Grieg Norwegian March Flashcards

1
Q

Who was Edvard Greig?

A

He was a Norwegian composer who used modal melodies and harmonies (Lydian and Aeolian modes).

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2
Q

How is it not a typical march?

A

It is a ‘gangar’- a type of walking dance with close stepping.

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3
Q

What sort of piece is it?

A

A character piece that evokes a certain mood, scene or image.

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4
Q

What happens harmonically in bars 1-8?

A

The key is in C major with regular sequences, pedal point and perfect 5th used in accompaniment, ending on an imperfect cadence.

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5
Q

What happens texturally in bars 1-8?

A

Right hand melody with slow-moving chords and a held bass pedal point and stepwise tenor register.

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6
Q

What happens structurally and melodically in bars 1-8?

A

Phrases start with a 2 bar anacrusis using mordents (except for octave playing). There is lots of syncopation and a 2+2+4 structure.

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7
Q

What happens in bars 9-16?

A

Exact repeat of bars 1-8.

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8
Q

What happens in bars 17-19?

A

Treated imitatively and sequentially with chromaticism.

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9
Q

What happens in bars 17-25?

A

First 2 phrases end on E major chord and the next 2 on G major chord. Each phrase begins on a 2 bar anacrusis with the melody repeated between hands. The dynamics alternate between ff and p with a new motif starting in bar 25 in the right hand.

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10
Q

What happens in bars 26-37?

A

The new motif is developed through the use of repetition, sequence, changing harmonies and is accompanied by open perfect 5th’s in the bass (pedal point).

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11
Q

What happens harmonically in bars 27-30?

A

27- D7, Dm7
28- D7, Dm7
29- Dm7, Bdim7
30- Caug7

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12
Q

What happens harmonically in bars 31-35?

A
31- Fadd9th
32-Bdim7
33- Em7
34-Am7
35- Faug7
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13
Q

What happens in bars 36-38?

A

Includes perfect 5th staccato crochets in a low register to form a link passage with a dampener pedal.

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14
Q

What happens in bars 40-42?

A

The opening theme appears at the end of bar 40 at a high register (ppp). A 2 bar pattern is played on the right hand with staccato G’s in the left hand.

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15
Q

What happens bars 43-66?

A

The left hand crosses to the right hand and in bar 44 the left hand takes the melody, starting a sequential pattern from bars 44-60 (the right hand plays descending chords). The intensity builds as the theme is played sequentially in octaves in the bass clef and right hand chords are marked with an accent.

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16
Q

What happens in bars 69-78?

A

There’s a build from ff to fff with the theme played in the right hand (bass clef) with chordal notes in octaves and punchy left hand chords.

17
Q

What are the chords in bar 72-73?

A
  1. 1- Ab major
  2. 4- F minor
  3. 1- C major
  4. 4- F major
18
Q

What happens in bar 77-79?

A

3 bars of repeated chords with the theme fragmented in bar 77.

19
Q

What happens in bar 80?

A

There is the return of the opening theme, but it’s actually a 4 bar link with 2 differences.

20
Q

What are the 2 differences in the 4 bar link at bar 80?

A

The theme starts an octave lower and the phrase ends on a C, not a D.

21
Q

Which bars do bars 84-146 repeat?

A

Bars 17-79.

22
Q

What happens in bars 147-159?

A

They act as a codetta, ending the piece quietly and gently (tranquillo).