****Lecture 5 - Self-presentation Flashcards

1
Q

What experiment did Goffman do?

A

Observed people and life in the Shetland Isles
Found that people manage their behaviour differently according to which group theyre in
- People act differently when being watched or think they are – when they are approaching a neighbours house, they smile just before the door opens. If told they are being watched, they start smiling very early
- People act differently depending on observer

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2
Q

What theory did he come up with and define it

A

Dramaturlogical framework:
Life is structured similarly to theatre
Every situation is a stage, each person performs a role
True regardless of situation, context or environment
- we change roles depending on situation
Society is structured around expectations of performance
Highly flexible theory
- Can help account for differences in culture
- Also for individuals differences in behaviour

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3
Q

What are Goffmans 8 key terms>

A
Performance
Front
Setting
Appearance
Manner
Front stage
Back stage
Off stage
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4
Q

Define ‘performance’

A

“All the activity of an individual which occurs during a period marked by his continous presence before a particualr set of observers and which has some influence on the observers”
Behaviour focused
Everything we do while in front of certain people (audience)

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5
Q

Define ‘front’

A

“The part of an individuals performance which regularly functions in a general and fixed situation to define the situation for those who observe the performer”
Every performer contains a front
An actor can adopt a front for a situation
Similar fronts can be adopted by different actors
You do a performance but you present a front

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6
Q

Define ‘Setting’

A

“involving furniture, décor, physical layout and other background items which supply the scenary and stage props for the spate of human action played out before, within or upon the stage”
Set dressing
Environment
Object-focused

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7
Q

Define appearance

A

“Those stimuli which function at the time to tell us of the performers social stages”
Costumes
Object focused
Helps denote who’s in what role

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8
Q

Define manner

A

“Those stimuli which function at the time to warn us of the interaction role the performer will expect to play in the oncoming situation”
Behaviour that indicates what front we are showing
Any front includes manner
Gesticulation, expressions, physical motions/ actions, all the things you do

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9
Q

Define ‘front stage’

A

“Where the actor formally performs and adheres to conventions that have particular meaning for the audience. The actor knows he/she is being watched and acts accordingly”

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10
Q

Define back stage

A

“Here the performer can relax, he can drop is front, forgo speaking his lines and step out of character”

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11
Q

Define off stage

A

”where individual actors meet the audience members inndependently of the team performance on the front stage”

Seeing your teacher in tescos

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12
Q

Do intentions matter according to Goffman, and why?

A

No because its just about how the audience interprets it

- “impression management”

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13
Q

Can performance occur automatically?

A

yes - especially when in front of a familliar audience as less effort is put into self-presentation (leary et al 1994)

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14
Q

Define ‘passing’

A

Trying to enact a specifc, desired identity that you don’t naturally have – but succesfully convincing others that one does have that identity
To pass successfully, no one must know you’re passing
Can be unintentional, via “giving off”
Relies on expectations
Most frequently used to day in sexual and gender identity – e.g. can pass as heterosexual to avoid explaing why they’re homosexual
But we all do it

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15
Q

How does social media enabling passing?

A

Social media

  • Highly constructed performances/ selves
  • Possibility of complete anonymity
  • Verified accoutns
  • Linking the self across different platforms
    • internet reduces ability to seperate settings – e.g. LinkedIn is a proffesional, realistic identity
  • Easier to engage in taboo behaviour – But don’t want it to bleed into other performances
  • Can be chalenging
    • easy to be mis-interpreted
    • Online shaming – e.g. Justine Sacco tweet was misintrepreated and she was attacked online
  • Goffman argued that the audience is in charge, redgardless of performance
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16
Q

Who showed that people perceive others are lying on online dating sites?

