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Music? > Love and Affection > Flashcards

Love and Affection Flashcards

Courtney Pine

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1
Q

Singer

A

Keli le Roc

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2
Q

Structure

A

Section 1
Further development of Section 1
Middle 8
Refrain
Saxophone solo
Refrain
Outro

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3
Q

In terms of chords there are NO….

A

Extended chords because in the original, there weren’t any. Primarily uses primary chords

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4
Q

Instrumentation

A

Singer
Backup Singers
Synthesised strings
Distortion on electric guitar
Pine plays Bass Clarinet and Saxophone

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5
Q

The beginning in terms of tempo is…

A

Free time

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6
Q

1st 5 chords in the beginning

A

Starts on C#m
F#
A
Bm -> E. (V-I)

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7
Q

Texture in the beginning

A

Melody dominated Homophony

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8
Q

In bar 5 (“East or West”) (chords)

A

A G#m F#

PARALLEL DESCENDING CHORDS

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9
Q

Generally the piece moves from…in terms of chords

A

C#m and E

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10
Q

Melody (rhythm)

A

Speech rhythms

And 3/4 of the way through S.1, cross rhythms are heard

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11
Q

When the bass clarinet comes in in bar 13, what happens

A

Becomes more chromatic

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12
Q

When the drums come in, a bar after the clarinet, what happens to the harmony

(“Thank youuuuuuuuu”)

A

No chord because it is a linking section

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13
Q

New chord sequence heard half way through S.1

A

E
E/G#
A
Bsus4

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14
Q

Describe the bass riff in the line “I could really dance, really dance etc.”

A

Short, catchy, highly repetitive
Allows singer to show off

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15
Q

What scale is the line, “I could really dance, really dance” composed of

A

Pentatonic scale

(Makes it easy for the singer to transition between ranges)

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16
Q

“I could really dance, really dance”

A

Small range of a 5th - because she is riffing on top of the accompaniment

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17
Q

In the “Thank youuu”, what does the clarinet do to introduce the you

A

Ascend chromatically (short, fast semiquavers)

18
Q

What happens in “and the rain on my face” in terms of chords

A

The parallel descending chords return from b.5

(A add 9
G#m
F#)

And the accompaniment plays octaves on the tonic

19
Q

The back up singers (males and females) are singing in…

A

Octaves

20
Q

5 bars before the middle 8 section, the range…and this is noticed because of these two things….

A

Increases

Sings a G (low)
Sings an octave leap (from B to B)

21
Q

To introduce the middle 8 section the power chord…emphasises…which is heard throughout one of the bars of the middle 8

A

B add 4

A

(SUBDOMINANT MODULATION)

22
Q

In the Middle 8 section, what is added to the melody in terms of notes, and which performative technique does she use

A

Blues notes (G natural)

Slides - (soul influence). Causes clashes but adds additional interest to the harmony

23
Q

What is the accompaniment doing in the middle 8 section

A

Strings go up in parallel movement to increase the tension and build climax for the refrain

(Plays an ascending scale)

24
Q

What notes are heard the bar before the refrain and what do they produce

A

G against A in the lower parts

Causes dissonance

25
Q

What is heard as an introductory to the Refrain

A

Power chords (meaning that the 3rd isn’t heard - in this case, the D#)

26
Q

What is the effect of the power chords

A

To powerfully resolve to E

27
Q

String synths lead up beat into…

A

The refrain 1

28
Q

When refrain 1 is heard, the bass..

A

Riff comes back

29
Q

Backing vocals and lead…

A

Call and response - blues feature

30
Q

In bar 62, chords…

(“Give me love, give me love”)

A

Descend chromatically

G
F#add4 (adds dissonance)

31
Q

There is a 4 bar linking section into

A

The saxophone solo

32
Q

In the 4 bar linking section into the sax solo, the vocals…

A

Are highly virtuosic, with fast Melismatic runs

(Improvisational)

33
Q

2 bars before the saxophone solo there is…(harmony)

A

Tritone substitution to add harmonic interest and create tension

[Fmaj7(#4). E]

34
Q

In the saxophone there are (harmony)

A

Added chords

BEGINS THE SECTION WITH A TONIC PEDAL NOTE ON E!

35
Q

The melody in the saxophone solo has

A

Grace notes and blues notes (G)
Portamento
Scoops
Diminished leap of a 7ths

36
Q

In the 2nd refrain, the interval between the 1st two notes the singer sings is..

(Just make)

A

Major 6ths

37
Q

In the 2nd refrain, “-fection” interval is…

A

Minor 3rd

38
Q

“Love song” interval in 2nd refrain

A

Perfect 5th

39
Q

In the 2nd refrain, the saxophone and the singer

A

Dialogue

40
Q

What is the texture like in the 2nd Refrain and why

A

Polyphonic because the synth strings come in

41
Q

The outro is (texture)

A

Polyphonic

42
Q

The synth strings play a…which contains…in the scale…

A

Ostinato / riff
Blues notes
E / Pentatonic scale

Music? (21 decks)

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