Digital Basics Flashcards

1
Q

Analog to digital converter

A

converts an analog audio signal to digital; analog signal –> anti-aliasing –> PAM (pulse amplitude modulation) –> sample and hold –> quantizing –> PCM (pulse code modulation) –> storage

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2
Q

Digital to analog converter

A

converts a digital audio signal to analog; storage –> reconstruction –> resampling –> anti-imaging filter –> playback

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3
Q

Codec

A

software application that encodes a digitized audio signal file into a different format, often for the purpose of reducing its size; also called compression

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4
Q

PCM

A

pulse code modulation; uses a modulated pulse wave to
capture amplitude information using numerical code, which in turn represent signal amplitude
values

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5
Q

DSD

A

direct stream digital; Sony’s 1 bit digital
audio coding system that uses a very high sampling frequency, used for audio representation on the Super Audio CD (SACD)

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6
Q

Latency

A

delay incurred in executing audio operations between input and output of a system; low latency is best

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7
Q

Redbook Audio

A

standard for CDs; max playtime is 79.8 minutes, min duration for a track is 4 seconds, max number of tracks is 99, max number of index points (subdivisions) in a track is 99 with no max time limit, International Standard Recording Code (ISRC) should be included

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8
Q

Sample rate

A

number of samples per second in an audio signal

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9
Q

Word length

A

size of the digital word used for the audio samples in PCM
audio (number of bits)

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10
Q

Clocking

A

high-frequency signal, usually generated by a crystal-controlled oscillator, which is used as a master timer to control the events in a digital system

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11
Q

Word clock

A

digital timing reference signal that is the same frequency
as the sampling rate being used

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12
Q

Over

A

overloading of peaks in a digital audio signal, producing clipping of the signal and, if severe, bursts of noise

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13
Q

BWF

A

digital audio file format introduced by the EBU in 1996 to facilitate professional editing and file exchange; special case of Microsoft’s wav format, but adds extra information deemed important for professional use such as titles, date, time, origination, editing data, etc.

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14
Q

WAV

A

Windows file extension that indicates Microsoft’s audio file format; uncompressed

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15
Q

AIFF

A

audio file format standard used for storing sound data for personal computers and other electronic audio devices; uncompressed PCM

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16
Q

Lossy

A

type of audio file compression that does not recover the original signal exactly

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17
Q

Lossless

A

no information is lost in the coding-decoding process

18
Q

Uncompressed

A

audio file with all the original information of the recorded source

19
Q

Headroom

A

difference in level between the highest level present in a given signal and the maximum level the device can handle without noticeable distortion

20
Q

Nyquist

A

sampling rate of two times the maximum signal frequency is just sufficient to describe that highest frequency without ambiguity; ex. sample rate of 44.1kHz for 22kHz

21
Q

Aliasing

A

if we allow frequencies higher than Nyquist frequency to enter system, violating frequencies will not be recorded, but will instead create new frequencies

22
Q

Anti-aliasing

A

low-pass filter used during the A/D process that restricts the audio bandwidth to less than half the sampling frequency

23
Q

Delta-sigma modulation

A

rather than capturing the actual momentary voltage value, each bit simply records whether the current amplitude of the moment is higher or lower than the previous one

24
Q

Dither

A

pseudorandom noise signal with a level equal to half the least significant bit added to the input audio signal during A/D conversion; ensures that if any audio signal is present at the input it will broach the necessary threshold and be rounded up and successfully encoded; also randomizes the effects of quantization at low levels

25
Q

Jitter

A

noise caused by timing inaccuracies in D/A or A/D conversion

26
Q

Superclock

A

Pro Tools uses signal at a multiple of 256 times the sampling rate for slaving devices together with low sampling jitter

27
Q

Upsampling

A

changing a session to a higher sample rate

28
Q

Downsampling

A

changing a session to a lower sample rate

29
Q

Elastic audio

A

track-based algorithm that allows you to stretch and compress audio to fit within beats and bars

30
Q

Time compression-expansion

A

Pro Tools plugin that allows the user to make audio files longer or shorter, and to shift the pitch of audio files

31
Q

Warp

A

allows creation of markers for elastic audio to stretch and compress audio

32
Q

Floating point

A

some of the bits (the mantissa) represent a whole number, while other bits (the exponent) dictate how this number is multiplied or divided; able to have a very large dynamic range this way

33
Q

Quantization error

A

difference between stairstep shape of waveform after sampling and the continuous waveform; results in wideband noise on a musical signal

34
Q

PLL

A

phase locked loop; electronic circuit consisting of a voltage-controlled oscillator and a frequency discriminator
connected in such a way that the output of the discriminator controls the oscillator; acts as a stabilizer

35
Q

PWM

A

pulse wave modulation; a method of encoding a signal
by using the length of a pulse as a measure of the height of a sample of the waveform; all analog

36
Q

SACD

A

Sony and Phillips created; uses one-bit encoding of the audio signal at a sampling rate of 64 times 44.1 kHz or 2,822,400 samples per second, eliminating the use for an anti-aliasing filter at the input and anti-imaging filter at the output; eliminates phase distortion these filters produce

37
Q

Claude Shannon

A

invented signal flow graphs

38
Q

Two’s complement

A

way to show negative binary values; use a 1 to represent a negative number on the largest number in a byte; for example, -8 is 1000 (-8+0); -4 is 1100 (-8+4)

39
Q

Flutter

A

in an analog tape recorder, if the tape speed varies above 5Hz or so

40
Q

Wow

A

in an analog tape recorder, if the tape speed varies below several hertz