Pope Flashcards

1
Q

Rape of the Lock: Pope born

A

1688

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2
Q

Rape of the Lock: Pope dies

A

1744

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3
Q

Rape of the Lock: short version written

A

1712

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4
Q

Rape of the Lock: long version written

A

1717

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5
Q

Rape of the Lock: science

A

Rosicrucianism

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6
Q

Rape of the Lock: hierarchy, cosmos

A

playing with scale

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7
Q

Rape of the Lock: imperial vantage

A

contrast of scale; the downfall of epic; tortoise and elephant combs, symbols of empire

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8
Q

Rape of the Lock: genre

A

mock epic

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9
Q

Rape of the Lock: list epic features

A
  1. Feast (coffee at lacquered tables)
  2. Battle (ombre)
  3. Swarthy Moor (Matadore in ombre)
  4. Queen of Amazons (Thalestris)
  5. Moralizing interjections (“O thoughtless mortals! ever blind to fate… Sudden these honors shall be snatched away”)
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10
Q

Rape of the Lock: addressed to

A

John Caryll, who suggested it

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11
Q

Rape of the Lock: tone

A

light, mild, charming reproach (let’s laugh about this)

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12
Q

Rape of the Lock: billet-doux are

A

love letters

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13
Q

Rape of the Lock: ombre is

A

a card game (matadores, spadillio, manillio, basto)

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14
Q

Rape of the Lock: setting

A

At Belinda’s place first, then Hampton Court near the Thames

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15
Q

Rape of the Lock: The Baron

A

(Lord Petre, Arabella’s suitor) cuts lock

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16
Q

Rape of the Lock: Belinda

A

(Arabella Fermor) has lock cut

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17
Q

Rape of the Lock: Clarissa

A

woman in attendance at Hampton Court party, helps Baron by giving scissors, delivers moralizing lecture at the end

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18
Q

Rape of the Lock: Ariel

A

Guardian Sylph (sylphs - spirits of coquettes)

19
Q

Rape of the Lock: Shock

A

lapdog poodle

20
Q

Rape of the Lock: Betty

A

Belinda’s maid

21
Q

Rape of the Lock: name some of the sylphs

A

Zephyretta, Brillante, Momentilla, Crispissa, Ariel

22
Q

Rape of the Lock: Zephyretta, Brillante, Momentilla, Crispissa, Ariel

A

the sylphs

23
Q

Rape of the Lock: Umbriel

A

chief gnome, retrieves tears and sighs from Cave of Spleen to vex B

24
Q

Rape of the Lock: Thalestris

A

(Gertrude Morley, friend of Pope’s) – Belinda’s friend who eggs her on to wrath, i.e. Queen of Amazons

25
Q

Rape of the Lock: based on actual episode between

A

two prominent Catholic families (P wanted to prevent ridicule)

26
Q

Rape of the Lock: 1712 version

A

334 lines; a great success

27
Q

Rape of the Lock: second version started in 1713 and published in 1717. How long, compared to first?

A

2-3 times as long

28
Q

Rape of the Lock: second version started in 1713 and published in 1717. Written against whose advice? Why this advice?

A

Addison’s; thought it was perfect

29
Q

Rape of the Lock: second version started in 1713 and published in 1717. Adds what?

A

Epic “machinery” (supernatural agents in epic action) of Sylphs; Belinda’s toilet; card game; Cave of Spleen

30
Q

Rape of the Lock: Pope the first writer to build

A

a lucrative life-long career of his writing

31
Q

Rape of the Lock: in 1706-1711 Pope is friends with

A

Congreve, Walsh, Steele, Addison (Whigs)

32
Q

Rape of the Lock: Pope’s friends (Congreve, Walsh, Steele, Addison) are

A

Whigs

33
Q

Rape of the Lock: Pope later adopts new friends:

A

Swift, Dr. Arbuthnot, John Gay, Thomas Parnell (Tories)

34
Q

Rape of the Lock: Pope’s friends (Swift, Dr. Arbuthnot, John Gay, and Thomas Parnell) were

A

Tories

35
Q

Rape of the Lock: Scriblerus Club

A

written with tories Swift, Dr. Arbuthnot, John Gay, Thomas Parnell; fosters satiric temper that appears in Gulliver’s Travels, The Beggar’s Opera, The Dunciad

36
Q

Rape of the Lock: Martinus Scriblerus

A

In 1714 Pope, Swift, Dr. Arbuthnot, John Gay, Thomas Parnell write a biography of a learned fool, Martnius Scriblerus, who writes commentary on educated nonsense

37
Q

Rape of the Lock: references the monarch,

A

Anne (Anna). Sometimes she takes tea at Hampton Court

38
Q

Rape of the Lock: Test Act

A

(1673): all denominations except Anglicanism suffered legal restrictions and penalties (for example, Petre could not take his place in the House of Lords as a Catholic)

39
Q

Rape of the Lock: what recent law is important to understanding this piece?

A

Test Act (1673)

40
Q

Rape of the Lock: name a source P draws on, aside from epics

A

Le Comte de Gabalis: where Rosicrucian spirits discussed (Pope explains in intro letter; says it’s so much like a novel many ladies have read it by mistake)

41
Q

Rape of the Lock: quote about the impending disaster, “Whether the nymph shall break…”

A

“Whether the nymph shall break Diana’s law, / Or some frail china jar receive a flaw . . . Or whether Heaven has doomed that Shock must fall.”

42
Q

Rape of the Lock: taste

A

B’s toilet; the abundance of items, superfluities, which are a hodge podge of items related to imperial wealth; requires taste (i.e. discrimination) to sort out important from unimportant. The lock isn’t important.

43
Q

Rape of the Lock: talking point, contrast of scale

A

Most epics, imperial vantage point greater than the enemy’s is a triumph; here the vantage point is so much wider that the result is comical.

44
Q

Rape of the Lock: Rosicrucianism (i.e. sylphs, gnomes, nymphs, salamanders)

A

17th-c. cultural movement seeking esoteric order to the universe (Giardono Bruno, hermeticism)
o Frances Yates, “Yates Thesis”: beginnings of science