Inner state of mind Flashcards

Courtney pine

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1
Q

What is the style of the drums

A

Jazz and Hip hop fusion

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2
Q

What key is the piece

A

C Dorian mode (flattened 3rd and 5th)

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3
Q

What does DJ Pogo do in terms of effects

A

Turn table effects

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4
Q

Rappers names

A

Black Twang and McMello

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5
Q

The rappers are made of…

A

Samples

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6
Q

Texture

A

Homophonic

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7
Q

The saxophone part is…

A

Improvised

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8
Q

The song is based on

A

Summertime and So What

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9
Q

First bar (harmony)

A

No chord

Octave: medical
Min 3rd: baroque and classical
4th: quartal harmony relating to the 21st century

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10
Q

Chords in the first bar then…(effect used)

A

Fade out

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11
Q

The singer is…and she is…(studio technique)

A

Esta Mtungwezi

Multitracked

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12
Q

The electric piano has setting of

A

An organ

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13
Q

Guitar plays

A

Distortion to sound like a vinyl -> OLD TO NEW

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14
Q

One guitar contrasts the other because

A

It is syncopated

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15
Q

Hook of the song

A

Inner state of mind

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16
Q

The test creates a

A

Chaotic and frantic feel

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17
Q

An influence from miles Davis’s So What is…

A

Parallel motion - playing the root in the left hand

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18
Q

Melody in saxophone is ornamented with

A

Acciaccatura

Scoops / pitch bends

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19
Q

What effect is used in the saxophone part

A

Turn table

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20
Q

Samples of the word

A

“Mind” appear regularly with EQ effect

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21
Q

In bar 4, the parallel motion is

A

Displaced so the start of the bar is unclear

HYPE FEEL

22
Q

Drum’s high hat accentuates

A

Beat 2 and 4 causing syncopated feel (Jazz)

23
Q

When “inner state of mind” is heard in the vocal section it starts on…

A

G to link with “summertime” and to be similar to the improvisation at the beginning of the piece (same outline but more decorated)

24
Q

In the vocal section (texture)

A

2 part

But also melody dominated homophony

25
Q

Performance techniques horn section plays in the vocal section

A

Accents and staccato

26
Q

Between the horn section and vocals…

A

Call and response feel

27
Q

The baseline in the vocal section is

A

Chromatic

28
Q

LH of piano plays a

A

2 bar riff

29
Q

Vocals feel…

A

Syncopated

30
Q

Trombone plays a

A

Slide of a minor 2nd which touches upon the Phrygian mode - sounds lost

31
Q

“Knowledge is power” (harmony)

A

New blues idea - more chances to improvise

32
Q

“Knowledge is power” (bass riff)

A

Stops to accentuate the change in harmony and the trombone

32
Q
A
33
Q

Rap section is about

A

Finding power and solace in knowing who you are and finding yourself

34
Q

In rap section the…is heard again similar to the beginning

A

Distortion

35
Q

Rap section (trombone)

A

Interjection of slides

36
Q

Differences found between vocal section 2 and 1

A

Perfect 4ths in 2
Range extended in 2
Perfect 5ths in 2
More melisma tic in 2
Switches between registers in 2
Monophonic bar in2

37
Q

Before scatt section in vocal part you can hear

A

Blues notes

38
Q

MOST IMPORTANT BIT (harmony)

A

TRITONE SUBSTITUTION

39
Q

Esos sings …as an Ella Fitzgerald influence

A

Scatt

40
Q

Turn around section chords

A

C7#9
Eb9
Fm/D
Db7

41
Q

Keyboard plays…during the scatt section

A

Little fills

42
Q

Who does the rap first and second?

A

1st - Black Twang
2nd - McMello

43
Q

In the second rap section you can hear another instrument. What is it and what is it doing?

A

Flute improvisation

44
Q

At the end of the 2nd rap section (before the final vocal section), something occurs in the texture, harmony and scale. What is happening

A

All the parts play a hexatonic scale, (meaning that no A is being played)
Quartal harmony is produced creating dissonance and harmonic interest

45
Q

In the final vocal section, when the dynamics go to mp, what happens to the melody

A

It develops because more syncopation?

46
Q

In the final section where there is mp marking, what happens to the bass

A

It changes and is now off beat - similar to b.17

47
Q

Towards the end of final vocal section (close to the start of the instrumental section) what does the saxophone do

A

It virtuosically plays a pitch bend. Similar to “Rhapsody in Blue”

48
Q

The instrumental section is…

A

Improvised - reminiscent to Miles’ style

49
Q

What rhythms are heard in the instrumental section

A

Quintuplets
Sextuplets
Scotch snaps

50
Q

In terms of melody, what happens in the instrumental section

A

Highly conjunct and Scalic

51
Q

How does the piece end

A

With an inverted pedal note on the 2nd causing discomfort as we do not think that the piece has ended.