Creativity Flashcards

1
Q

Do creative people have special mental capacities?

A

No! The essence of creativity is using standard cognitive representations in idiosyncratic ways, and not using idiosyncratic cognitive representations.

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2
Q

Explain how historiometric studies have been used to study creativity, and some difficulties they face.

A

Historiometric studies focus on the personal, social, cultural and political conditions that affect the creativity of eminent people.

It looks at the background of these people, and aims to find a link that could explain their creativity.

However, it is usually restrospective, and there are only a small subset of potential candidates.

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3
Q

How did Sternberg’s three facet model of creativity begin?

A

Results of a survey sent to people from all walks of life indicated that:
-There are six dimensions that are required to account for creativity, and they are not the same as the ones for intelligence and wisdom.

The six dimensions are

  • Lack conventionality
  • Motivated and focused
  • Have perspicacity
  • Possess aesthetic taste and imagination
  • Have decision making skills and flexibility
  • Integrate and intellectualise
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4
Q

What does Sternberg’s three facet model of creativity entail?

A

It is a confluence of intelligence, personality and “cognitive style”.

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5
Q

What does Philip Johnson-Laird argue regarding acts of creation.

A

Acts of creation yield a product with three essential properties

  • The result is formed from existing elements, but the combination is novel for the individual
  • Creativity satisfies pre-existing criteria.
  • Creativity is not determiend by rote, but embodies a freedom of choice.
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6
Q

Describe Mednick and Mednick’s Remote Association Test.

A

Tested ability of people to come up with words that had remote semantic associations with provided words.

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7
Q

Describe how common word associations were used to test creativity.

A

Tested people’s abiltity to find words that linked a set of seemingly unassociated words.

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8
Q

Explain Torrance(1968). What are some potential measures of performance?

A

Given an unusual situation and asked to come up to potential consequences.

  • Number of answers
  • Originality of answers
  • How useful the answers are
  • Flexibility of solutions
  • Elaborations
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9
Q

Explain Hofstadter’s analogy-making task, and discuss what analogy-making involves.

A

Gave participants incomplete analogies and told them to fill in the gaps.

Analogy-making can be seen as :

  • High level perception
  • Conceptualisation and Categorisation
  • The ability to relax concept and category membership,
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10
Q

Describe Hofstadter’s microworld

A

Shown how a string has been changed into another string. Asked to change your own string based on the given pattern.

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11
Q

Define analogical reasoning

A

Analogical reasoning can be defined as “distilling the essence” of one situation and adapting it via conceptual slippage to another situation.

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12
Q

Define conceptual slippage

A

A concept contributed to by both System 1 and System 2.

  • Recognition of whole from isolated parts.
  • Describing objects an appropriate level of abstraction
  • Organization of the subject into groups
  • Seeing relevant differences between groups
  • Evaluating and selecting among available options.
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13
Q

Explain the Geneplore Model of Creativity

A

For Finke et al. creavitiy is:
the emergence of natural cognitive representations and processes in System 1
subjected to continous regeneration and reexploration ins System 2.
Such opereations may be subject to external constraints and internal critiera.

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14
Q

Explain the Geneplore Microworld, as well as briefly mention results.

A

Subjects have to use 3 components to build something creative, or useful.
The object had to belong to one of 8 categories.

  • Condition 1: Choose components, category restrained
  • Condition 2: Choose category, object restrained
  • Condition 3 : Both constrained

The condition that was most restrained(condition 3) produced the most creative builds.

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