Inner state of mind Flashcards

Courtney pine

1
Q

What is the style of the drums

A

Jazz and Hip hop fusion

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2
Q

What key is the piece

A

C Dorian mode (flattened 3rd and 5th)

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3
Q

What does DJ Pogo do in terms of effects

A

Turn table effects

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4
Q

Rappers names

A

Black Twang and McMello

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5
Q

The rappers are made of…

A

Samples

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6
Q

Texture

A

Homophonic

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7
Q

The saxophone part is…

A

Improvised

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8
Q

The song is based on

A

Summertime and So What

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9
Q

First bar (harmony)

A

No chord

Octave: medical
Min 3rd: baroque and classical
4th: quartal harmony relating to the 21st century

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10
Q

Chords in the first bar then…(effect used)

A

Fade out

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11
Q

The singer is…and she is…(studio technique)

A

Esta Mtungwezi

Multitracked

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12
Q

The electric piano has setting of

A

An organ

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13
Q

Guitar plays

A

Distortion to sound like a vinyl -> OLD TO NEW

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14
Q

One guitar contrasts the other because

A

It is syncopated

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15
Q

Hook of the song

A

Inner state of mind

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16
Q

The test creates a

A

Chaotic and frantic feel

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17
Q

An influence from miles Davis’s So What is…

A

Parallel motion - playing the root in the left hand

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18
Q

Melody in saxophone is ornamented with

A

Acciaccatura

Scoops / pitch bends

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19
Q

What effect is used in the saxophone part

A

Turn table

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20
Q

Samples of the word

A

“Mind” appear regularly with EQ effect

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21
Q

In bar 4, the parallel motion is

A

Displaced so the start of the bar is unclear

HYPE FEEL

22
Q

Drum’s high hat accentuates

A

Beat 2 and 4 causing syncopated feel (Jazz)

23
Q

When “inner state of mind” is heard in the vocal section it starts on…

A

G to link with “summertime” and to be similar to the improvisation at the beginning of the piece (same outline but more decorated)

24
Q

In the vocal section (texture)

A

2 part

But also melody dominated homophony

25
Performance techniques horn section plays in the vocal section
Accents and staccato
26
Between the horn section and vocals…
Call and response feel
27
The baseline in the vocal section is
Chromatic
28
LH of piano plays a
2 bar riff
29
Vocals feel…
Syncopated
30
Trombone plays a
Slide of a minor 2nd which touches upon the Phrygian mode - sounds lost
31
“Knowledge is power” (harmony)
New blues idea - more chances to improvise
32
“Knowledge is power” (bass riff)
Stops to accentuate the change in harmony and the trombone
32
33
Rap section is about
Finding power and solace in knowing who you are and finding yourself
34
In rap section the…is heard again similar to the beginning
Distortion
35
Rap section (trombone)
Interjection of slides
36
Differences found between vocal section 2 and 1
Perfect 4ths in 2 Range extended in 2 Perfect 5ths in 2 More melisma tic in 2 Switches between registers in 2 Monophonic bar in2
37
Before scatt section in vocal part you can hear
Blues notes
38
MOST IMPORTANT BIT (harmony)
TRITONE SUBSTITUTION
39
Esos sings …as an Ella Fitzgerald influence
Scatt
40
Turn around section chords
C7#9 Eb9 Fm/D Db7
41
Keyboard plays…during the scatt section
Little fills
42
Who does the rap first and second?
1st - Black Twang 2nd - McMello
43
In the second rap section you can hear another instrument. What is it and what is it doing?
Flute improvisation
44
At the end of the 2nd rap section (before the final vocal section), something occurs in the texture, harmony and scale. What is happening
All the parts play a hexatonic scale, (meaning that no A is being played) Quartal harmony is produced creating dissonance and harmonic interest
45
In the final vocal section, when the dynamics go to mp, what happens to the melody
It develops because more syncopation?
46
In the final section where there is mp marking, what happens to the bass
It changes and is now off beat - similar to b.17
47
Towards the end of final vocal section (close to the start of the instrumental section) what does the saxophone do
It virtuosically plays a pitch bend. Similar to “Rhapsody in Blue”
48
The instrumental section is…
Improvised - reminiscent to Miles’ style
49
What rhythms are heard in the instrumental section
Quintuplets Sextuplets Scotch snaps
50
In terms of melody, what happens in the instrumental section
Highly conjunct and Scalic
51
How does the piece end
With an inverted pedal note on the 2nd causing discomfort as we do not think that the piece has ended.