MP100 Final Review Flashcards

1
Q

Control Room designed and built specifically for _____

A

Critical listening

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2
Q

Term for device that changes one form of energy to another corresponding form of energy

A

Transducer

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3
Q

Icon credited with invention of parametric equalisation

A

George Massenburg

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4
Q

Icon credited with introducing sliding fader

A

Tom Dowd

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5
Q

First octave of 550 Hz

A

1100 Hz

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6
Q

Phase measurement

A

Degrees

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7
Q

Frequency measurement

A

Hertz (Hz)

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8
Q

How does peak amplitude value measure amplitude?

A

Measures the maximum positive or negative signal levels from the centre line

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9
Q

How does peak-to-peak amplitude value measure amplitude?

A

It measures from the maximum positive to the maximum negative negative values of the wave

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10
Q

How does root-mean-square (RMS) value measure amplitude?

A

It measures the average of the peak amplitude values

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11
Q

Which can cause a phase shift?

Diffraction, reflections, harmonics

A

Reflections

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12
Q

At 70°F, the wavelength of a 400 Hz waveform is 3.578 feet/cycle. T/F

A

False

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13
Q

Range of average human hearing

A

20 Hz - 20 kHz

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14
Q

Frequencies that humans hear the best

A

1 kHz - 4 kHz

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15
Q

Input mode arms the track allowing the MTR to record signal. T/F

A

False; Record ready arms the track

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16
Q

Fader function that sends to the multitrack recorder

A

Source fader

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17
Q

A group (bus) fader falls between the ___ and the ___ in signal flow

A

MTB, MTR

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18
Q

(Neotek) REV button up, large fader feeds MTB and small fader feeds the SB. T/F

A

True

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19
Q

(Neotek) Which input does the console NOT have?

Tape/monitor inputs, mic inputs, group signal on the I/O

A

Tape/monitor inputs

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20
Q

Electrical output of a DI box

A

Mic level

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21
Q

How a dynamic microphone works

A

Electromagnetic induction

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22
Q

Options to help decrease rumble

A

Shock mount, rolloffs

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23
Q

Mic that operates using electrostatic principle

A

Condenser

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24
Q

Very low frequencies that can be picked up in your recording and cause unwanted noise floor

