Metaphysical poets Flashcards

1
Q

Who coined the term “metaphysical poets,” and when?

A

Samuel Johnson; 1779

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2
Q

“Rather as beholders than partakers of human nature; as beings looking upon good and evil, impassive and at leisure; as Epicurean deities making remarks on the actions of men and the vicissitudes of life, without interest and without emotion.” Who is the quote about? Who said it?

A

The metaphysical poets; Samuel Johnson

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3
Q

“The most heterogeneous ideas are yoked by violence together; nature and art are ransacked for illustrations, comparisons, and allusions; their learning instructs and their subtlety surprises; but the reader commonly thinks his improvement dearly bought, and, though he sometimes admires, is seldom pleased.” Who is the quote about? Who said it?

A

The metaphysical poets; Samuel Johnson

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4
Q

Their wish was “only to say what they hoped had been never said before.” Who is the quote about? Who said it?

A

The metaphysical poets; Samuel Johnson

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5
Q

OED: “Poetry that expresses emotion in an intellectual context” What poetry is the OED describing?

A

Metaphysical poetry

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6
Q

What word does More use to describe parliament, in the sense of “supersubtle, supernatural and specious”?

A

“Metaphysical”

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7
Q

How does Lady Macbeth use the word “metaphysical”?

A

Kill the king by “fate and metaphysical aid.”

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8
Q

To those who originally accused poets like Donne of being “metaphysical,” the suggestion of unintelligible and quibbling argumentation would have connected Donne et al with which pre-humanist thinkers?

A

Scholastics

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9
Q

He “affects the metaphysics, not only in his satires, but in his amorous verses, where nature only should reign.” Who said this, and about whom?

A

Dryden; Donne

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10
Q

What poetry is characterized by the inventive use of conceits, and by speculation about topics such as love or religion?

A

Metaphysical

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11
Q

Discuss wit in metaphysical poets

A

The specific definition of wit which Johnson applied to the school was: “… a kind of discordia concors; a combination of dissimilar images, or discovery of occult resemblances in things apparently unlike.”

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12
Q

What are metaphysical conceits?

A

far-fetched or unusual similes or metaphors, such as in Andrew Marvell’s comparison of the soul with a drop of dew; or Donne’s description of the effects of absence on lovers to the action of a pair of compasses.

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13
Q

How did metaphysical poetry diverge from the style of its time?

A

less dependent on conventional images of nature or allusions to classical mythology.

Instead, their work relies on images and references to the contemporary scientific or geographical discoveries.

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14
Q

How was metaphysical poetry influenced by neo-platonism?

A

One of the primary Platonic concepts found in metaphysical poetry is the idea that the perfection of beauty in the beloved acted as a remembrance of perfect beauty in the eternal realm. [Though I think this might be reversed in “The Good Morrow”]

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15
Q

Interrogate the label of “metaphysical poets”

A

They weren’t formally affiliated; most of them did not know one another or read one another’s work. There’s also great diversity between them stylistically. [I still think there’s an important shared theme, which is a lot of conscious interaction with contemporary advances in science and epistemology; this theme would require taking in Milton.] It has been suggested that calling them Baroque poets would be more useful. T.S. Eliot’s praise of metaphysical poets helped cement their group identity, but his criticism focused on more conservative Anglo-Catholics rather than, say, Milton. This allowed the New Critics to depoliticize the 17th century and focus on the words on the page.

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16
Q

What poet might be said to invoke Petrarchan and Neo-Platonic ideas of love even while challenging those idea? An example of such a challenge?

A

John Donne; can be distanced and detached from the pursuits of love, as opposed to Petrarch who is endlessly yearning, devoted, submissive, and frustrated

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17
Q

Name some of Donne’s overarching ideas

A

Intense analysis of human experience: desire for love, purging of sin, defeating mortality, erotic desire; playful use of logical quibbles as in “The Flea”; the discoveries and disruptions of exploration, natural philosophy, etc; Man’s and Woman’s love and their power in love.

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18
Q

What year does John Donne elope with Anne More?

A

1601

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19
Q

Who was imprisoned briefly and barred from employment, but eventually found secure employment in the holy orders of the Church of England? What year did he take these orders?

A

John Donne; 1615

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20
Q

What poet’s work was almost entirely distributed in manuscript until it was published in 1633, two years after his death?

A

John Donne

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21
Q

John Donne was alive

A

1572-1631

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22
Q

What is strange about the end of the flea?

A

It threatens to overturn all of its earlier logic to gain the desired end

23
Q

What is the rhyme scheme of “The Flea”?

A

AABBCCDDD; three couplets followed by a tercet

24
Q

What is the meter of “The Flea?”

A

Iambic for the most part; alternates tetrameter and pentameter, with the last two lines of each stanza in pentameter

25
Q

“pampered swells with one blood made of two.” Author and poem? What’s the innuendo?

A

Donne, “The Flea”; the flea described using imagery of an erection

26
Q

Name four biographical details about George Herbert

A

Rhetorician and public orator at Cambridge; rector of a rural parish near Salisbury; Practicing musician (lutenist); lyric poet

27
Q

George Herbert was alive

A

1593-1633

28
Q

Name two notable figures from the court who read George Herbert’s poetry

A

Cromwell’s personal chaplain and Charles I before his execution

29
Q

How is George Herbert’s poetry unlike Donne’s?

