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GR12 Alessandra's 2nd Quarter > CPAR|Traditional Techniques > Flashcards

CPAR|Traditional Techniques Flashcards

1
Q

can be in red chip designs ( clay mixed with water) embellished on the ritual pottery of the Philippines such as the acclaimed “ Manunggul
Jar” which is an example of burial jar.

A

Painting

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2
Q

clay mixed with water

A

red chip `designs

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3
Q

ritual pottery of the Philippines such as the acclaimed___________________ which is an example of burial jar.

A

“Manunggul Jar”

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4
Q

The boatman is seated behind a figure whose hands are ______ on the chest. The position of the hands is a traditional Filipino practice
observed when arranging the corpse.

A

crossed

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5
Q

❑ It is considered as a National Treasure of the
Philippines
❑ Designated at the National Museum in
Manila.

A

Manunggul Jar

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6
Q

❑ The jar was found in the chamber of the ________, one of the manunggul caves in Palawan.
❑ It was found by ____________.

A

tabon cave
Robert fox

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7
Q

has been a long tradition, and evidence of this pottery making has been found in Sangasanga, Sulu and Laurente Cave in Cagayan

A

Philippine pottery

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8
Q

evidence of this pottery making has been found in ______________and__________________

A

Sangasanga, Sulu
Laurente Cave in Cagayan

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9
Q

Pottery began the making of earthenware articles for domestic uses as a _________ and _______________.

A

cooking vessel
storage container

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10
Q

Are objects that are first shaped of wet
clay, then hardened by baking.

A

POTTERY

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11
Q

❑ ____________were made by _________ or the use of ____________ in building the walls of pots.

A

Early pots
hand- molding
paddle and vessel

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12
Q

The pot could be embellished by either carving the paddle or wrapping it with cord and slapping it against the side to leave marks. Incised designs also appeared in the pots in ___________

A

Masbate

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13
Q

Among the finest of early Philippine pottery, designs are footed dishes that were decorated with geometric cut-outs, molding, cording or finger impressions, most of these were made in __________.

A

Batangas

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14
Q

At this time, __________________ rather than glazes is still used by Filipino potters to seal the pottery, and the pottery is_______. (fried in a bonfire rather than in oven).

A

chip (a mixture of clay and water)
open-fried

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15
Q

Pottery traditions continued to develop in the certain locals such as the______________.
_______ is among the pottery traditions that have been maintained, along with those of
_____and ______.

A

Burnay Unglazed Pottery of Vigan
Leyte
Bohol

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16
Q

Further evidence of painting is manifested in the tattoo tradition of early Filipinos
who are now referred to as the _______ or the “painted people” of Visayas.

A

Pintados

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17
Q
  • Some of the most elaborate painting done by early Filipinos that survive to the present are manifested among the arts and architecture of the Maranao, who are well-known for the __________ and the
    _____________ painted in the beautiful Panolong of their ____________ or _________
A

“Naga Dragons”
“Sarimanok Carved”
Torogan’s or King’s house

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18
Q

is a legendary bird of the Maranao people which was originated from Mindanao, an island in the Philippines.

A

Sarimanok

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19
Q

______ means cloth or garment, which
is generally of assorted colors, manok means ______.

A

“Sari”
“chicken”

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20
Q

popularly known as “Amang Pintor”
who gained recognition by using his hair to make his paint brushes and reigns his painting with his blood on the right side corner.

A

Elito Circa

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21
Q

The____ people are known for
their intricate woven fabrics.

A

itneg

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22
Q

The_________, is a blanket which features designs that incorporate optical illusions

A

“Binakol”

23
Q

Woven fabrics of the ______ people usually have bright red tones. Their weaving can also be identified by beaded ornamentation

A

Gaddang

24
Q

Other people such as the____make jewelry from_____, ________, ________, ______, and _______.

A

Ilongot

pearl
red hornbill
beak
plants
metals

25
Q
A
26
Q

Some indigenous materials are also used as a medium in different kinds of artworks especially in painting by ___________

A

Elito Circa

27
Q

A folk artist of _______ and a pioneer for using indigenous materials, natural raw materials including human blood. Many Filipino painters were influenced by this and started using these materials available anywhere.

