Lecture 24 Flashcards

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1
Q

Madea’s soliloquy

A
  • torn between desire and reason
  • knows the better course of action is to do the right thing by her family and to give her loyalty to them
  • at the end of the soliloquy she sides with reason
  • however she ultimately ignores this fact when she sees Jason and desire takes over and she knows it was the wrong choice.
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2
Q

Ovid vs. Euripides

A
  • focuses more on changes
  • Ovid glances over basically all of the plot of Euripides and is condensed into one paragraph in this book
  • he’s more interested in the smaller parts of the story and wants to make them more interesting because they’re less well-known
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3
Q

Examples of metamorphoses in Medea

A
  • teeth–>warriors
  • changes Jason’s dad into a young man again
  • tricks Jason’s cousins into thinking she’s going to rejuvenate their father too
  • Medea herself as a metamorphoses from her rational self in the beginning to how evil she has become by the end.
  • magical power has something to do with this change
  • mostly the power of love/lust she has for Jason
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4
Q

Iole and Dryope

A
  • Dryope picked a flower that was actually a nymph
  • nymphs punished her by turning her into a flower
  • Dyrope believed she had no fault for her actions
  • Similar to Diana and Aecteon
  • saw Artimis bathing
  • turned into a stag
  • both had extreme consequences for relatively innocuous actions
  • Priapus and Lotis
  • House of the Vettii, Pompeii
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5
Q

Byblis and Canus

A
  • twin siblings
  • Byblis is deeply in love with her brother Canus who rejects her
  • long soliloquy of a female weighing her desires vs. reason.
  • tries to work her way through these problems
  • the gods marry their siblings, why can’t I?
  • she’s says too young to know it’s wrong, and yet she’s making the point to rationalize her feelings so it kind of negates the argument
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6
Q

Taboo

A
  • culturally-defined

- in the case of Byblis and Canus out views align but this wasn’t always the case

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7
Q

Iphis and Ianthe

A
  • Iphis’ father said if this isn’t a boy you need to kill it
  • Iphis is a girl and her mom tricks her father
  • wanted a boy so he didn’t have to pay a dowry
  • both in love with each other but Ianthe doesn’t know she’s a girl.
  • Iphis thinks it’s all very unnatural and compares their love to Pasephe and the bull
  • even more unnatural because at least the bull was a male
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8
Q

infant exposure

A

-babies left in trash heaps in the street so maybe someone will come and pick them up and raise them

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9
Q

Roman Sexuality

A

-Roman sexuality conceived in terms of activity/passivity:
-one person performs an action TO or ON (not with) another person
-It is considered “natural” for a male to be an “active” partner, a female to be a “passive” partner
-“Passive” males and “active” females considered unnatural, often unacceptable
BUT: no concept of homosexual or heterosexual

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10
Q

Orpheus

A
  • gets married and new bride dies when she step son a snake that bites her
  • travels to the underworld to receive his wife and is told not to turn back but he does and she is lost forever
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11
Q

Pederasty

A
  • sexual relationships between adults and children
  • Orpheus played a part
  • various young boy loves of the gods: Cyparissus and Apollo, Ganymede and Jupiter, Hyacinthus and Apollo
  • view that upper class individuals should have male and female lovers
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12
Q

Pederasty and Greek education

A
  • viewed as an essential part of education for the upper-class
  • lover serves as a valuable mentor for the beloved
  • relationship unites wealthy and powerful families
  • most relationships ended with marriage of the beloved continued ‘passivity’ of adult males socially unacceptable
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13
Q

Pygmalion

A
  • disgusted by Propoetides so he makes a woman statue from marble
  • has completely given up on women
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14
Q

The Propoetides

A

-women who denied that Venus was a real goddess and turned them into prostitutes

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15
Q

Orpheus and Pygmalion

A
  • both have art that either brings back the woman they lost, or creates their own new woman
  • both gave up on women at one point
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16
Q

Myrrha

A
  • Grandaughter of Paphos
  • in love with her dad
  • Ovid warns us away from reading the “filthy” story