Music of WC Flashcards

1
Q

Sacred

A

religious music

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2
Q

secular

A

non-religious music

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3
Q

Gregorian Chant is type?

A

Sacred music

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4
Q

Troubadour Music is type?

A

Secular music

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5
Q

Gregorian Chant’s texture

A

Monophonic

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6
Q

Troubadour Music’s texture

A

Usually Monophonic

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7
Q

The earliest notation used symbol called neumes to indicate tone-movements and relative duration within each syllable but not specific pitches of individual notes.

A

Gergorian Chants

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8
Q

-Monophonic
-Free meter
-Modal
-Acapella
-Usually based on latin liturgy
-Use of Neume Notation

A

Gergorian Chants Characteristic

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9
Q

uses French language and sometimes performed with instrumental accompaniment.

These artist converted storytelling into an arts and often entertained huge crowds at fairs, weddings and other medieval celebrations.

A

Troubadour Music

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10
Q

He was the son of a well – known citizen of Arras, Henri de la Halle. He received his education at the Cistercian Abbey of Vaucelles, near Cambral. Adam was destined for the church but he eventually married

A

Adam de la Halle

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11
Q

was also known as Adam le Bossu (Adam the Hunchback)

A

Adam de la Halle

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12
Q

was one of the oldest secular composers whose literary and musical works include chansons and poetic debates.

A

Adam de la Halle

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13
Q

RE -means once more/again
NAISSANCE – from the word _____

A

naitre: which means to be born

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14
Q

-is a period of looking back to the Golden Age of Greece and
Rome.
-The invention of printing in the 1400’s paved the way for a wide distribution of renaissance compositions.

A

Renaissance Period

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15
Q

The _______ surfaced during the Renaissance Period. This movement focused on man’s accomplishments.

A

humanism

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16
Q

was the prominent instrument of the renaissance era. The influence of the Roman Catholic Church started to decline as the new music genre arose.

A

Lute

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17
Q

-Mostly polyphonic
- Imitation among the voices is common
-Use of word painting in texts and music
-Melodic lines move in a flowing manner
-Melodies are easier to perform because these move along a scale with a few large leaps/

A

Renaissance Period’s Characteristic

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18
Q

is a form of sacred musical composition that sets texts of the Eucharistic liturgy into music.

A

Mass

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19
Q

-Polyphonic
-May be sung a capella or with orchestral accompaniment
-Text may be syllabic,neumatic or melismatic

A

Mass

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20
Q

Lord Have Mercy

A

Kyrie

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21
Q

Glory to God in the Highest

A

Gloria

22
Q

The Apostles Creed or Nicean Creed

A

Credo

23
Q

Sanctus and Benedictus

A

Mass

24
Q

Agnus Dei

A

Mass

25
Q

A secular vocal polyphonic music composition which originated from Italy. It was written and expressed in a poetic text and sung during courtly

A

Madrigal

26
Q

It is the most important secular form during the Renaissance

A

Social gatherings

27
Q

-Polyphonic
-Sung a capella
-Through-composed
-Frequently in 3 to 6 voices

A

Characteristics of the Madrigal

28
Q

In the Renaissance period, music education is a symbol of _____

A

Social Status

29
Q

_____ among the voices is common in Renaissance music.

A

Imitation

30
Q

There are five main sections of the Mass. Which of the following is the only section of Mass with Greek text.

A

Kyrie

31
Q

is said to be the greatest master of Roman Catholic Church music during the Renaissance period. Majority of his compositions are sacred music.

A

Giovanni Pierluigi da Palestrina

32
Q

was born in Norwich, East England, the son of a brewer. He was singer in the local cathedral from his boyhood, and he became master of choristers there in 1583.

A

Thomas Morley

33
Q

The first composition of Palestrina is entitled _______

A

Pope Marcellus Mass

34
Q

Palestrina has two sons and lost them both because of the ______

A

Plague epidemic

35
Q

BAROQUE - is derived from the Portuguese
word barroco, which means ______

A

The pearl of Irregular shape

36
Q

The term baroque is used to describe a particular musical style of architecture popular between 1600- 1750.

A

Baroque Music

37
Q

During this time, the arts highlighted grandiose and elaborate music ornamentations. These were clearly seen in the musical compositions created by Baroque composers.

A

Major and minor tonality was also created in this period.

38
Q

-Melodies sound elaborate and ornamental
- Melodies are not easy to sing or remember
-Primarily contrapuntal textures with some homophony
-Dynamic contrast – alternation between loud and soft
-Music genres—operas, oratorios, suites, tocatas, concertó grosso, fugue
-Orchestra consists of strings and continuo
-New forms: binary – AB, ternary – ABC

A

Baroque Music’s Characteristic

39
Q

A form of orchestral music that employs a solo instrument accompanied by an orchestra

A

Concerto

40
Q

A form of orchestral music during the Baroque Period wherein the music is between a small group of solo instruments called concertino and the whole orchestra called tutti.

A

Concerto Grosso

41
Q

A contrapuntal piece, developed mainly by imitative counterpoint. It is usually written in 3 or 4 parts, with a main theme called subject.

A

Fugue

42
Q

a large scale musical composition for orchestra and voices that incorporates narratives on religious themes. Unlike usual theatrical works, this is
usually performed without the use of costumes, scenery, or action. It is usually written in the native language for the intended audience.

A

Oratorio

43
Q

musical compositions that resemble a harmonized version of hymnal tunes of the Protestant Church during the Baroque era.

A

Chorale

44
Q

Mass in B minor

A

Johann Sebastian Bach

45
Q

Fugue in G minor

A

Johann Sebastian Bach

46
Q

came from a family of musicians. He was taught to play violin by his father who was then the town musician in Eisanach. He entered school at age 7 where he was taught religion and other subjects. He became orphaned at age ten.

A

Johann Sebastian Bach

47
Q

nicknamed il Prete Rosso (“The Red Priest”) because of his red hair, was an Italian Baroque composer, Catholic priest and a virtuoso violinist. Recognized as one of the greatest Baroque composers, his influence during his lifetime was widespread over Europe.

A

Antonio Vivaldi

48
Q

is known mainly for composing instrumental
concertos, especially for the violin, as well as sacred choralworks and over forty operas

A

Antonio Vivaldi

49
Q

His most famous piece is The Four Seasons. This
composition is a series of four violin concerti depicting each of the seasons, Spring, Summer, Autumn, and Winter.

A

Antonio Vivaldi

50
Q

was the second son from the second marriage of
a pastor. Despite his father’s opposition, George secretly taught himself to play the harpsichord. At age 7, he gained access to a church organ and started to play.

A

George Friedrich Handel

51
Q

is remembered for his operas and oratorios. Handel became England’s favorite
composer.

A

George Friedrich Handel

52
Q

most famous creation of his and the very well known is Hallelujah‖ chorus is part of Handel’s Messiah.The Messiah was written in the space of twenty – four days in London but it was in Dublin when The Messiah was first performed and became an instant success

A

George Friedrich Handel