nya 2 Flashcards

1
Q

Broadway

A

the collective nickname for the theater
district in New York, since the major theaters
are clustered near the street named Broadway

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2
Q

bottleneck

A

– a guitar technique in which a finger of
the left hand is inserted into the sawed-off neck
of a glass bottle so that the finger can glide up
and down the strings smoothly (used in crossroad blues)

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3
Q

border blaster

A

a radio station operating just outside
U.S. borders (and therefore outside of U.S.
restrictions), usually broadcasting with a very
strong signal; also known as an X station because
of the “X” that launches its call letters

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4
Q

boogie-woogie

A

a jazz (and blues) piano style in
which the left hand plays a heavy, bouncy, repetitive
pattern while the right hand performs
syncopated melodies

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5
Q

book

A

a twentieth-century theatrical term for the
overall storyline and the spoken dialogue of a
Broadway show

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6
Q

blues

A

a style of music that originated among African
Americans as a way to lament problems and
unhappiness; it relies on a customary sequence
of chords—often in a twelve-bar pattern—and
a standard AAB rhyme scheme

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7
Q

block voicing

A

– a jazz arranging technique in which
instruments that belong to the same family are
assigned similar music to play (so that trumpets
are grouped together, or saxophones, or trombones,
etc.); also called sectional writing

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8
Q

blimp, camera blimp

A

– a soundproof housing that
encases a movie camera, muffling the sound of
the camera’s motor, so it is not picked up by the
microphone

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9
Q

The Billboard

A

a magazine devoted to tracking
trends in entertainment, especially music broadcasts
and record sales

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10
Q

bichord

A

the use of two conventional chords simultaneously

also called polychord

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11
Q

bebop

A

a modern jazz style that requires substantial
virtuosity because of its complex melodies,
rhythms, and harmonies; its irregular phrasing discourages dancing and encourages listening.

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12
Q

baritone

A

– the designation for a male voice that is

lower than a tenor and higher than a bass

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13
Q

avant-garde

A

– a French term for “military vanguard”;
it has been adopted as a description of
cutting

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14
Q

augmentation

A

the lengthening of a melody or
rhythm by increasing the duration (usually proportionally)
of all of its notes

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15
Q

arpeggio

A

– a technique in which the individual
pitches of a chord are played in rapid succession
rather than simultaneously, in the manner that
one would strum a guitar or harp

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16
Q

American Theatre Wing –

A

a Broadway support
organization that undertook projects to support
troops during both world wars; they are
now best known as the society that sponsors the
Tony Awards.

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17
Q

alternation form

A

a pattern related to verse-chorus
form, but one in which the “chorus” (b) has new
words each time. It can be diagrammed as a-ba-b
(etc.)

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18
Q

a cappella

A

translated literally, it means “in the
church (chapel) style”; for musicians, it has come
to mean vocal music without instruments

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19
Q

Articulation

A

The mechanics of beginning and ending a sound

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20
Q

Atonal

A

Music that lacks a fixed tonal center; deviation from common-practice
harmony; championed by early 20th
-century composers like Schoenberg

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21
Q

Bass line

A

The lowest “voice” in a sequence of chords; often the harmonic root

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22
Q

Blues inflections

A

Characteristic of a blues scale; created by lowering third and/or seventh
scale degrees; influenced by African music; see blue notes

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23
Q

Blues scale

A

A scale that combines characteristics of major and minor scales; third and
seventh degrees can be lowered, normal, or in between

