Early Renaissance Flashcards

1
Q

Birthplace of the Early Renaissance

A

Florence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
2
Q

Stable govt. / stable economy / major trade center / strong economic growth / patron of the arts

A

Florence

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
3
Q

Leading family of Florence from 1434

A

De Medicis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
4
Q

Banker / popular in Florence / popular / brought stability and prosperity to Florence

A

De Medicis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
5
Q

Supported Botticelli / Donatello / Brunelleschi

A

De Medicis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
6
Q

Ruled 1434 - 1464

A

De Medicis

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
7
Q

Pater Patriae

A

Father of his country (on Cosimo de Medici’s tombstone)

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
8
Q

Sickly and suffered from gout

A

Piero de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
9
Q

Continued father’s example / excellent business man

A

Piero de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
10
Q

Age 21 when he came to power - nicknamed “The Magnificent” - faced conspiracy in 1478 - Successful diplomat

A

Lorenzo de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
11
Q

Patron of Michelangelo and da Vinci - 1469-1499

A

Lorenzo de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
12
Q

Brother of Lorenzo

A

Guiliano de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
13
Q

Died at age 25 during Pazzi conspiracy

A

Guilano de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
14
Q

Illegitimate son became Pope Clement VII

A

Guilano de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
15
Q

More respected of the two Florentine families

A

De Medici’s - Pazzi’s jealous

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
16
Q

Kill brothers at luncheon hosted by Lorenzo - Guilano not prepared so plan fell through

A

Plan A

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
17
Q

Dispose of brothers at luncheon after High Mass on Easter - ambassadors / Florentine Knights present - Guiliano still not present

A

Plan B

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
18
Q

Assassinate Guiliano (Francesco and Bernardo) after mass - priests (Maffei and Stefano) replace Batista - Mass is over and conspirators attack - Bernardo stabs Guiliano in chest - Francesco stabs Guilano 18 times (one stab severs Fran.’s tendon) - Maffei wounds Lorenzo - chaos ensues and conspirators flee - plan fails

A

Plan C

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
19
Q

Captured and betrays conspirators

A

Francesco

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
20
Q

Stripped of possessions and crest destroyed wherever found

A

Pazzi family

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
21
Q

Ignored plot / guilt of conspirators - untouchable

A

Pope

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
22
Q

Favored diplomacy over war and is returned to power by pursuading Don Ferrante of Naples (leader of Pop’s soldier) for peace and ends Pope’s retribution

A

Lorenzo de Medici

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
23
Q

1400 - 1495

A

Early Renaissance Art

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
24
Q

Stylization of Byzantine art replaced by

A

Naturalism

How well did you know this?
1
Not at all
2
3
4
5
Perfectly
25
2 types of painting in early Renaissance
Religious or Mythology
26
Exploration of new form - types of experimentation
``` Perspective Foreshortening Sfmato Chiaroscuro Atmospheric perspective ```
27
Pioneered oil paints / influenced by stained glass and illuminated manuscripts
Northern artists
28
Meticulous detail / maintained religious symbolism (very different from Italian artists)
Northern artists
29
Brunelleschi
Architect
30
Donatello
Sculptor
31
Masaccio
Painter
32
Botticelli
Painter
33
Van Eyck
Painter
34
1377 - 1446 - extremely sought-after engineer and architect
Brunelleschi
35
Famous for Dome of Florence Cathedral - originally trained as goldsmith
Brunelleschi
36
Actually double dome of 2 shelves - walkway between shells so interiors can be maintained - one of the most recognized domes in the world
Brunelleschi's Dome
37
1386 - 1466 - produced 1st life-size nude since Classical era
Donatello
38
Explored human emotion - believe form follows emotion
Donatello
39
Received patronage from Cosimo de Medici
Donatello
40
1430 - 1st large bronze nude since CE - exaggerated contrapposto - head lowered to suggest humility
David (Donatello)
41
1440 - emaciated from 30 years of penitence - wood - gilded hair suggests spirituality - clothed only by hair (used to wash feet of Jesus) - face shows torture of badly led life - body shows ravages of time
Mary Magdalene (Donatello)
42
1401 - 1429 - created trompe l'oeil (fool the eye) effect
Masaccio
43
Career less than a decade - emphasized naturalism of face and gesture - interested in perspective - supposedly poisoned by fellow jealous painter
Masaccio
44
1425 - use of trompe l'oeil - surface is flat but apears as barrel-vaulted niche - Christ in dual role (crucified Christ and Son) - God the Father supports Christ - Holy Spirit (dove) between 2
Holy Trinity (Masaccio)
45
1427 - illustrates Matthew 17:24-27 - 3 sections (reads center, left, and right) - Peter in all 3
Tribute Money (Masaccio)
46
1425 - bold use of nude forms - intense expressions (Adam/Eve shameful) - bleak background representing desolation outside Garden - Angel foreshortened
Expulsion from the Garden (Masaccio)
47
1444 - 1510 - outstanding portraitist
Botticelli
48
Balanced composions - free-flowing / sensuous style - stressed line / detail to bring characters to life
Botticelli
49
Recurring theme - sad, young girl detached from activity around her
Botticelli
50
1485 - rose petals symbolize identity as goddess of love - figures appear to float above ground - flat landscape - Venus in the Half Shell
Birth of Venus
51
1370 - 1441 - painted with oil glazes on wood panels
Jan Van Eyck
52
Flemish - remarkable technical skill - linked using complex symbolism - "the best that I am capable of doing"
Van Eyck
53
1434 - The Wedding Portrait - inscription above mirror "Jan Van Eyck was present, 1434" - man is close to door (masculine outoors) - woman is close to domestic interior (feminine roles of wife/mother)
Betrothal of the Arnolfini
54
Dog (Wedding Portrait)
Fidelity
55
Shoes off (Wedding Portrait)
Holy ground
56
Oranges on table (Wedding Portrait)
Trinity
57
Apple on sill (Wedding Portrait)
Downfall of man
58
One lit candle in chandelier (Wedding Portrait)
Presence of God
59
Graffiti sign (Wedding Portrait)
Ceremony witness
60
Rosary beads (Wedding Portrait)
Importance of faith in life
61
Man's raised hand (Wedding Portrait)
Acknowledgement of relationship between man and God
62
Hands of couple (Wedding Portrait)
Two have become one
63
Whisk / broom (Wedding Portrait)
Wife's response to keep happy / clean / efficient house
64
Carving of St. Margaret on bedpost (Wedding Portrait)
Good luck in childbirth
65
Green on gown (Wedding Portrait)
Fertility / fruitful marriage
66
Mirror surrounded by scenes of Passion of Christ
Betrothal of the Arnolfini
67
Backs of couples and tow figures (one in red and the other in blue) standing outside of picture area
Mirror images (Betrothal of the Arnolfini)