17th and 18th Century English Theatre and Drama Flashcards

1
Q

Charles II

A
  • responsible for nurseries (schools for actresses), women on stage.
  • known as “the merry monarch”, loved pretty women, loved the theatre, had many mistresses, 14-16 illegit children.
  • famous mistresses include Moll Davis and Nell Gwyn
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2
Q

James II

A
  • brother to Charles II
  • allowed Catholicism
  • died in 1701
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3
Q

William and Mary

A
  • Mary was daughter of James, she was a protestant
  • monarchs during “The Glorious Revolution”
  • puritanical mindset
  • William continued to rule after Mary’s death
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4
Q

Anne

A

Mary’s sister

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5
Q

George III

A
  • ruled during time of American Revolution
  • was seixed by a disease known as porpheria
  • went mad (due to the disease)
  • known for the USA breaking away and for going mad
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6
Q

Samuel Johnson

A
  • 1st English dictionary
  • devotee and lover of Shakespeare, brought Shakespeare back into popularity
  • preface of Shakespeare’s works, analysis and criticism; discussion of brilliance and faults
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7
Q

Jonathan Swift

A
  • author of “A Modest Proposal”
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8
Q

Alexander Pope

A
  • poet

- wrote The Rape of the Lock (epic poem)

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9
Q

Henry Fielding

A
  • Tom Thumb or the Tragedy of Tragedies
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10
Q

What was the major change associated with English Drama at this time?

A

Drama being used as a means of promoting a rational moral order, not a licentious one as was the case with Restoration Drama.

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11
Q

Jeremy Collier

A

-wrote an article, “A Short View of the Immorality and Profaneness of the English Stage”

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12
Q

Transitional Drama

A
  1. Colley Cibber “Love’s Last Shift”
  2. George Farquear “The Recruiting Officer” and “The Beaux Stratagem”
    - Significance: sentimentalism finds its way into comedy
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13
Q

What was the new kind of drama that emerged?

A

bourgeois or domestic tragedy

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14
Q

Bourgeois/Domestic Tragedy

A

blend of tragedy and comedy, focuses on bourgeois or middle class

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15
Q

Demi Diderot

A

Frenchman wrote encylcopediea, called for a new form of French Drama, wanted to get rid of Neo Classicism

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16
Q

Edward Moore

A
  • wrote “The Gamester” (1753)

- this work is thought to be partially written by David Garrick

17
Q

What were some examples of Laughing Comedy?

A
  • Oliver Goldsmith’s “She Stoops to Conquer or the Mistakes of a Night”
  • Richard Brinsely Sheridan’s “The School for Scandal”
18
Q

What were some minor dramatic types of the era?

A
  • pantomime
  • ballad opera
  • comic opera
  • satirical burlesque
19
Q

Pantomime

A
  • developed by John Rich
  • traditional Christmastime entertainment
  • orginated from Harlequin dances, were take offs on traditional fairytales
  • featured gender bending and cross dressing
20
Q

Ballad Opera

A
  • musical drama, dialogue w/ song, contemporary music used

ex. John Gay’s “The Beggar’s Opera” (1728)

21
Q

Comic Opera

A
  • like operettas

- ex. Sheridan’s “The Duenna”

22
Q

David Garrick

A

-helped revive Shakespeare with Samuel Johnson

23
Q

Meg Woffington

A

-David Garrick’s paramour, famous for her breeches roles

24
Q

What were the physical theatres like?

A
  • Wing and Drop settings
  • Apron Stage: brought the actors closer to the audience
  • Proscenium Doors: unique to the 17th century, SL and SR for entrances and Exits
  • Boxes on Apron’: above proscenium doors
  • Illumination (candlelight)
  • Costumes of the day=no historical accuracy