Highlighting Flashcards

1
Q

3 principles which influence our choice of word order

A

1) topic-initial principle
- Pat married Kim. Kim married Pat.

2) end-focus principle
- gradation of position creates gradation of meaning (from beginning towards the end)
- I gave the book to Jessica. I gave Jessica the book.

3) end-weight principle
= the tendency to position “heavy,” long and complex elements at the end

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2
Q

fronting (pre-posing)

A
  • placing the canonically post-verbal element to pre-verbal position

(Richard I cannot stand. - fronted O)
(Shy she is not. - fronted Cs)

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3
Q

inversion

A
  • the reverse order of subject and predicate
    (In walked Tom. Here comes the postman.)
    X Up she went. = fronting
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4
Q

left and right dislocation

A
  • the dislocated phrase leaves a pronoun in the position it originally had
  • fronted or post-posed

I love my daughters.
→ My daughters, I love them. (left-dislocation)
→ I love them, my daughters. (right-dislocation)

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5
Q

extraposition

A
  • a non-final part of an utterance (typically a subject clause) - postponed to the final position
  • eng-weight principle

(It does not matter what you say.)
→ anticipatory it

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6
Q

cleft construction

A
  • dividing more elementary structures into two clause-like parts

(It was Paul that (who) was playing the guitar last night.
It was the guitar that Paul was playing last night.)

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7
Q

pseudo-cleft constructions, wh-pseudoclefts

A
  • any element can be highlighted (even the VERB)

(What you need most is a good rest.)
! What Paul did last night was (to) play the guitar.
What I’m doing is teaching her to swim.

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8
Q

inverted pseudo-clefts

A

He hates syntax.
→ Syntax is what he hates. (= inverted pseudo-cleft)

X → What he hates is syntax. (= pseudo-cleft)

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9
Q

semantically vague subject NP

A
  • All he needs…
  • The thing he needs…
  • One of the things he needs…
  • What he needs…

→ …is a little more discipline.

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10
Q

there constructions

A
  • shifting (postponing) the notional S of the base sentence and allowing such S to carry a particular degree of “newness” (communicative dynamism)

1) There was a complete silence.
- existential

2) There was a boy in the room.
- existential-locative

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