lord of the flies themes Flashcards

1
Q

what kind of leadership are there in the book

A

Jack and Ralph’s leadership represents the conflict between democracy and dictatorship,
Ralph listens to the others and they’re able to give him opinions whereas Jack exerts
total control.

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2
Q

what is jacks leadership like

A

Jack thinks he should lead because he’s ‘head boy’ and can ‘sing C sharp’. Although being
head boy suggests he already has some authority, the second reason suggests he doesn’t
understand what true leadership involves as well as highlighting how young Jack is - only
very young boys can sing a C sharp. Although he takes control of the hunters, he resents
Ralph’s authority and that Ralph listens to other boys, such as Piggy, equally.
Jack has an authoritarian leadership style. He later calls another vote and leaves when he
doesn’t like the outcome. Jack becomes a tribal ‘chief’ and paints his face to make himself
seem more important. He is more interested in control than leading; he’s excited by the
prospect of punishment, and eventually uses fear and pain as ways to keep control, for
example, tying up Wilfred to beat him.

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3
Q

what is ralph’s leadership like

A

The boys choose Ralph as chief because of his attitude. Ralph is logical and deliberate,
taking his leadership role seriously. He stays focussed on the important things - the rescue
fire and building shelters - even when he would rather be doing something more fun.
He develops an understanding of people, for example, how to get attention at
assemblies and that blowing the conch when they won’t come back undermines his
authority (Chapter 5).

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4
Q

who has the most power

A

power shifts back and forth; Ralph is leader at first and for a while the others accept
him, but the boys turn towards a dictatorship when Jack seems to promise them fun and
adventure, which are things that they want.

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5
Q

how does the conch symbolise conflict

A

The conch symbolises the conflict between Ralph’s democracy and Jack’s dictatorship.
Blown by Ralph, the other boys follow its rules: the declarative ‘I got the conch’ is a
repeated statement on an individual’s right to speak and be heard. When the conch is
‘exploded into a thousand white fragments and ceased to exist’, the violent verbs show
the decisive end of democracy as Jack completely takes over.

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6
Q

what are civilisation and society

A

Golding explores the way that society works. He questions what makes humanity different
to animals and asks whether people are capable of overcoming original sin. Readers see
what could happen when society’s rules and moral teachings are stripped away.

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7
Q

how does ralph present civilisation

A

In addition to his role as democratic leader, Ralph is aware that his clothing and cleanliness
are markers of civilisation. In Chapter 1, he removes his school uniform to swim,
symbolically eliminating the identifying marks of civilisation - the literally unifying clothes
that mark him as part of a community.
He later realises how dirty the boys are and how ragged their clothing is - the outward
signs of civilisation deteriorating, just as their social attitudes are deteriorating.

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8
Q

how do jack and roger present civilisation

A

Both boys give up civilised behaviour and revert to savagery. In Jack’s case, he uses mud
as war-paint and becomes a ‘chief’, sitting above the others and commanding them. For
Roger, the loss of civilisation means the loss of rules that mean he can’t hurt other people
and, instead, give him licence to glory in violence.

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9
Q

how does piggy present civilisation

A

For Piggy, ‘life is scientific’. His constant references to civilisation are connected with
intelligence: tracking time with a sundial, or building planes or a ship. He is also
insistent on the importance of the conch as a sign of rules, society and community
working together.

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10
Q

how does the officer represent society

A

The arrival of the officer symbolises the return of civilisation to the island. At first, Ralph
sees the pieces making up the man’s uniform (a link to Ralph’s school uniform) and then
the whole man.
Ironically, although the officer represents society, it is as part of the navy - an organisation
that functions through hierarchy and violence. He is a reminder that the adult society
outside the island is still engaged in the way of living that brought the boys to the island
in the first place - this is a comment on the fact that society is perhaps not so ‘civilised’
after all.

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11
Q

how does the conch symbolise civilisation

A

The conch is a symbol of civilisation, and it enables the boys to listen to each other
and abide by rules. Golding describes Piggy holding ‘the talisman, the fragile, shining
beauty of the shell’ (Chapter 11). The noun ‘talisman’ gives the conch a sense of magic
or luck, while the adjectives ‘fragile, shining’ create an impression of beauty and peace.
But the conch is also easily broken, just like the veneer of civilisation, which breaks,
leaving the boys as violent savages.

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12
Q

what deaths occur in the novel

A

Although boys are probably killed in the plane crash (and the pilot), the first character’s
death in the book is the boy with the birthmark, following the first fire that gets out
of control - this is an accidental death. After this, Simon is beaten to death by the
boys following a hunt and Piggy is killed by Roger’s rock. There is also the death of the
parachutist, who lands on the island, and the constant threat of death, at first from the
island and nature, and then increasingly from other boys.

