Quiz 11 Flashcards

1
Q

Ava DuVernay

A
  • Origin + Selma
  • 13 –> docu about the ramifications of the 13th amendment leading to mas incarceration
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1
Q

Nicole Williams

A

Administrative assistant
animated film development
Dreamworks
Worked on Wild Robot + Dogman

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2
Q

Nicole Williams on pitching

A

research and look at company brand
- dreamworks = comedy w heart
- disney = heart w comedy
having a variety of sample
passion for animation

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3
Q

the dropout: from podcast to tv series (compelling how)

A
  • mixed a famous fraud + romance
  • features vivid, flawed characters and iconic picturesque settings
  • becomes a complex narrative
  • explore timeless themes: people who promise thing that are often too good to be true, with a twist that she’s a female entrepreneur
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4
Q

an FTV Pitch communicates…

A

Basic content information
and
Basic appeal information

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5
Q

Basic content information

A
  • title
  • log line
  • “its like sentence”
  • key details of the main characters + conflicts
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6
Q

log line

A

1-2 sentences explaining the show in a nutshell (~25 words)
- main characters/protagonists
- context
- inciting incident
- main conflict/antagonist

potentially genre or goal but NO resolution (spoilers)

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7
Q

basic appeal information

A
  • timeliness of the story
  • fit at the network where you’re pitching —> expected audience
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8
Q

“its like sentence”

A

a brief summary of what the film or show is like, via comparison to other well-known films
- communicate genre + emotional tone
- must start with “it’s like”

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9
Q

Network fit means…

A

network identity, network demographics, premium cable platform identity

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10
Q

HBO Max identity

A
  • first known for second-run movies
  • then became “prestige TV”
  • often violent/sexual contect
  • viewers = well educated and high income (varied ages)
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11
Q

Hulu

A
  • began as streaming site for old TV shows VOD
  • own shows + shows from networks like FX
  • avg age = 31
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12
Q

amazon prime

A
  • past film collections for rental
  • produces its own shows (diverse)
  • ex: transparent, the underground railroad, and As We See It
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13
Q

brains in screenwriting

A

left = analytic (structure screenplay)

right = intuitive (develop characters, dialogue, pictures)

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14
Q

screenplay

A

the written story created in the early development phase of a film project
- used to get main players on board

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15
Q

premise

A

your original story is narrowed down to just one or two sentences
- named hero
- want of hero
- what prevents their success
- ending

16
Q

act 1

A

establishes the real world and embarks the hero on their journey

the set yp

hero, setting, time period, genre, status, central question, incident, first turning point

17
Q

act 2

A

raise stakes and challenge hero
character growth, deeper relations
mid point
darkest hour

18
Q

act 3

A

“ticking clock” or “race to the finish”

hero is faced with their greatest challenge and loose ends are wrapped up

the climax - central ? answered

conclusion + theme

19
Q

narrative devices to manipulate time

A

flashback
flashforeward
set-up/payoff
montage
series of shots

20
Q

character development?

A
  1. character arc
  2. avoid stereotype trap –> fixed image of a particular type of person

AVOID hitting it on the nose –> explicit communication of feelings/thoughts

21
Q

Across 1614 creators

A

10 are female directors
42 are female writers
300 are female producers
10 are female composers

only one composer and one speaking character were non-binary in 2021

22
Q

Timeliness in Screenwriting

A

Morning show using a broken script to make the show more relevant to current events (george floyd + pandemic)

23
Q

screenwriter’s role in TV

A

staff writer
story editor (hired + contracted) –> original script for 1 episode
freelancer
showrunner

24
Q

showrunner

A

executive producer and lead writer
- most coveted role in TV
- oversee script selection, writing, casting, visual look, etc

25
Q

screenwriter’s role in film

A

writing on spec
writing under contract
rewriting (scott frank)

26
Q

scott frank

A

well known writer (and showrunner of the Queen’s Gambit
- script doctor for Saving Private Ryan and the Hunger Games
- “Vantriliquist” for adapting his sty;e to the needs of the script
- $300,000 a week (?)
- still gets rejected sometimes
- New: Mr. Spade

27
Q

Basic screenplay format

A

Slug Line
Action description
Dialogue

all scripts user 12 pt courier font

28
Q

Slug Line

A

Brief description of each scene’s location IN ALL CAPS

INT/EXT, location, time of day

29
Q

what is genre

A

the different categories into which we group films and tv shows (and other media) based on shared characteristics established by previous works in the genre

30
Q

world building through genre

A

“rules” of the world
stories and plotlines
character types
settings
visual image

31
Q

worldbuilding sci-fi

A

futuristic + space
special powers, robots, elders, warriors
morality (science bd mysticism)
high tech, exotic sets

32
Q

worldbuilding in melodramas

A
  • women attracted to dangerous men + dysfunctional families
  • strong female lead, romantic vulnerability
  • luxurious sets
  • idealized lifestyles
  • neo-noir, bold colors, strong shadows