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24
Q

Cantata

A

Musical style of A Survivor from Warsaw

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25
chord changes
harmonic progressions
26
Chromatic harmony
Harmony that employs pitches from outside the key of the piece
27
chromatic pitches
Pitches outside the key of a piece (i.e. not found in the scale)
28
Coda
“Tail” in Italian; music that concludes a piece
29
Comme un oiseau
“Like a bird”; notation in the clarinet’s opening melody of Quartet for the End of Time
30
Common-practice | tonality
An organizational system for pitch and harmony that governs the harmonies in nearly all Western music
31
compound meter
A meter dividing the beat into three parts; typically indicated by an “8” as the bottom number in the time signature
32
Contour
general profile of a melody
33
Counterpoint
Process created by Western composers c. 1350 to produce polyphony; involves many carefully constructed “rules”
34
Countersubject
A companion theme to the fugue subject; not necessary for a fugue
35
cross-rhythm
polyrhythm
36
Development
The second section of a sonata; sounds exploratory and unstable
37
diatonic
“Within the key”; consisting of only pitches found in the key of a piece
38
Double speed
Two-notes-per-beat tempo
39
Electrophone
An instrument dependent on electricity; produces sound waves using a mechanical device called an oscillator
40
Emancipation of the | dissonance
Idea pioneered by Arnold Schoenberg in the early 20th century Called for composers to abandon common-practice conventions
41
Exposition
The first section of a sonata; presents the two main ideas and contains the transition
42
French horn
First instrument appearing in “Ol’ Man River”
43
Frets
Strings or bars on an instrument which indicate pitch level
44
fugue
Musical device in which the composer develops a theme using | counterpoint and imitation; helps determine a piece’s form
45
Full cadence
A cadence that moves from the dominant harmony to the tonic (V-I)
46
Half cadence
A cadence that finishes on the dominant harmony, creating a sense of hesitation or inconclusiveness
47
halo of strings was developed by
alfred newman
48
Harmonic interval
An interval in which two pitches sound at the same time
49
Harmonic progression
A sequence of chords or intervals that moves from dissonance (tension) to consonance (resolution); common set of swing chords
50
harmony
Music that uses chords; two or more pitches sound at the same time
51
Heterophony
Music in which two or more voices produce the same melody at the same time, with slight variations
52
Homophony
Music with two distinct elements, a melody and a harmonic | accompaniment
53
Imitation
The approximate repetition of a melody at a different pitch level; central to fugue technique
54
Inversion
Placement of a pitch other than the root of the chord at the bottom; relationship between river and Cotton Blossom motifs in “Ol’ Man River”, with the pitches ascending and descending respectively
55
irregular meter
Alternation of two different meters in an erratic pattern; a piece with a steady beat grouped inconsistently
56
jazz improv was common before what year
1950
57
Melodic interval
Interval in which the two pitches sound one after the other
58
melody
Sequence of individual pitches that the ear interprets as a cohesive whole; only one pitch sounds at a time
59
Mixed meter
Use of a rapid-fire series of different meters
60
modal mixture
Alteration of one or two pitches in a diatonic triad; typically with parallel scales
61
modulate
change keys
62
Monophony
Music that contains only one unaccompanied melodic line
63
Non-functional | harmonies
Chords that never resolve; used by Stravinsky and Debussy
64
octatonic scale
Scale that alternates whole and half steps, dividing the octave into eight
65
ostinato
From Italian for “obstinate”; melodic or rhythmic motive that repeats many times in succession; appears in “Ol’ Man River’s “river” motif
66
palindrome
Technique in Quartet for the End of Time
67
parallel scales
ex: C maj & C min
68
partials
overtones
69
Plagal cadence
IV - I
70
Plectrum
Pick for plucking strings
71
Polymeter
Overlap of two or more meters simultaneously
72
polyphony
Music that features two or more simultaneous melodic lines
73
polyrhythm
Presentation of two dissimilar rhythmic patterns simultaneously
74
polytonality
Appearance of two different keys simultaneously
75
predominant harmony
Harmony that pulls to the dominant; most often supertonic and subdominant
76
prepared piano
Insertion of objects between piano stings; invented by John Cage
77
Recapitulation
Final section of the sonata; reintroduces main ideas but lacks a key change
78
Refrain
Repetitive chorus; in rondos, the new melodies between refrains
79
Ritornello
“Returning material”; first theme in Rhapsody in Blue and its coda
80
rotation occurs in which song
string quartet of 1931
81
Sequence
Repetition of a short motive (usually under two measures) at a different pitch
82
shake
Jazz technique that the orchestra uses on the last note of “I Got Rhythm”
83
simple meter
One-note-per-beat tempo
84
Subito
`Sudden change; occurs at the end of “I Got Rhythm”’s introduction
85
syllabic music
Music which separates pitch changes with different syllables
86
tessitura
Aspect of a melody describing relative amount of pitches in each register
87
tone cluster
Henry Cowell technique involving using other parts of the hand to play multiple pitches at once
88
Transition
The key change in the exposition of a sonata
89
tritone
Highly dissonant interval consisting of three whole steps | One of the primary sources of tension in Western music
90
tutti
“Everyone”; indicates the music includes all performers
91
voice leading
System of arranging vocal parts so that each singer sings a relatively conjunct line; typically achieved by inverting chords
92
wordless voice
Tone color often used by Duke Ellington; singer mimics an instrument rather than delivering lyrics