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13
Q

why do the boys resort to violence

A

As the laws of society are forgotten, the boys descend into savagery and animalistic
behaviour. However, unlike animals, the boys take pleasure in the excitement of violence,
celebrating it in tribal rituals.
Ralph’s experience in these rituals demonstrates the underlying potential for violence in all
the boys - he joins in despite being, in most other ways, a moral and responsible leader. Yet
he, too, participates in Simon’s death. He also physically fights Jack in Chapter 11, an echo
of the way that nations will fight one another despite claiming to be essentially peaceful.

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14
Q

how does violence change

A

At first, the violence is playful or pretend. Jack fails to kill a pig because of the ‘enormity of
the knife descending and cutting into living flesh’ and Roger throws stones avoiding Henry
because he remembers the censure of society. But by the time Jack and his hunters succeed,
the boys viciously thrust spears into the pig and celebrate their victory.
As hunters, the violence is restricted to a condoned place - the need to hunt and find
meat - mirroring the way that in society violence is viewed as being acceptable in some
instances, such as in war or when combating criminality. However, violence becomes
uncontrolled and spills out into murder.

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15
Q

how does fear effect the boys

A

Early on, most of the boys don’t express fear directly. Golding alludes to fear in Ralph and
Piggy’s conversation when Piggy says that nobody knows where they are and Ralph refuses
to think about it, because he is afraid.
The boys express fear in the assembly when discussing the Beast and their nightmares, the
blackness exacerbating their fear. They argue over what they should be afraid of rather
than how to stop being afraid.
Ralph worries that fear stops the boys acting rationally - he thinks that with the fear of the
Beast they forget that the signal fire is all-important. Ralph recognises the power of fear to
distort behaviour.
Fear becomes paralysing, literally when they see the parachutist, and figuratively
when they stop trying to be rescued because they can no longer set a signal fire on the
mountain. Fear stops most of the boys, except Simon, seeing things rationally: they run
from the parachutist in terror. Only Simon is able to master his fear and see the reality of
what the parachutist is.

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16
Q

how do the boys deal with their fear

A

They try to ignore their fear. When it’s inescapable, fear turns to either bravado or
violence. For Jack, the boys’ fear becomes an opportunity to seize power. At the beginning,
he demonstrates bravery by promising to hunt the Beast - his action makes them less afraid
- but Jack then uses the idea of the Beast to keep the hunters in line.

17
Q

what should they be afraid of

A

Golding’s characters repeatedly say that they should be afraid of the unknown or of
themselves. Simon’s statement Maybe it’s only us’ could also be interpreted as suggesting
that they should be more afraid of their own fear and the detrimental effect it has on
them. The idea of the Beast comes to mean more because they are afraid of it.

18
Q

what are the religious concepts of the book

A

The novel has allegorical aspects considering good and evil. It also explores people in the
middle who are influenced by those around them, as Golding saw people change during
the second World War. Golding believed he witnessed evil during the war, and through
characters such as Jack and Roger, he explores whether people are born evil or can become
evil, depending on what happens to them.
Golding also explores pre-Christian religion in the way that Jack leads the hunters
to worship the Beast and leaves it the sacrifice of the pig’s head to appease it and
protect them.

19
Q

who is the lord of the flies

A

The Greek for Satan is ‘Beelzebub’, which translates to ‘Lord of the Flies’. Flies also feed
on dead animals, as Simon sees on the pig’s head. Simon’s hallucination brings together
concepts of death, religion, sin and punishment.

20
Q

how does simon fit in

A

Some of Golding’s most overt religious imagery concerns Simon, a Christ-like martyr figure.
He seeks solitude, but ends up speaking with the devil (as Jesus did, wandering in the
desert to prepare for his task). Simon also spends time in church-like clearings and ministers
to the littluns as Jesus did to children around him. Trying to tell the truth to the boys,
Simon too is crucified by those who don’t know or understand him.

21
Q

what is innocence

A

innocence is either a lack of guilt, or lack of experience, understanding or wisdom. Golding
writes a bildungsroman exploring the ways that the boys grow up and lose their childish
innocence. They come to understand the depths that humanity is capable of and commit
some terrible crimes themselves.

22
Q

what represents a change in ralph’s innocence

A

For Ralph, his father and his attitude to rescue are important. His innocence means he has
a childish naive attitude when they crash - that his father will come for him. Ralph dreams
of home periodically, but as an idyllic childhood holiday with full cupboards, ponies to
ride and the protection of his parents. Gradually, though, he ceases to believe this and
has trouble remembering that they need a signal fire at all as he loses hope of rescue. In
Chapter 10, Ralph laughs sarcastically when Piggy tells him ‘You’re still Chief’, because he
recognises the pointlessness of assigning leaders when they have no hope of effecting
a rescue.
The final presence of the naval officer, a symbol of paternal rescue, is an enormous let-
down as he not only doesn’t understand what the boys have been through, but literally
turns his back on Ralph instead of offering comfort.