A

Rumble

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25
Name of recorder that is designed to record the stereo mix
Mixdown recorder (MDR)
26
MTR must be in ____ to receive signal
Input
27
(Neotek) One and only button that deals with outputs of the faders
REV
28
A time-based processor should be inserted. T/F
False
29
(Neotek) To get the Mic input to the large fader, press MIC below the S-Curve. T/F
False
30
(Neotek) Amount of multitrack busses
26
31
Initialise the MTR-90
Stop button
32
Phonograph inventor
Thomas Edison
33
Full normal breaks signal where
On the input and/or the output
34
(Neotek) Direct out channels
27 and up
35
Half normal breaks signal where
Input only
36
Mults copy what kind of signal?
Line
37
Headphone mix aux send before or after the fader
Before - pre aux send
38
Every aux send has a corresponding ______
Aux master
39
List types of time-based processor effects
Chorus, reverb, delay, phaser, flanger
40
5 sources of reverb
1. acoustic reverberation 2. echo chamber 3. plate reverb 4. spring reverb 5. digital reverb
41
Room with no reverb
Anechoic chamber
42
Delay with 0% feedback
Slapback
43
(Neotek) 3 output assignments for the console's talkback microphone
Slate, studio, cue
44
Another name of headphones or headphone mixes
Cues, cans, foldback
45
Compressor processor type
Dynamic processor
46
Compression happens above or below the threshold
Above
47
1:1 ratio - what happens?
Nothing
48
Two parameters to create gain reduction
Ratio and threshold
49
Compression will never meet nor exceed the threshold level. T/F
True
50
Passband
Frequencies attenuated less than 3 dB on a high/low pass filter
51
Stopband
Frequencies attenuated more than 3 dB on a high/low pass filter
52
Turnover
Frequencies at which the signal is attenuated by exactly 3 dB on a high/low pass filter
53
High-pass and low-pass filter used in conjunction
Band-pass filter
54
What is missing from a semi-parametric EQ?
Q or bandwidth control
55
(Neotek) Amount of multitrack busses
26
56
Mode of MTR-90 for mixing session
All Repro
57
(Neotek) Buttons to setup for Mixdown mode
Line, Rev
58
Gating happens above or below the threshold
Below
59
Range is also known as _____
Ratio, depth
60
Difference between gate and expander
An expander is making the quiet signal quieter, while gating is getting rid of it all together
61
Parameter that sets the amount of time for the gate to remain open
Hold
62
(Neotek) How many different simultaneous headphone mixes can be made?
3 (Cue 1, Cue 2, Aux A/B)
63
(API) Compressor/Limiter module
225L
64
(API) Sweep Filter module
215L
65
(API) Gate/Expander
235L
66
(API) Mic Pre
212L
67
(API) Direct Input
205L
68
(API) DIR function
Sends Small Fader output to the MTR, but it MUST BE PATCHED
69
(API) Default solo mode
AFL - non-destructive
70
(API) Default tracking mode: input source that feeds the large fader
Tape
71
(API) Which EQ offers 7 selectable frequencies per band with "proportional Q"?
550L
72
(Neotek) Group signal on the I/O is internal console routing using the MTB. T/F
True
73
(API) Circuitry type
Discrete
74
(API) Amount of stereo mix busses
3 - STA, STB, STC
75
(API) Switches that live in the BAM
MTB, STA/B/C, Pan (SM, LG)
76
Three electrical audio levels
Mic, Line, Speaker
77
How well we hear certain frequencies compared to others is affected by our listening level (amplitude). What frequencies are affected the most?
Low frequencies
78
Two types of console layouts
Split monitor and In-line
79
(API) Button that assigns any selected external source to the control room monitors
C/R PLAY
80
Tube microphones are the first to go up and last to come down. Explain.
Tubes take awhile before they 'settle in' and need to warm up. Tubes are fragile, especially when hot, so they must cool down after the session before moving them.
81
(Neotek) Mode MTR-90 should be in for tracking session
Sel-Rep
82
Mode MTR-90 should be in for 'rehearsal mode'
Individual (with playback tracks in Sel-Rep and rehearsal/record tracks in Input)
83
(Neotek Reverse Tracking) Which polarity button would invert polarity TO tape?
Polarity button ABOVE the S-curve
84
(Neotek Reverse Tracking) Which fader should the aux sends split from?
Fader fader
85
(Neotek Reverse Tracking) Which button would be pressed to insert a properly patched outboard compressor TO tape?
Monitor Insert switch
86
(MP100 Study Guide) What kind of microphone has the best transient response? -what NOT to choose-
The answer will NOT be condenser. lol | I think it would be ribbon because the ribbon is so thin, so it takes less air pressure to move it
87
(MP100 Study Guide) Which mic has the best SPL rating?
The answer will be a dynamic mic
88
Examples of dynamic mics with high SPL
Shure SM-58: 150 dB Shure SM-7B: 180 dB Shure Beta 52: 174 dB Sennheiser MD421: 150 dB
89
Icon credited with invention of artificial reverb
Bill Putnam
90
Sibilance
High frequency of certain vocal sounds, particularly s, sh, ch, etc.
91
What kind of EQ is sibilance?
De-esser
92
Main difference between compressor and limiter
Ratio amount. Limiters will be at a higher ratio
93
Rear port delay shift on a microphone
This is on every directional microphone because it is what makes a microphone directional. They modify path length from the back, resulting in cancellation.
94
Every microphone would be omnidirectional if it doesn't have this
Rear port delay shift
95
Proximity effect
Bass frequencies increase in volume when closer to the mic
96
What causes proximity effect?
This is caused by the rear rejection ports, therefore only affects mics that have cardioid or figure 8 patterns
97
Type of mics that have rear phase rejection ports
All mics that are directional (not omni)
98
What type of alcohol is used for rubber rollers on the MTR?
None. You don't clean the rubber rollers with alcohol
99
Two ways to view signal amplification on a console
RMS and Peak Amplification
100
4 types of EQs
1. Selectable frequency EQ 2. Parametric EQ 3. Graphic EQ 4. Notch filter
101
Q on EQ
Slope of the bandwidth
102
Name the polar patterns and how they function
1. Omnidirectional - picks up sound from all directions 2. Bidirectional/Figure 8 - responds equally to sound from the front and back, while cancelling sound from the sides 3. Unidirectional - cardioid: sensitive front, least sensitive back, supercardioid: sensitive front, some rear sensitivity, hypercardioid: very narrow front response, very responsive back pattern
103
Anechoic chamber
Designed to not have any reverb and are technically 0 dB because there are no reflections - and if someone spoke while not facing you, you wouldn't hear them
104
Definition of frequency
The measurement of the number of cycles that occur in one second of time/ cycles per second; unit is Hz
105
Speed of sound at 70 degrees F
1130 feet per second
106
How does temperature change affect velocity?
For each degree increase, velocity increases by 1.1 ft | For each degree decrease, velocity decreases by 1.1 ft
107
Phase shift and how it may amplify or attenuate
If two identical waveforms are in phase they will amplify, if they are out of phase by 90 degrees, it won't change at all, and if they are out of phase by 180 degrees, they will cancel each other out.
108
Parts of waveform envelope
Attack, Decay, Sustain, Release
109
Attack
Time taken for amplitude to build up to max peak
110
Decay
Initial decay/attenuation after attack
111
Sustain
Changes in amplitude as note is held out
112
Release
Final tail of sound as note is finished
113
Pressure gradient v Pressure operated microphones
Pressure gradient microphones are directional (cardioid, figure 8) Pressure operated microphones are omnidirectional
114
Path to take aux sends from
Monitor path/the path returning from the MTR to be heard
115
Best operating level from any analog device
Nominal
116
Masking
Psychoacoustic phenomenon that occurs when loud sounds prevent the ear from hearing softer sounds, aka. loud sounds exceed threshold of hearing, causing quieter sounds to become inaudible to the brain
117
Temporal masking
Time relationship between loud and soft sounds
118
Pre-masking
Soft sounds will be masked by a louder sound slightly before the louder sound occurs (up to 40 ms prior)
119
Post-masking
Soft sounds will be masked by a louder sound slight after the louder sound occurs (up to 200 ms after)
120
Bus definition
A common signal line