A

Brym & Lenton (2001) - especially about marital status, age and appearance

17
Q

Define accountability

A

being (potentiall) required to give an account – not the same as responsibility. Deviations from the norm and more accountable
Accountability disappears when people are anonymous
- no performance is at risk
- No self to hold accountable

18
Q

Who found that self-reported troll behaviour correlated with sadism

A

Buckels et al (2014) - found that when no self is at risk, its easier to give negative comments

19
Q

Define ‘face’

A

a desired image of self, delineated in terms of approved social attributes
Face work = behaviour relating to maintaining positive face for the self or for others
Remarkably cross cultural
- honour, dignity, prestige, trying to maintain these
Tacit agreement to support each others face

20
Q

Define lying and how it affects face

A

Knowlingly giving a false performance

Threatens the face of others who are duped and act in accordance with that lie

21
Q

Who investigated how lies are regularly done to support face?

A

DePaulo + Kashy (1998)

22
Q

Outline DePaulo + Kashy (1998)

A

Had college students record diary of lies told

  • Looking at whether lies were told for personal gain
  • Found that majority of lies were in fact told to avoid embarassment, worry or emotional pain
  • Most common lie = saying you like something more than you did
23
Q

What is all performance based on?

A

expectations

    • We perform according to what we think is expected of us
  • We are evaluated based on what people expect, and what they think we know they expect
24
Q

Who did the breaching experiments?

A

Garfinkel (1967)

25
Q

Outline Garfinkel (1967)

A

Breaching experiment 1: Student boarders
- Students were asked to pretend to be a boarder in their parents home, e.g. having to ask permission to use familys kettle
- Parents were offended, seriously damaged relationship
- Because kids presented incorrect front for the setting
Breaching experiment 2: What do you mean?
- Refuse to understand basic meanings and ask for clarity
- “what do you mean flat tyre?”, “what do you mean by air”
- Experiments treated as annoying, rude, ill or stupid within moments
- Presented incorrect manner

  • proved there are rules that are shocking when broken
26
Q

What are the questions people ask of the environment when deciding how to perform?

A
  • What front, manner and appearance are expected in this setting
  • Is the performer the focus of attention?
  • Familiarity with audience
  • What history has passed between performer and audience
  • What is at stake?
    • e.g. Actors in role play
    • or trainee policieman in a role play with a suspect
  • Actors are worried if they’re doing it right
  • Policeman are worried if they’re going to get the job
27
Q

What are the individual differences that impact performance?

A

Social acuity =
- Ability to know what we would need to do in order to create a desired impression
– knowledge of what to do
Behavioural skills =
- Must be capable of doing/ performing the behaviours
- Ability to do it
Incongruence between these creates anxiety (Schlenker and Leary (1982)

28
Q

Who came up with Self-moitoring theory?

A

Snyder (1974) - low self moitor vs high

29
Q

Outline Snyder (1974)

A
  • People monitor their own behaviour to different degress
    A High self monitor
  • See self as flexible, pragmatic
  • Strive to be right person for every setting
  • Attempt to alter performance and find right front
    A low self-monitor
  • See self as highly principled, value consistency of self
  • Attempt to maintain similar performance across multiple settings
30
Q

What are the 5 strategies of self-presentation?

A
  • Integration (likeable)
  • Self-promotion (competent)
  • Intimidation (Powerful)
  • Exemplification (Moral)
  • Supplication (Helpless)
31
Q

Who linked self-promotion to higher success in job interviews?

A

Higgins and Judge (2004)

32
Q

Does presentation change who we are?

A

evidence is unclear

  • E.g. power pose research (Canary et al, 2010)
  • Before you speak, do this, makes you feel like speech went better
  • X – hasn’t been replicated
33
Q

Who did the Power pose research?

A

Canary et al (2010)

34
Q

Who criticised Goffman?

A

Kenneth Gergen

35
Q

What were Kenneth Gergen’s critcisms of goffman?

A

– we are con artists and cant trust anyone – even in love/ affection
But
Not all bad:
- If all people engaged in performance, its not unusual or deviant
- Performance may be involuntary
- Performance doesn’t necessarily mean lack of authenticity
- Performing love doesn’t make it fake
- Simply that in order to accomplish love, we must perform it
- If we don’t perform, the audience wont receive love!