Highlighting Flashcards
3 principles which influence our choice of word order
1) topic-initial principle
- Pat married Kim. Kim married Pat.
2) end-focus principle
- gradation of position creates gradation of meaning (from beginning towards the end)
- I gave the book to Jessica. I gave Jessica the book.
3) end-weight principle
= the tendency to position “heavy,” long and complex elements at the end
fronting (pre-posing)
- placing the canonically post-verbal element to pre-verbal position
(Richard I cannot stand. - fronted O)
(Shy she is not. - fronted Cs)
inversion
- the reverse order of subject and predicate
(In walked Tom. Here comes the postman.)
X Up she went. = fronting
left and right dislocation
- the dislocated phrase leaves a pronoun in the position it originally had
- fronted or post-posed
I love my daughters.
→ My daughters, I love them. (left-dislocation)
→ I love them, my daughters. (right-dislocation)
extraposition
- a non-final part of an utterance (typically a subject clause) - postponed to the final position
- eng-weight principle
(It does not matter what you say.)
→ anticipatory it
cleft construction
- dividing more elementary structures into two clause-like parts
(It was Paul that (who) was playing the guitar last night.
It was the guitar that Paul was playing last night.)
pseudo-cleft constructions, wh-pseudoclefts
- any element can be highlighted (even the VERB)
(What you need most is a good rest.)
! What Paul did last night was (to) play the guitar.
What I’m doing is teaching her to swim.
inverted pseudo-clefts
He hates syntax.
→ Syntax is what he hates. (= inverted pseudo-cleft)
X → What he hates is syntax. (= pseudo-cleft)
semantically vague subject NP
- All he needs…
- The thing he needs…
- One of the things he needs…
- What he needs…
→ …is a little more discipline.
there constructions
- shifting (postponing) the notional S of the base sentence and allowing such S to carry a particular degree of “newness” (communicative dynamism)
1) There was a complete silence.
- existential
2) There was a boy in the room.
- existential-locative