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DE Humanities > Late Renaissance Art > Flashcards

Late Renaissance Art Flashcards

1
Q

First appeared in Florence / Rome - 1520

A

Mannerism

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2
Q

1520 - 1580 : Italy

1520 - 1600 : Northern Europe

A

Mannerism

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3
Q

Mannerism style

A

Anti-classical

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4
Q

Mannerism arose with what major event during the time period?

A

Protestant Reformation

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5
Q

Style / manner in which an artwork is done

A

Mannerism

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6
Q

Exaggerated poses - unrealistic settings - artificial colors

A

Characteristics of mannerism

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7
Q

Unrealistic proportions - off-beat perspectives - complex compositions

A

Characteristics of mannerism

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8
Q

Elongated figures / limbs - eerie images - bizarre themes

A

Characteristics of mannerism

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9
Q

Emotional appeal - compositional instability - theatrical lighting - precariously balanced

A

Characteristics of mannerism

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10
Q

1527 - 1593 : known for creating imaginative portrait heads

A

Giuseppe Arcimboldo

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11
Q

Some critics consider his portraits product of deranged mind - other believe he was connected with Renaissance fascnination with riddles / puzzles / the bizarre

A

Giuseppe Arcimboldo

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12
Q

Most well known portraits of Arcimboldo

A

The Seasons

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13
Q

In addition to painting, Arcimboldo created these

A

Stained glass

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14
Q

Extremely famous during his lifetime - influenced surrealists like Dali - most original of late Renaissance painters - reputation unexplainably fell off after death

A

Arcmboldo

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15
Q

Pictures whose subjects were created from other forms

A

Grotesque painting

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16
Q

1590 - 1591 : head / shoulder portrait of Emporer Rudolph of Vienna - one of two most famous portraits

A

Vertumnus (Arcimboldo)

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17
Q

Ancient roman god of vegetation and transformation

A

Vertumnus (Arcimboldo)

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18
Q

1573 : portrays hypothetical face with most typical elements of seasons to create image

A

The Four Seasons (Arcimboldo)

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19
Q

1573 - comprised of flowers

A

Spring (The Four Seasons - Arcimboldo)

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20
Q

1573 - fruit face - wheat body - artist’s name in collar - date of painting on shoulder

A

Summer (The Four Seasons - Arcimboldo)

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21
Q

1573 - fallen leaves - fruits - mushrooms - other vegetables - torso from wooden planks

A

Fall (The Four Seasons - Arcimboldo)

22
Q

1573 - bark - branches - fruits - fallen leaves

A

Winter (The Four Seasons - Arcimboldo)

23
Q

1541 - 1614 : born in Crete - moved to Spain in 1570’s

A

El Greco

24
Q

Last Manneristic painter - works mainly religious and portraits

A

El Greco

25
Q

Intensely emotional - form dematerialized - color important - strong sense of movement - elongated distortion - flickering light

A

Characteristics of El Greco

26
Q

1 of 2 surviving landscapes - applauded for depiction of design - sharp contrast between hills and sky - stormy and calm achieved simultaneously - Mannerist tension

A

View of Toledo (El Greco)

27
Q

Christ holds white victory banner - guards scatter - no view of tomb / landscape (removes painting from historical accuracy) - elongated figures - dramatic

A

Resurrection (El Greco)

28
Q

Painted during last years - Revelation 6:9-11 - souls of persecuted martyrs cry out to God for justice upon Earthen persecution - St. John dominated - naked souls write - emotional anticipation of receiving white robes of salvation

A

Opening of the 5th Seal (El Greco)

29
Q

Greek myth - View of Tolado in the background - figures ghostly white / elongated - writhing in pain / fear - additional bystanders on R side

A

Lacoon and Sons

30
Q

1494 - 1540 : nickname = Red Florentine - went to France in 1527 and remained there until death - supposedly committed suicide

A

Rosso Fiorentino

31
Q

Real name of Rosso Fiorentino

A

Giovanni di Jacopo

32
Q

Real name of El Greco

A

Domenikos Theotocopoulos

33
Q

Action hurried and complicated - figures simble but forcelful expressions of grief - sky somber - 3 ladders used to remove Christ from cross - balance of men on ladders precarious - Christ’s skin sallow - acid colors - nightmarish qualities - figures crowded into tight compositions - little open space (sometimes said to represent emptiness that Mary feels at loss of her son)

A

Descent From Cross (Fiorentino)

34
Q

1503 - 1540 : nickname = “Little one from Parma” - work focused on eroticism / unusal perspective / elongation of human figures

A

Parmigianino

35
Q

Real name of Parmigianino

A

Girolamo Francesco Mazzola

36
Q

Lost favor with Catholic church after Madonna with the Long Neck - fascinated with magic / magicians - showed signs of insanity priory to death

A

Parmigianino

37
Q

Begun in 1534 - remained unfinished - Mary portrayed on high pedestal swathed in luxurious robes - baby Jesus and Mary grossly unproportional - person in right corner = St. Jerome announcing birth of Christ

A

Madonna with the Long Neck

38
Q

1518 - 1594 : real name - Jacapo Comin - nickname - little dyer - rarely left Venice

A

Tintoretto

39
Q

Nickname of Tintoretto - given because of the energy he put into painting

A

Ill Furioso

40
Q

1594 - one of 8 versions of his Last Supper’s - smoky / distorted color - human figures joined by angels - servants in foreground - dramatic use of light

A

Last Supper (Tintoretto)

41
Q

1575 - Powerful composition - Peter at center and not Christ - elongated figures - psychological tension

A

Christ at the Sea of Galilea (Tintoretto)

42
Q

1529 - 1608 : French man that moved to Italy - best known of the Mannerist sculptors - worked in bronze / marble - known for sense of action / movement - sculptures appear to defy gravity

A

Giovanni Bologna

43
Q

Real name of Giovanni Bologna

A

Jean Boulogne

44
Q

1574 - father cowers at bottom while muscular figure carries woman away - figures interwoven into spiral composition - one piece of marble - fluid / anatomical accuracy - meant to be viewed from all angles

A

Rape of Sabine Woman (Bologna)

45
Q

1503 - 1572 : real name was Agnolo di Cosimo - nicknamed for his dark complexion which suggests that he suffered from Addison’s disease (excessive pigmentation)

A

Agnolog Bronzino

46
Q

Received Medici patronage - became official court painter for Duke de Medici - formal portraits - minute details - Allegorical works

A

Bronzino

47
Q

1470 - 1578 : German - real name unknown - only 10 paintings and 35 drawings survived - most famous work was Isenheim Alterpiece

A

Grunewald

48
Q

Part of Isenhim Alterpiece

A

Crucifixion (Grunewald)

49
Q

1500 - 1571 : major artist of Mannerist era - juvenile delinquent - well-known to authorities by 16 - major artistic area was goldsmithing

A

Benvenuto Cellini

50
Q

Dark / somber imagry and themes

A

Macabre

51
Q

Subject heavily muscled / powerful body - holds severed Gorgon head - bronze - work suggested by Duke Cosimo 1 de Medici - masterpiece

A

Perseus Holding Head of Medusa (Cellini)

DE Humanities (12 decks)

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