23
Q

where else is innocence lost

A

Many of the boys transition from childish play to violence and murder. They also have an
impact on the island; Simon’s church-like haven in the jungle is corrupted so that the next
time he visits, the pig’s head is staked in the middle and appears to him as the devil.

24
Q

what is identity

A

Identity is the characteristics and personality of an individual; Golding explores the ways
identity is created through society and community, and the way that it can be altered
through names, actions and appearance.

25
Q

how does jacks identity change

A

Jack is introduced as ‘Merridew’, leader of the choir. He calls the others ‘kids’ names’ and
wants to keep his more grown-up status. But he becomes ‘Jack’ instead and, as he becomes
obsessed with hunting, his identity further changes. He uses ‘dazzle paint’ to change his
face, which camouflages him from the pigs but also makes him appear strangely different,
unlike a ‘civilised’ boy.
As he becomes more savage, Jack becomes known as ‘Chief’, losing his name but taking
on a title. He’s also ‘painted and garlanded’, changing his appearance to a more tribal,
savage identity.

26
Q

how does appearance contribute to identity

A

The boys’ clothing deteriorates quickly and their uniform, a symbol of community and
civilisation, falls apart - some by their doing as they take it off and some through use
and wear.
Jack isn’t the only one to use camouflage; others adopt the mud-masks and become
‘striped brown, black and red’ (Chapter 12) rather than wearing their uniform. Their
appearance is what makes the officer question their nationality, as the littluns have
the ‘distended bellies of savages’. The officer himself is also introduced through his
appearance, the crisp military uniform with its white symbolising the purity grown-up
society likes to think it has.

27
Q

how does ralph’s memory contribute to his identity

A

Ralph has increasing trouble remembering why the signal fire is important. He describes
a ‘flicker’ or ‘curtain’ in his mind closing off his thoughts; he is beginning to lose his own
memory of who he is and what is important, as well as the language with which to express it.
This is taken even further through the character of Percival Wemyss Madison, who in
Chapter 5 recites his name and address as an ‘incantation’ of safety but by Chapter 12, he
can’t remember either.

28
Q

how do names represent the change in identity throughout the novel

A

Names change through the novel as the boys’ identities alter. ‘Piggy’ is dehumanised
from the start, confessing his nickname and finding this used against him - his name
focusses on his weight, which socially defines him, but also foreshadows his ‘hunting’
by Roger. We never learn Piggy’s real name, making the most intelligent boy seem less
important. Jack changes name the most, from the pseudo-adult ‘Merridew’ to ‘Jack’
and finally ‘Chief’ as he changes his identity from head choir-boy to a tribal leader.

29
Q

how does jack and ralph’s friendship change

A

Jack and Ralph share a shy companionship at first; although Ralph’s voted as chief, he’s
diplomatic and offers Jack control of the choir. When they explore with Simon, the three of
them are happy, excited with ‘a kind of glamour’ around them.
Jack becomes frustrated when Ralph listens to others as much as him, then further
frustrated when he’s not given an opportunity to lead his way and Ralph values the fire
over his hunting. When he lets the signal fire out Jack, ‘faced at once with too many awful
implications, ducked away from them’, first attacking Piggy to deflect attention from
his mistake, then refusing to acknowledge what he’s done wrong. Instead he offers an
apology designed to get the others on his side, angering Ralph with this ‘verbal trick
When Jack loses a second vote, he leaves humiliated, although Ralph calls him back.

30
Q

how does ralph and piggy’s friendship change

A

Ralph tries to ignore Piggy. After he’s voted chief, he chooses Jack and Simon to explore
the island with - partly because of Piggy’s physical unfitness and partly because he’d rather
have fun with the others. Piggy confides his nickname, and Ralph disloyally shares it, and it
becomes the only name we know. He realises his mistake, but argues ‘better Piggy
than Fatty’.
Ralph consistently stands up for Piggy, both in his role as leader and as friend. He considers
Piggy’s feelings, and looks after him despite Jack’s disapproval.
Ralph comes to respect Piggy’s intelligence and logical approach. He realises that ‘I can’t
think. Not like Piggy’. When Jack’s tribe has disappeared, the two become closer and
discuss ways to get rescued. After Piggy’s glasses are stolen, leaving him blind, he trusts
Ralph to lead him up to demand them back from Jack but during the confrontation Ralph
attacks Jack, leaving Piggy vulnerable.
Through the two friendships, Golding explores what it is to be friends - loyalty, comfort, a
similarity of thinking - and how important it is to choose friends wisely.