A

Pantabangan

28
Q

The lumad people of Mindanao such as the _____, _______, _______, and _____ are skilled in the art of dying abaca fiber.

A

B’laan
Mandaga
Mansaka
T’boli

29
Q

Abaca is a plant closely related to bananas and its leaves are used to make fiber known as________.

A

“Manila Hemp”

30
Q

The fiber is dyed by a method called ____.

A

“Ikat”

31
Q

_______ are woven into cloth with geometric patterns depicting human, animal, and plant leaves.

A

Ikat fibers

32
Q

is the most well -known design.
The figure represents: a fowl with wings,
feathered tail and a head decorated with ornaments of scrolled and painted
motif of leaves, spirals and feather- like forms.
It usually stands on a fish, and another one
hangs from its beak

A

Sarimanok

33
Q

a wooden chair of Ifugao, which symbolizes
his status as a citizen in their community.

A

Hagabi

34
Q

This chair is made of Narra or Ipil-Ipil, and the original design is called ___________meaning like a goat like head.

A

“Ginulding – Gulding”

35
Q

At present Hagabi is called _______ , is
like the head of an animal with an
elongated nose and two big ears.

A

“NGIWI”

36
Q

refers not only to works created by Muslim
artists or for Muslim patrons but includes art produced by non-Muslim artists.

A

Islamic Art

37
Q

Wood carving and metal working called _____, similar to Middle Eastern
Islamic Art. This style is associated with men. The other style is geometric
tapestries and is associated with women.

A

“OKIR”

38
Q

The _____and___________ exhibit their own Okir on elaborate markings with a boat like imaging.

A

Tausug and Sama Bajau

39
Q

Two types of Okir

A

*Male designs = okir a datu
*Female designs = okir a bay

40
Q
  • The most popular of the “Malong” style is the _____ which is either dominantly red, yellow, green, blue or violet. Red is the favorite color along with yellow; these colors stands for royalty and aristocracy. Often, men wear the red landap and the women, the yellow.
A

landap

41
Q

landap which is either dominantly red, yellow, green, blue or violet

A

dominantly red
yellow
green
blue
violet

42
Q

Red is the favorite color along with yellow; these colors stands for_______and _________.

A

royalty and aristocracy

43
Q

men wear the____ landap and the women, the ____

A

red
yellow

44
Q

_______proud people with proto Malayan Features

These people weave abaca cloths of earth tones and make baskets that are trimmed with beads,fibers, and horse’s hair

A

Bagobo

45
Q

These people weave abaca cloths of __________ and make baskets that are trimmed with ______, ______, and _______

A

earth tones
beads,fibers, and horse’s hair

46
Q

They have Ornate traditions in weaponry and other metal arts

A

Bagobo

47
Q

Weapons made by Muslim filipinos such as ________are Skillfully carved.

A

“Kampilan”

48
Q

A technique combining ancient Oriental and European art process.
Considered lost art and highly collectible art form. very few known art pieces existed today.

A

KUT-KUT ART

49
Q
  • The technique was practiced by the indigenous people of _________ between ______________________
A

Samar island
early 1600 and late 1800 A.D.

50
Q

______ is an exotic Philippine art form based on early century.
* The merging of these ancient styles produces a unique artwork characterized by delicate swirling interwoven lines, multi-layered texture and an illusion of three-dimensional space.

A

Kut-kut

51
Q
  • Kut-kut – Lost art of the Philippines, an exploration of revival of a Filipino cultural art and heritage. It’s an exotic art form from the ancient indigenous artisans of the
    Philippines, based on early century techniques: _________, _________ and ________.
A

sgraffito, encaustic and layering

52
Q

the process of scratching an image through a colored slip to reveal the design underneath.

A

Sgraffito

53
Q

application of molten wax on a surface
to create images and decoration

A

Encaustic

54
Q

a method by which paint is glazed over thinly applied opaque oil and paint.

A

Layering

GR12 Alessandra's 2nd Quarter (19 decks)

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