Kate Bush wider listening Flashcards

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1
Q

Echoes

A

Pink Floyd

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2
Q

How is Echoes by Pink Floyd similar to Cloudbusting?

A

Has an extensive outro, blending various instrumental passages and soundscapes

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2
Q

Wider listening for an unusually short intro

A

Her majesty by the Beatles

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3
Q

Homorhythm wider listening

A

Imagine by John Lennon

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4
Q

Speech rhythms wider listening

A

Shut up and dance by Walk the moon

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5
Q

Phrase extension wider listening

A

Dark side of the moon by Pink Floyd

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6
Q

Lombardic rhythms wider listening

A

Mr Brightside by the killers

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7
Q

Crotchet pulse wider listening

A

I wanna dance with somebody by Whitney Houston

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8
Q

Syncopated anticipation wider listening

A

Walking on Sunshine, by Katrina and the waves

I want to hold your hand, by the beatles

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9
Q

Dotted rhythms

A

Piano man by Billy Joel

I want to hold your hand, by the Beatles

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10
Q

Syncopated countermelodies

A

Rolling in the deep by Adele

Don’t stop til you get enough, Michael Jackson

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11
Q

Militaristic figure

A

Another brick in the wall (part 2), by Pink Floyd

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12
Q

Dramatic manipulation of pulse

A

Take me to church, by Hozier

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13
Q

Ritardando

A

Hey Jude, by Beatles

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14
Q

Quaver Ostinato, 3 quavers

A

Seven nation army, by the White Stripes

Royals, by Lorde

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15
Q

Backing vocals, vocalisation

A

It’s all coming back to me now, by Celine Dion

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16
Q

Vocal range of a 9th

A

I will be here, by Steven Chapman

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17
Q

Repeated perfect 5ths

A

Imagine, by John Lennon

18
Q

Prominent use of minor 3rds

A

Every breath you take, by The Police

19
Q

Melody descends to mimic the action

A

Total eclipse of the heart, by Bonnie Tyler

20
Q

Mostly conjunct phrases each starting with a major 6th

A

Let it be, by the Beatles

21
Q

Melody descending at the end of the phrase

A

Across the universe, by the Beatles

22
Q

Low vocal register

A

Chain of fools, by Aretha Franklin

23
Q

3 part backing vocals

A

Bohemian Rhapsody, by Queen

24
Q

Voice contains a portamento

A

I feel love, by Donna Summer

25
Q

Spoken words

A

Thriller, by Michael Jackson

26
Q

Fairlight CMI synthesiser sampler

A

Eureka, by Robin Scott

27
Q

Balalaika

A

Those were the days, Mary Hopkin

28
Q

Strings, no vibrato

A

The sound of silence, by Simon Garfunkel

29
Q

Percussion, gated reverb

A

In the air tonight, by Phil Collins

30
Q

Bouzouki

A

“Rubylove” by Cat Stevens

I feel love, by Donna Summer

31
Q

Irish whistle multitracked

A

Fairytale of New York

32
Q

Samples of shipping forecasts

A

This is a low, by Blur

33
Q

Artificial synthesised sounds

A

Sweet dreams, by Eurythmics

34
Q

Make singer

A

Don’t you want me, by the Human League

35
Q

Strings play a tremolo

A

The sound of silence, by Simon and Garfunkel

36
Q

Backing vocals against Kate’s singing creates counterpoint

A

California Dreaming, by the Mamas and Papas

37
Q

Octave baseline and ostinato

A

Take a walk on the wild side, by Lou Reed

38
Q

Homorhythm

A

Under pressure, Queen

39
Q

Tonic pedal on E

A

Venus in Furs, by The Velvet Underground

40
Q

Perfect cadence to separate the bridge from the sample of shipping forecast

A

Stairway to Heaven, by Led Zeppelin

41
Q

Extended 7ths, 9ths, slash chords

A

Norwegian Wood, by the Beatles

42
Q

Multitracked chords

A

Good vibrations, by the beach boys

43
Q

Ambiguous unresolved dominant 7th

A

Hey Jude, Beatles