FINAL-INDIA: BHARATA NATYAM

Question 1

West

Answer 1

progress

conquest of space

Question 2

East

Answer 2

traditional
space integrated
articulation of body and facial gestures

Question 3

Mudra.

Answer 3

Language of hand gestures

Question 4

Hinduism

Answer 4

ancient and varied tradition of religious inquiry and experience
unity of existence
body is a tool for achieving spiritual insight and understanding

Question 5

Brahma

Answer 5

Supreme eternal deity whose essence pervades the entire universe

Question 6

Vishnu

Answer 6

Preserver, who rescues the world when it is threatened

Question 7

Brahma is

Answer 7

the one Creator of all

Question 8

Brahma gave

Answer 8

the Natya Shastra as the

sacred text of dance to Bharata.

Question 9

Natya Shastra

Answer 9

is called the fifth veda or bible.

Question 10

Nataraja

Answer 10

Lord of the Dance.

Question 11

Shiva

Answer 11

the God of creation and destruction

is often seen in the classical representation of Nataraja (Lord of the Dance.)

Question 12

Krishna

Answer 12

“the Blue God”
incarnation of Vishnu (the protecting god)
represented as playing the flute
This dance and music helps to transform the soul

Question 13

Ramayana

Answer 13

exploits of Rama, an incarnation of Vishnu

Question 14

Mahabarata

Answer 14

approx. 100,000 stanza poem, story of the Pandava brothers

Question 15

Bhagavata

Answer 15

exploits of Krishna

Question 16

Bharata natyam frequently interprets these stories

Answer 16

Ramayana
Mahabarata
Bhagavata

Question 17

Veda is a bible of the Hindu faith.

Answer 17

is a bible of the Hindu faith.

Question 18

Four Vedas

Answer 18

the fifth Veda is called the Natya Shastra

Question 19

Natya Shastra

Answer 19

(3rd century A.D.) established norms of theory and practice for communicating through dance/drama.

Question 20

– Natya –

Answer 20

dance and drama

Question 21

– Nritya –

Answer 21

expressive dance

Question 22

– Nritta –

Answer 22

pure dance

Question 23

– Gita –

Answer 23

song

Question 24

– Vachika –

Answer 24

speech

Question 25

– Vadya --

Answer 25

musical accompaniment

Question 26

Mudra

Answer 26

– language of gesture | – Facial expressions

Question 27

Karanas

Answer 27

Body movements and postures

Question 28

Abhinaya: 4 Techniques in NATYA SHRASHTA

Answer 28

Angik Vachik Aharya Satvick

Question 29

Angik

Answer 29

body gestures

Question 30

Vachik

Answer 30

poetry, song, music, rhythm, | recitation

Question 31

Aharya

Answer 31

costume, make-up, jewelry

Question 32

Satvick

Answer 32

physical manifestation of mental/emotional states

Question 33

The Surya Deul

Answer 33

This temple honors Surya, god of the sun | features many sensual sculptures

Question 34

Eight “universal emotions”, or rasas:

Answer 34

– Love, humor, pathos, anger, heroism, terror, | disgust, and wonder

Question 35

Ninth rasa

Answer 35

serenity.

Question 36

Rasika

Answer 36

knowledgeable spectator

Question 37

Bharata Natyam

Answer 37

classical Indian dance originates from southern India-state of Tamil Nadu, and spread throughout the region oldest classical dances, dating back more than 2,000 years

Question 38

Temple dances of South India are the direct link to

Answer 38

Natya Shastra and to the old sage Bharata.

Question 39

Bharata Natyam

Answer 39

Typically female dancers perform this form in the temple setting.

Question 40

Devadasis

Answer 40

dedicated trained dancers whose role is as a spiritual offering and voice of deities. responsible for cleaning and maintaining the statues of the deities in the temple.

Question 41

Bharata Natyam reputation

Answer 41

Late 19century reputation reached an all-time low British influence 1927 campaign to ban temple dancing Early 20th century -- resurgence Sadir

Question 42

Rukmini Devi

Answer 42

Founded the school, Kalakshetra, Madras, 1934 | Gave the name “Bharata Natyam” to the dance form previously called Sadir

Question 43

Balasaraswati

Answer 43

with a career that lasted over forty years key figures in the revival of Indian dance. able to dance one line of a poem or song many, many different ways – each with a different interpretation.

Question 44

Sadir

Answer 44

precursor dance it was renamed by rukmini devi to Bharata Natyam

Question 45

Kalakshetra

Answer 45

is the school founded by Rukmini Devi in 1934. The school provides training in Bharata Natyam dance and music.

Question 46

history of Bharata | Natyam

Answer 46

century as the domain of prostitutes. Great Britain aided in the decline of the art. Rukmini Devi and Balasaraswati helped to change this condition. Through their fine example and dedication to dance these two women helped to raise Bharata Natyam to the status of a national treasure. They also helped to establish a higher regard for other dance forms in India as well.