Mahler - Symphony No. 2 'Resurrection' (1894) Flashcards

1
Q

What time period is Mahler’s Symphony No. 2?

A

Late Romantic

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2
Q

What are the woodwind instruments used in Mahler’s Symphony No. 2?

A
  • 4 flutes (all doubling piccolos)
  • 4 oboes (3rd doubling cor anglais, 4th used only in mvmt. 5, doubling cor anglais)
  • 3 Bb, A, C clarinets (3rd doubling bass clarinet)
  • 2 Eb clarinets (2nd doubling 4th clarinet, doubling when fortissimo where possible)
  • 4 bassoons (3rd doubling contrabassoon, 4th used only in mvmt. 5 and doubling contrabassoon)
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3
Q

What are the brass instruments used in Mahler’s Symphony No. 2?

A
  • 10 horns (7th–10th used only in mvmt. 5, both offstage and onstage)
  • 10 trumpets (5th and 6th used only in mvmt. 5, onstage. 7th–10th used only in mvmt. 5, offstage)
  • 4 trombones
  • 1 tuba
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4
Q

What percussion was used in Mahler’s Symphony No. 2?

A
  • 2 sets of timpani (a third player is required but only in mvmt. 5, offstage)
  • 2 bass drums (2nd with a cymbal attached, used only in mvmt. 5, offstage)
  • several snare drums (used only in mvmt. 5)
  • pair of cymbals
  • 2 triangles (2nd used only in mvmt. 5, offstage)
  • 2 tam-tams (high and low)
  • Rute (used only in mvmt. 3)
  • 3 deep, untuned bells (used only in mvmt. 5)
  • Glockenspiel
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5
Q

What other nonstandard instruments are used in Mahler’s Symphony No.2?

A

Organ, Chorus and soloists (soprano/alto) and harp.

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6
Q

How many movements are in Mahler’s Symphony No. 2?

A

5 Movements:
I - Allegro maestoso.
II - Andante moderato.
III - In ruhig fließender Bewegung.
IV - Urlicht.
V - Im Tempo des Scherzos.

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7
Q

What is the tonal plan of Mahler’s Symphony No. 2?

A

I - c minor
II - Ab Major
III - c minor
IV - Db Major
V - f minor/Gb Major

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8
Q

What is the form of movement I in Mahler’s Symphony No. 2?

A

Modified Sonata Form
* The exposition is repeated with varied material, new material and different modulations.
* The development introduces a new theme (like Mendelssohn) which will be heard later in the symphony
* The coda is continuous variations on the opening march theme.

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9
Q

What is the form of movement II in Mahler’s Symphony No.2?

A

Rondo Form (ABACA)

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10
Q

What is the form of movement III of Mahler’s Symphony No. 2?

A

Scherzo form (Scherzo-Trio-Scherzo). There is some unusual development here. Notably the scherzo seems to be in ABAB form as opposed to rounded binary.

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11
Q

What is the form of movement IV in Mahler’s Symphony No.2?

A

Ternary Form

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12
Q

What is the form of movement V in Mahler’s Symphony No. 2?

A

It loosely follows sonata form, but there is an aspect of 2 distinct sections (instrumental and choral). It is largely governed by the text which makes the form hard to pin down.

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13
Q

How does Mahler use melody in Symphony No. 2?

A
  • He uses the Dies Irae theme in movement I, later used in movement V.
  • In movement III, there are Jewish folk style articulations attached to the main melodic material.
  • He doesn’t utilise periods and sentences - a lot of his music, like Beethoven, has a tendency to develop small fragments into significantly larger ideas over time.
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14
Q

What interesting observations can be made about tonality in movement I?

A
  • First movement begins in C minor, which moves to E Major (raised mediant) for the second subject (unusual). Development hints at Eb Major (the main tonality for the finale).
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15
Q

How does Mahler use harmony in his Symphony No.2?

A
  • There is a lot of chromaticism and harmony is often dictated by chromatic voice leading (chromatic melodies).
  • Mahler also likes to play with modal frustration (hinting at parallel major and minor tonic chords) in particular, in movement I there is a lot of hints at Eb minor even though the musical direction is to Eb Major.
  • He uses the ‘cry of despair’ (heard in movement 3 and 5). This is a Bb minor chord over a C pedal.
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16
Q

How did Mahler use the orchestra in his Second Symphony?

A
  • He used vast forces (look at instrumentation).
  • He also explored colour in novel ways - he saw the orchestra as a vehicle for shifts in mood/atmosphere.
  • In movement II there is an entire strand of his Landler form that uses only pizzicato strings.
  • End of movement 3 has offstage brass.
17
Q

How did Mahler use folk in Symphony No. 2?

A
  • There is a Ländler form for movement 2
  • There is use of Jewish folk ideas in the melodies of movement 3.
18
Q

What can be observed about form in Mahler’s Second Symphony?

A

It is still rather traditional in a sense - the first movement is sonata form, the slow movement and dance are located where they should be. There is an addition of another slow movement for IV, but this coincides with his introduction of the vocalists into the piece before the gigantic final movement.

19
Q

What are the parallels between Mahler and other symphonies?

A

There is definitely parallels between Mahler’s Symphony No. 2 and Beethoven’s Ninth, especially in the use of chorus for the finale and the melodic handling of material. There are also parallels with Symphonie Fantastique in the use of offstage brass.

20
Q

What can be said about the use of tonality in Mahler’s Symphony No.2?

A

He tends to explore tonal centres frequently, with no particular regard for traditional rules. The movements don’t really align to the tradition plan (mvt. 2 is submediant key, movement 4 has a Neapolitan relationship to c minor, and movement 5 shifts so frequently between keys it’s not possible to have a central tonal centre)

21
Q

What observations can be made about tonality in movement II?

A
  • Second movement moves between Ab Major (submediant) and G#m.
22
Q

What observations can be made about tonality in movement 3 of the Resurrection Symphony?

A
  • Third movement is in c minor.
23
Q

What observations can be made about the tonality in movement 4 of the Resurrection Symphony?

A
  • Fourth movement is in Db Major (unique)
24
Q

What observations can be made about the tonality in movement 5 of the Resurrection Symphony?

A
  • Fifth movement: (First half) Fm – Bbm – C – Ab – F – C#m – Db – F # m – Gb / (Second half) Gb – Bbm – Ab – Eb (destination)