Pre-Final: Text Media and Information Flashcards

1
Q
  • A simple and basic way of presenting information or ideas whether handwritten, printed, or online.
  • It appears in different media such as newspaper, blogs, advertisement, emails, magazines, etc. It varies in terms of length depending on the purpose of the author whether formal or informal use.
A

Text

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2
Q

These are essentially fixed-sized character with the same style

A

Plain Text

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3
Q

Text appearance varies using various typefaces, colors, and font sizes

A

Formatted Text

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4
Q
  • A kind of specially-formatted text that provides a link to other content.
  • It allows system designers to organize information in a branching structure instead of a linear one.
  • Clicking a hypertext link (called a hyperlink) will send the user to another part of the current document or a separate document entirely.
A

Hypertext

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5
Q
  • A design of letters, numbers and other symbols, to be used in printing or for electronic display.
  • Include variations in size, weight, slope, width, and so on.
  • Each of these variations of the typeface is a font.
A

Typeface

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6
Q
  • The oldest, most basic fonts in the book. This classical type of font can be used in a variety of different ways and will likely never go out of style.
  • This type of font is known by the “feet” seen at the top and bottom of each letter.
  • One of the most classic examples of a serif font style is Times New Roman.
A

Serif Type Styles

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7
Q

Type of Serif

This category of typefaces includes the earliest Roman types, designed from the late 15th to mid-18th century, and their modern counterparts. The curved strokes are inclined to the left, placing weight stress at around 8:00 and 2:00 o’clock.

A

Old Style

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8
Q

Type of Serif

John Baskerville, an English printer and typographer, created a transitional style in the mid-18th century. This style combines old style and neoclassical designs.

A

Transitional Serif

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9
Q

Type of Serif

This font type originated in the late 18th century, with Giambattista Bodoni being a well-known designer of this style. It is characterized by abrupt contrast between thin and thick strokes.

A

Neoclassical & Modern Serifs

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10
Q

Have less line width variation than serif fonts. The term “sans” means “without” in French, while “serif” comes from the Dutch word “schreef,” meaning “line.”

A

Sans Serif Typeface

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11
Q

Type of Sans Serif

These were the first widely-used sans serif typefaces, featuring contrast in stroke weight, slightly squared curves, and a Roman-style lowercase “g” with a bowl and loop.

A

Grotesque Sans Serif

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12
Q

Type of Sans Serif

These sans-serif typefaces are designed based on the proportions of Roman inscriptional letters, with a clear contrast in stroke weight. They are considered highly legible and readable by typographic experts.

A

Humanistic Sans Serif

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13
Q

Type of Sans Serif

Are constructed using simple geometric shapes with strict, monoline strokes. Character shapes are also made up of geometric forms. However, they tend to be less readable than grotesque sans-serif fonts.

A

Geometric Sans Serif

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14
Q

These elegant typefaces are oftentimes used in diplomas and invitations. The majority of these types are inspired by letter forms from the 17th and 18th century, by writing masters like George Shelley, George Bickham and George Snell.

A

Script Type Styles

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15
Q

Type of Script

These typefaces are derived from 17th century formal writing styles. Many characters have strokes that join them to other letters.

A

Formal Scripts

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16
Q

Type of Script

These scripts mimic calligraphic writing. They can be connecting or non-connecting in design. Many appear to have been written with a flat-tipped writing instrument.

A

Calligraphic Scripts

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17
Q

Type of Script

These types are also known as Textura, Gothic Script or Gothic minuscule. They were popular scripts in western Europe from the 12th to the 17th century. It was patterned after old-fashioned manuscript lettering that was used before the invention of the movable type.

A

Blackletter & Lombardic Scripts

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18
Q

Type of Script

This family has a less formal and more active hand. The strokes vary in width and appear to have been created by a wet brush rather than a pen nib. They became the top pick for advertising designs in Europe and North America in the 1970s.

A

Casual Scripts

19
Q

This is the largest and most diverse type classification. These typefaces are creatively used for signage, headlines and all other display projects requiring a strong typographic statement.

A

Decorative Styles

20
Q

Type of Decorative Styles

These typefaces are perfect for flat design as they create texture without resorting to drop shadows or bevels. They have a bold, chunky look that is delicate at the same time. In general, they come with hairline strokes within broader strokes.

A

Inline

21
Q

Type of Decorative Styles

Came into being thanks to the appearance of grunge music, which is also based on the slang term “grungy,” meaning dirty or filthy. If you’re looking for an urban, street-style font, these are for you.

A

Grunge

22
Q

Type of Decorative Styles

These typefaces are made up of capital letters with curved edges and thick strokes with splits. This makes them have the look of the stenciled letters used on crate shipments and public signs. They can be used in labels, headlines, logos, military and cartoon designs.

A

Stencil

23
Q

Tells the name of a text

A

Title

24
Q

Tells about a picture (description)

A

Caption

25
Q

Tells what part of a text will be about

A

Heading

26
Q

Gives the name of something

A

Label

27
Q

Tells what page things are on

A

Table of Contents

28
Q

Tells about a picture (emphasis)

A

Bold Word

29
Q

Shows how something looks

A

Illustration

30
Q

Tells where things are

A

Map

31
Q

Names the parts of things

A

Diagram

32
Q

An organized way to show information

A

Chart

33
Q

A box that gives more info on a topic

A

Fact Box

34
Q

Tells the reader the word is important

A

Italicized Word

35
Q

A box that gives more info on the side

A

Sidebar

36
Q

Tells what page important words are on

A

Index

37
Q

Tells what important words mean

A

Glossary

38
Q

This is applied when you want to make a point or highlight a certain text by changing the color, making it bolder, italicize it etc.

A

Emphasis

39
Q

This refers to how suitable the text is depending on your intentions, audience needs, and context.

A

Appropriateness

40
Q

This is about the distance between the words or text elements.

A

Proximity

41
Q

This describes the position of the text on a page in accordance to the margin or other text elements.

A

Alignment

42
Q

This is about deliberate and careful grouping, dividing, and sorting of all the similar elements on a page.

A

Organization

43
Q

Concerned with the uniformity and consistency of the design

A

Repetition

44
Q

Happens when two or more different elements are placed together to create a certain effect

A

Contrast