A

More musical; more invested in simplicity and less invested in ingenuity than Donne’s; discuss tonal differences…

30
Q

What is the structure of Herbert’s The Temple: Sacred Poems and Private Ejaculations?

A

Almost like a sonnet sequence composing an architectural structure–a temple. A spatialized narrative of a Christian’s interactions with God.

31
Q

Discuss George Herbert and music

A

He was a lutenist; used music as theme and source of metaphors in poems; [idea: music as organizing structure in The Temple–architecture spatial, music temporal]

32
Q

How did George Herbert circulate his poetry, and how did it come to us?

A

Privately in manuscript among a small circle including his parish; he asked that his poems be burned after his death unless they might help some soul

33
Q

Where was Andrew Marvell born?

A

Yorkshire

34
Q

Where did Andrew Marvell study?

A

Cambridge

35
Q

Andrew Marvell began his career as a royalist: he wrote a poem celebrating the birth of

A

Charles I’s daughter

36
Q

Who wrote “An Horatian Ode Upon Cromwell’s Return from Ireland”?

A

Andrew Marvell

37
Q

Andrew Marvell was a Civil Servant and Politician, and eventually became

A

an MP

38
Q

Only nine of this person’s published during his/her lifetime; the rest weren’t published until 1681, and it was only in the 19th century that this poet began to be considered significant. Who?

A

Andrew Marvell?

39
Q

“To His Coy Mistress” is divided into three sections of rhyming couplets written in iambic tetrameter. What is the main claim of each section?

A
  1. Our love deserves all time
  2. But time is limited and we’ll both die
  3. So, carpe diem: let’s have sex
40
Q

Finish the quote, name the author and poem: “Had we but world enough, and time, /

A

This coyness, lady, were no crime.” Andrew Marvell; “To His Coy Mistress” (section 1)

41
Q

Finish the quote, name the poetic device being employed, the author, and the name of the poem: “My vegetable love should grow / Vaster than empires, and more slow. / An hundred years should to to praise / Thine eyes, and on thy ______. / Two hundred to adore ______; But thirty thousand _____. / An age at least ______, / And the last age should know _____. / For lady you deserve this state; / Nor . . .

A

“forehead gaze”; “each breast”; “to the rest”; “to every part”; “your heart”; “would I love at lower rate”; Blazon; Andrew Marvell; “To His Coy Mistress” (section 1)

42
Q

Finish the quote, name the author and poem: “But at my back I always hear /

A

Time’s winged chariot hurrying near: / And yonder all before us lie / Deserts of vast eternity.” Andrew Marvell; “To His Coy Mistress” (section 2)

43
Q

Finish the quote, name the author and poem: “Then worms shall try that long preserved ____, / And your quaint honor ______; / And into ________. / The grave’s a fine and ______, / But none . . .

A

“virginity”; “turn to dust”; “ashes all my lust”; “private place”; “…I think, do there embrace.” Andrew Marvell; “To His Coy Mistress” (section 2)

44
Q

Finish the quote, name the author and poem: “Now let us sport us ______; / And now, like _____ / Rather at once ______, / Than languish …

A

“while we may”; “am’rous birds of prey”; “our time devour,”; “…in his slow-chapped power.” Andrew Marvell; “To His Coy Mistress” (section 3)

45
Q

Finish the quote, name the author and poem. “Thus, though we cannot make our sun /

A

Stand still, yet we will make him run.” Andrew Marvell; “To His Coy Mistress” (section 3) [notice enjambment]

46
Q

Finish the quote, name the author and poem. “My Love is of a birth as rare / As ‘tis, for object, strange and high; . . .”

A

“It was begotten by Despair / Upon Impossibility.” Andrew Marvell; “The Definition of Love”

47
Q

Finish the quote, name the author and poem. “Magnanimous Despair alone / Could show me so divine a thing, Where feeble Hope could ne’er have flown /

A

But vainly flapped its tinsel wing.” Andrew Marvell; “The Definition of Love”

48
Q

Finish the quote, name the author and poem. “And yet I quickly might arrive / Where my extended

A

soul is fixed;” Andrew Marvell; “The Definition of Love”

49
Q

Finish the quote, name the author and poem. “For Fate with jealous eye does see / Two perfect loves, nor lets them close; / Their union would her ruin be, / And her

A

“tyrannic power depose.” Andrew Marvell; “The Definition of Love”

50
Q

Finish the quote, name the author and poem. “And therefore her decrees ______ / ___________ / (Though Love’s whole world on us doth wheel), / Not by themselves to be embraced.”

A

“of steel”; “Us as the distance poles have placed”; Andrew Marvell; “The Definition of Love”

51
Q

Finish the quote, name the author and poem. “Unless the giddy heaven fall, / And earth ________, / And, us to join, the world should all / Be _____________.”

A

“some new convulsion tear”; “Be cramped into a planisphere”; [2-d map of the world; the globe collapsing into a flat pancake shape that would bring the two poles together] Andrew Marvell; “The Definition of Love”

52
Q

Finish the quote, name the author and poem. “As lines, so loves oblique may well / Themselves __________; / But our, so truly parallel, / _______________.”

A

“in every angle greet”; “Though infinite, can never meet.” Andrew Marvell; “The Definition of Love”

53
Q

Finish the quote, name the author and poem. “Therefore the Love which us doth bind, / But Fate so enviously debars, / ___________, / ____________.”

A

“Is the conjunction of the mind, / And opposition of the stars.” Andrew Marvell; “The Definition of Love”