Performance Flashcards

1
Q

What is direct bodily context?

A

Are the characters touching eachother? Of so, how? Combining this with how the characters are positioned, much can be revealed about characters relationships.

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2
Q

What are proximics?

A

Are the characters close togetehr or far apart? This reveals how intimate (or not) these characters are.

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3
Q

What does the orientation of characters to eachother tell us?

A

This reveals how characters feel about one another.

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4
Q

What should we consider when looking at a characters general appearance?

A

Are they fat, thin, tall or short? Are they well dressed? How does there appearance compare to those around them?

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5
Q

What should we consider when looking at a character’s head movements?

A

How is the actor using their head to express emotion or suggest meaning?

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6
Q

What do a character’s facial expressions tell us?

A

This tells us about how a character feels.

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7
Q

What should we consider when looking at the eye movement and eye contact of characters?

A

Does a character look directly into the eyes of another or do they look down or up? How long is the eye contact held? Does the actor blink frequently or not?

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8
Q

What is kinesics and what do we have to consider when looking at them?

A

This is the study of the movements and gentures of characters. It is their non-verbal communication. Does the character miove their hands? Are they restless?

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8
Q

What do we consider when looking at a characters body posture or body langauge?

A

Does the way a character walk or hold themself, suggest a particular emotion? Can you tell if a character is confident or timid? Is their posture open or closed?

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9
Q

What are paralingual codes?

A

An actor uses a range of techmiques (pitch, pace, stress, volume, pause and accents) to deliver lines of dialogue which will develop the charcter and generate responses.

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10
Q

What is realist performance?

A

This is a performance style that should feel authentic, the actors technique would be barely noticed as they are ‘being themselves.’ Filmmakers that strive for realism often use non-professional actors. This style is often used in social realsim and docu-drama films.

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11
Q

What is classical performance?

A

This is a a trdaitional Hollywood performance style which offers surface believability. Here, characters are played by well-known actors that bring a certain set of social or moral attitudes that audiences respond to.

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12
Q

What is formalist performance?

A

This is a performance style, where performances are ‘over the top,’ appearing highly stylized. This style is rare but it can be seen in art house or experimental films.

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13
Q

What is method acting?

A

This is a style of acting where the actor embodies the character in their everyday life. It is an emotionally-orientated acting technique that helps the actor get into the head of the character they are playing. It encourages the actor tp draw from real emotions and experiences to give a more convincing performance.

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14
Q

What is improvisatory style?

A

This is a style of acting that was popularized in the 1960s by French new wave directors. The actors would improvise during scenes and gtheir reasoning was they believed it captured a better sense of discovery and surprise.

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15
Q

What do we look at when looking at non-verbal communication?

A

direct bodily contact, proximics, orientation, general appearance, head movement, facial expression, eye movement, posture, kinesics (gestures) and parralinguistic codes.

16
Q

What are the elements of performance?

A

verbal & non-verbal communication, casting choices, performance styles and acting styles.