Part 3:Yu Flashcards

1
Q

requires thorough knowledge of historical grammar and good acquaintance with the daughter languages.

A

Reconstructing Protolanguages

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2
Q
  • Is a highly inflected language
  • is the reconstructed common ancestor of the Indo-European language family, which includes a vast array of languages spoken across Europe, Asia, and parts of the Middle East.
A

Proto Indo European

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3
Q

Language in contact signifies the circumstance of two people interacting with each other with two or more language varieties thus, influencing each other. This commonly occurs in language borrowing and convergence, and relexification.

A

Language in contact

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4
Q

The term idiolect – made up of the Greek “idio” which means personal, private along with (dia)lect was coined by linguist Bernard Bloch. In linguistic, idiolects fall under the study of linguistic variation, such as dialects and accents. How an individual speaks in different varieties is called an idiolect. All speakers make use of several idiolects depending on different settings and circumstances of communication.

A

Idiolects

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5
Q

This talks about how people talk in different forms used by members of a regional or ethnic group. All languages spoken by more than one small homogenous community are found to consist of two or more dialects.

A

Dialect

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6
Q

occurs when speakers of two or more languages or varieties interact with and influence each other. language contact generally leads to bilingualism or multilingualism.

A

Language contact

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7
Q

The use of more than one language by a speaker within an intercourse with others.

A

Code switching

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8
Q

A word from one language is adapted for use in another

A

Borrowing

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9
Q

A change from the use of one language to the use of another language.

A

Language shift

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10
Q

It is a contact language that doesn’t have any native language, and pidgin has a limited vocabulary and reduced grammar.

A

Pidgin

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11
Q

is a language that comes from a simplified version of another language, or the mix of two or more language.

A

creole

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12
Q

The way language is utilized or manipulated to express meaning in a certain situation or for a specific goal is referred to as style. It includes all the different facets of language, like syntax, vocabulary, tone, and structure, that can be changed or adjusted to accomplish a specific communication goal.

A

Styles

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13
Q

The language used can change dramatically based on the context. For instance, vocabulary used in casual discussion with friends differs from that used in a formal academic work. It’s common to refer to this linguistic variance as “stylistic variation.”

A

Variation in language

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14
Q

Styles fall into many categories based on how formal they are. Informal styles are distinguished by simpler language and may contain slang or colloquialisms, whereas formal styles typically use more complicated vocabulary and grammatical structures.

A

Formality vs. Informality

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15
Q

Word or vocabulary selection can have a big influence on style. Tone and connotation might vary depending on the term used. For instance, a scientific document written in technical jargon communicates a different style than one written in plain, everyday language.

A

Diction and Vocabulary

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16
Q

Textual style can be influenced by sentence structure, including phrase length and complexity. While some styles utilize short, simple sentences, others may use long, complicated ones.

A

Syntax and Sentence Instructure

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17
Q

Language’s emotional content and tone are intimately linked to style. Depending on the tone the author wants to express, a book may, for instance, have an informal, amusing style or a formal, serious style.

A

Tone and Emotion

18
Q

Authors and presenters frequently employ a variety of rhetorical strategies, like similes, metaphors, alliteration, and hyperbole, to improve the tone and persuasiveness of their writing.

A

Rhetorical Devices

19
Q

References to other texts or cultural components can also be a part of style

A

Intertextuality

20
Q

the process by which a creole language gradually becomes more like the standard language of a region (or the acrolect)

A

Decreolization

21
Q

include the sender, receiver, and those who can perceive speech signals.

A

Participants

22
Q

location/time where communication happens

A

Setting

23
Q

mood and context, “psychological setting”, contributes to the setting

A

scene

24
Q

Typpe of speech act or communication event

A

Genre

25
Q

overall tone or manner of speech; tonality, pacing, loudness; “tone, manner, or spirit in which an act is done” - Dell Hymes

A

key

26
Q

The speech community knows what is and what is not appropriate; unspoken rule

A

Rules of interaction

27
Q

social rules that govern communication; conventions; whether something is socially acceptable or not

A

Norms of interpretation

28
Q

refers motivation for communicative behavior varies from one occasion to the next. An individual may make an offer or a request, threaten or plead, praise or blame, invite or prohibit some action, reveal or try to conceal something, and so on

A

channels

29
Q

refers to a framework for communication in a given - speech community. As an academic discipline, it explores the manner in which groups communicate based on societal, cultural, gender, occupational or other factors

A

codes

30
Q

A paraphrase may be sufficient to indicate the message content, but only the quoting of the exact words can represent adequately the message form of a speech act.

A

Message content and form

31
Q

in discussing the various components of speech, Hymes used as a mnemonic device the word SPEAKING, whose letters stand for

A

Speaking

32
Q

where the speech event is located in time and space

A

Setting and scene

33
Q

who takes part in the speech event, and in what role (e g. speaker, addressee, audience)

A

Participants

34
Q

what the purpose of the speech event is, and what its outcome is meant to be

A

Ends

35
Q

what speech acts make up the speech event, and what order they are performed in.

A

Act sequence

36
Q

the tone or manner of performance (serious or joking, sincere or ironic, etc.)

A

key

37
Q

hat channel or medium of communication is used (e.g. speaking, signing, writing, drumming, whistling), and what language/variety is selected from the participants’ repertoire

A

Instrumentalities

38
Q

what the rules are for producing and interpreting speech acts

A

Norms of interaction

39
Q

what ‘type’ does a speech event belong to (e.g. interview, gossip), and what other pre-existing conventional forms of speech are drawn on or ‘cited’ in producing appropriate contributions to talk.

A

Genres

40
Q

contextualization cues determine the nature and purpose of verbal exchange during casual interaction.

A

Casual Atmosphere

41
Q

A remark taken as criticism can lead to a change in tone and indicate a misinterpretation of the original message.
To linguists who would most likely be analyzing unwritten languages spoken by very small, out-of-the-way societies, Ngandi discourse structure might well appear as highly fragmented and unpredictable.

A

Misinterpretation

42
Q

 The ethnography of speaking according to Dell Hymes is concerned with describing ways of speaking, as they construct and reflect social life within particular speech communities.

A

Ethnography of speaking