France 18th and early 19th Century Flashcards

1
Q

Who/ was a significant name in the genre of Tragedy? Why

A

Voltaire; tried to break awat from the NeoClassic Model, wanted to be more dramatically inventive

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2
Q

What was Voltaire’s real name?

A

Francois Marie Arouet

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3
Q

Who was a significant name in the genre of Comedy? Why?

A

Pierre Marivaux; “Marivaudage” tem to describe elegant writing, style of Marivaux

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4
Q

Denis Diderot

A
  1. Sentimental Comedy
  2. Domestic Tragedy or Drama Bourgeois
    - works that would relate to the middle class, dealt with family situations
  3. Other significant ideas that anticipated 19th c. theatre
    - “The Paradox of Acting” (1839), article that stressed the imprtance of technque to remain emotionally detached form character
    - 4th wall
    - acting technique
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5
Q

how did the french revolution affect theatre in france?

A

it stymied dramatic creativity

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6
Q

Boulevard Theatre

A
  • post revolution, turn of century
    1. melodrama - combo of music and drama
    2. Guilbert de Bixero court 1773-1844
  • melodrama sets foundation for Romantic Drama
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7
Q

First great romantic drama

A

Victor Hugo’s “Hernani”

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8
Q

Characteristics of Melodrama

A
  1. emphasized strict moral judgement (no ambiguity between good and evil, black and white)
    -ending easily understood by audience
  2. action is simple
  3. stock characters
  4. comic relief provided by servant/companion to principal characters
  5. thrives on suspense
    (sensation scenes)
  6. complete reversal at the end
    - just retribution
    - good rewarded, bad punished
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9
Q

Romantic Drama (characteristics)

A
  1. 5 act structure
  2. avoid happy endings
  3. elevated more dignified language
    - Victor Hugo, “Preface to Cromwell” Romantic manifesto, characteristics of the new art form
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10
Q

What was Victor Hugo’s “Preface to Cromwell”?

A

Romantic manifesto, established characteristics of the new art form

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11
Q

Where did the impetus for Romantic Drama come from?

A

German “Sturm und Drang”

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12
Q

What is “Sturm und Drang”?

A

chronicled by Mme. De Stalle, the “Storm and Stress” movement, and provoked the debate over the relative merits of neo-Classicism and Romanticism among intellecutals

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