Bach- Mvmt 3 Flashcards

1
Q

What is the metre?

A

9/8- making it feel like a gigue (a popular dance form) with a fugal texture

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2
Q

How long is Ritornello 1?

A

25 bars (bar 1-25)

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3
Q

How long is Episode 1?

A

17 bars (bar 25-42)

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4
Q

How long is Ritornello 2?

A

3 bars (bar 42.3-45)

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5
Q

How long is Episode 2?

A

14 bars (bar 46-60)

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6
Q

How long is Ritornello 3?

A

13 bars (bar 59.3-72)

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7
Q

How long is Episode 3?

A

18 bars (bar 72.3-90)

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8
Q

How long is Ritornello 4?

A

4 bars (bar 90-94.1)

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9
Q

How long is Episode 4?

A

22 bars (bar 94-116)

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10
Q

How long is Ritornello 5?

A

25 bars (bar 117-141)

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11
Q

Describe bar 1-2

A

The violins enter with a fugue subject, accompanied by a countersubject in the violas with the continuo provides a supporting bass

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12
Q

Describe bar 5-6

A

The second violins play a tonal answer with the change of the opening interval (from a 5th to a 4th) to help modulate to Em. The first violins now have the countersubject

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13
Q

Describe bar 8-14

A

The continuo enters with the original subject (returning us to Am). By bar 12 all the parts are playing free material with a bass tag in bar 13-14

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14
Q

What are the harmonies in Ritornello 1?

A
Bar 1-9 = Am
Bar 13 = Dm
Bar 13-14 = G
Bar 19 = Am
Bar 21 = Dm
Bar 23 = Am
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15
Q

Describe Episode 1

A

The texture becomes lighter (solo violin with continuo support) with occasional off-beat chords in the strings. It’s largely devoid of Ritornello references and includes sequences, appoggiaturas, melodic inversions and (to some extent) periodic phrasing. It moves harmonically from Am-G-Em

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16
Q

Describe Ritornello 2

A

The subject appears in violin 1, the countersubject in violin 2, a filler section in viola and the continuo supporting the harmonies. It is played in a dominant minor

17
Q

Describe Episode 2

A

It is closely modelled from Episode 1, however it moves from Em-D and transposed up a 5th. There’s a new 2 bar link passage to Ritornello 3

18
Q

Describe Ritornello 3

A

It is played in the relative major and starts off with a tonal answer in violin 2 which is harmonised (in 6ths) by violin 1 with the viola and continuo part supporting with an inverted pedal in the soloist. The subject is played in disguise in violin 2 (bar 64) and the countersubject appears later with the bass continuing support

19
Q

Describe Episode 3

A

Largely non-thematic material with a compound gigue rhythm. From bar 82, the solo violin become virtuosic with some string crossing which is sequenced over a dominant minor chord. There is then triple-stopping and a fermata- indicating a short improvised cadenza

20
Q

Describe Ritornello 4

A

The subject starts in the continuo, imitated a bar later (stretto) in violin 1 with the countersubject in the viola. Its in Am using a false reprise as the next Episode cuts in

21
Q

Describe Episode 4

A

The first 8 bars are the same as Episode 1 in the tonic. In bar 100 the soloist plays a series of semiquaver runs accompanied by music from bar 4 which is tossed between violin 1 and 2. The soloist then plays a bariolage and it returns to Am with the continuo entering whilst the solo violin is playing. This is imitated by the strings, leading into the final Ritornello

22
Q

Describe Ritornello 5

A

An exact repeat of Ritornello 1 with the only difference in the violin 2 entry in bar 117