FINAL-INDIA: BHARATA NATYAM Flashcards

1
Q

West

A

progress

conquest of space

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2
Q

East

A

traditional
space integrated
articulation of body and facial gestures

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3
Q

Mudra.

A

Language of hand gestures

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4
Q

Hinduism

A

ancient and varied tradition of religious inquiry and experience
unity of existence
body is a tool for achieving spiritual insight and understanding

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5
Q

Brahma

A

Supreme eternal deity whose essence pervades the entire universe

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6
Q

Vishnu

A

Preserver, who rescues the world when it is threatened

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7
Q

Brahma is

A

the one Creator of all

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8
Q

Brahma gave

A

the Natya Shastra as the

sacred text of dance to Bharata.

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9
Q

Natya Shastra

A

is called the fifth veda or bible.

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10
Q

Nataraja

A

Lord of the Dance.

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11
Q

Shiva

A

the God of creation and destruction

is often seen in the classical representation of Nataraja (Lord of the Dance.)

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12
Q

Krishna

A

“the Blue God”
incarnation of Vishnu (the protecting god)
represented as playing the flute
This dance and music helps to transform the soul

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13
Q

Ramayana

A

exploits of Rama, an incarnation of Vishnu

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14
Q

Mahabarata

A

approx. 100,000 stanza poem, story of the Pandava brothers

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15
Q

Bhagavata

A

exploits of Krishna

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16
Q

Bharata natyam frequently interprets these stories

A

Ramayana
Mahabarata
Bhagavata

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17
Q

Veda is a bible of the Hindu faith.

A

is a bible of the Hindu faith.

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18
Q

Four Vedas

A

the fifth Veda is called the Natya Shastra

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19
Q

Natya Shastra

A

(3rd century A.D.) established norms of theory and practice for communicating through dance/drama.

20
Q

– Natya –

A

dance and drama

21
Q

– Nritya –

A

expressive dance

22
Q

– Nritta –

A

pure dance

23
Q

– Gita –

A

song

24
Q

– Vachika –

A

speech

25
Q

– Vadya –

A

musical accompaniment

26
Q

Mudra

A

– language of gesture

– Facial expressions

27
Q

Karanas

A

Body movements and postures

28
Q

Abhinaya: 4 Techniques in NATYA SHRASHTA

A

Angik
Vachik
Aharya
Satvick

29
Q

Angik

A

body gestures

30
Q

Vachik

A

poetry, song, music, rhythm,

recitation

31
Q

Aharya

A

costume, make-up, jewelry

32
Q

Satvick

A

physical manifestation of mental/emotional states

33
Q

The Surya Deul

A

This temple honors Surya, god of the sun

features many sensual sculptures

34
Q

Eight “universal emotions”, or rasas:

A

– Love, humor, pathos, anger, heroism, terror,

disgust, and wonder

35
Q

Ninth rasa

A

serenity.

36
Q

Rasika

A

knowledgeable spectator

37
Q

Bharata Natyam

A

classical Indian dance
originates from southern India-state of Tamil Nadu, and spread throughout the region
oldest classical dances, dating back more than 2,000 years

38
Q

Temple dances of South India are the direct link to

A

Natya Shastra and to the old sage Bharata.

39
Q

Bharata Natyam

A

Typically female dancers perform this form in the temple setting.

40
Q

Devadasis

A

dedicated trained dancers whose role is as a spiritual offering and voice of deities.
responsible for cleaning and maintaining the statues of the deities in the temple.

41
Q

Bharata Natyam reputation

A

Late 19century reputation reached an all-time low
British influence
1927 campaign to ban temple dancing
Early 20th century – resurgence Sadir

42
Q

Rukmini Devi

A

Founded the school, Kalakshetra, Madras, 1934

Gave the name “Bharata Natyam” to the dance form previously called Sadir

43
Q

Balasaraswati

A

with a career that lasted over forty years
key figures in the revival of Indian dance.
able to dance one line of a poem or song many, many different ways – each with a different interpretation.

44
Q

Sadir

A

precursor dance it was renamed by rukmini devi to Bharata Natyam

45
Q

Kalakshetra

A

is the school founded by Rukmini Devi in 1934. The school provides training in Bharata Natyam dance and music.

46
Q

history of Bharata

Natyam

A

century as the domain of prostitutes.
Great Britain aided in the decline of the art.
Rukmini Devi and Balasaraswati helped to change this condition.
Through their fine example and dedication to dance these two women helped to raise Bharata Natyam to the status of a national treasure. They also helped to establish a higher regard for other dance forms in India as well.