the Messe de Nostre Dame, the _________ is monophonic
A. Kyrie and Christe sections
B. Chant
B. Chant
What language is the Kyrie of the Messe de Nostre Dame?
Greek
What is the genre of the Kyrie of the Messe de Nostre Dame?
Mass
Guillaume de Machaut employed highly sophisticated…
contrapuntal techniques
In the 13th century, during the time of Pérotin, the clausulae of the discant sections were…
being rewritten
Guillaume de Machaut’s harmonic style includes a wider use of…
consonant intervals (thirds and sixths) than normally appears in works of the ars antiqua
A second innovation in this Mass is the introduction of…
another voice into the traditional three-voice style: the “contratenor”
Guillaume de Machaut’s monophonic chansons represent a continuation of…
the trouvère tradition ( northern France )
The earliest Mass settings took the form of…
monophonic chants in the early middle ages
The ars nova treatise elaborates on the innovations brought upon…
The rhythmic practices and notation practices of the Middle Ages.