Dynamic Processors Flashcards

1
Q

What is dynamic range?

A

difference between softest and loudest sounds a system can accommodate

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2
Q

What are macrodynamics?

A

variation in level for events longer than a single note

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3
Q

What are microdynamics?

A

level variations that happen within each note (dynamic envelope)

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4
Q

What is unity gain?

A

for any given input level, we get the same output level (1:1)

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5
Q

What is a transfer function?

A

input versus output difference

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6
Q

What does a compressor do?

A

reduces level of signals above the threshold, making loud sounds quieter

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7
Q

What does a limiter do?

A

ensures that no signal exceeds the threshold by reducing any signals above the threshold to the threshold level

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8
Q

What does an upward compressor do?

A

boosts level of signals below the threshold, making quiet sounds louder

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9
Q

What does an expander do?

A

reduces level of signals below the threshold, making quiet sounds quieter

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10
Q

What does an upward expander do?

A

boosts level of signals above the threshold, making loud sounds louder

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11
Q

What does a gate do?

A

attenuates all signals below threshold by fixed amount, known as range

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12
Q

What does a ducker do?

A

attenuates all signals above threshold by fixed amount (range)

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13
Q

What is pumping?

A

quick, noticeable variation in level

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14
Q

What is breathing?

A

audible effect caused by varying noise/hiss levels

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15
Q

What happens in a vari-mu compressor?

A

no ratio control; incremental amount of gain reduction is applied in relation to input levels; this only happens up to when the compressor returns to linearity

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16
Q

What happens in an FET (field effect transistor) compressor?

A

considerably fast attack and release times, includes ratio feature; ratio returns to linearity with loud input signals

17
Q

What happens in an opto compressor?

A

side-chain controls brightness of bulb/LED, making it slow since the light has to take time to turn on

18
Q

What do VCA compressors provide?

A

most precise and controllable gain manipulation

19
Q

Which instrument might benefit from using RMS sensors?

A

vocals

20
Q

What is a variable threshold?

A

provides dedicated control with which threshold level is set

21
Q

What is a fixed threshold?

A

has input gain control; the more we boost the level the more it overshoots fixed threshold

22
Q

What does ratio do?

A

determines the extent to which overshooting signals are reduced toward the threshold

23
Q

What does attack do?

A

determines length of time device takes to reach some percentage of full gain reduction as it reaches the ratio

24
Q

What does release do?

A

determines length of time device takes to return to unity gain once it drops below the threshold

25
Q

What does hold do?

A

determines how long gain reduction is held before release phase starts

26
Q

What is makeup gain?

A

boosts level of output to make up for drop in perceived level of compressed signal

27
Q

What is knee?

A

threshold-determined point where ratio changes from unity gain to set ratio (knee of 6dB would be +/-3dB in relation to the threshold)

28
Q

What is a hard knee?

A

threshold sets strict limit between no treatment and treatment

29
Q

What is soft knee?

A

enables smoother transition between no treatment and treatment

30
Q

What does the gain reduction meter show?

A

amount of applied gain reduction by compressor

31
Q

What is the input meter useful for?

A

setting the threshold

32
Q

What is the output meter useful for?

A

determining rough makeup gain and making sure we don’t clip

33
Q

What is the relationship between the threshold and ratio?

A

threshold determines the extent of the compressor, ratio defines degree

34
Q

What are the basic steps to setting a downward compressor?

A
  1. ) determine threshold (start with high ratio, fast attack and release; slowly lower threshold until gain reduction meter only lights up during loudest times, no more than 6dB reduction)
  2. ) determine ratio (drop ratio, slowly increase until it sounds controlled but not smashed)
  3. ) determine attack and release (attack based on source, release based on tempo)
35
Q

How would you use serial compression on very dynamic sources?

A
  1. ) set first threshold to get peaks and second threshold to gain ride
  2. ) set first ratio fairly strong, set second ratio more gentle
  3. ) set first attack and release fast, set second slower