Colour Flashcards

1
Q

What is colour perception

A

Bring lots of contrast to everything
Very useful

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2
Q

What is colour vision related to

A

Properties of opsins in cones —> sensitive to diff wavelengths

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3
Q

Name the cones that see diff types of light

A

S cones for short wavelengths = blue
M cones for medium wavelengths = green
L cones for long wavelengths = red

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4
Q

What is inverted spectrum

A

Hypothetical concept pertaining to philosophy of colour - of 2 ppl sharing their colour vocabulary and discriminations
Colours one sees = qualia = systemically different from colour other person sees

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5
Q

What is qualia

A

Subjective, first person experience of perception and sensation that are inherently personal and difficult to communicate or measure
Represent what it is like aspect of seeing world
Disproves physicalist view of world
= how things perceived subjectively
Colour = something mind makes up, not actually a colour, wavelengths projected -> brain sees colour

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6
Q

Name exs of qualia

A

Redness of red
Bitterness of coffee
Pain of a headache
Sound of violin

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7
Q

Marys room thought experiment = set up - Mary’s confinement

A

Proves that qualia matters
Marys knows everything about science of colour vision - 3rd person perspective
Lives whole life in black and white room - has only black and white materials and views world through black and white monitor
Has never experienced colour first hand

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8
Q

Marys room thought experiment = her knowledge

A

Mary learns everything about physical processes of colour vision = how light waves of certain wavelengths stimulate photoreceptors in retina - how signals processed in brain - how colour’s perceived
= Mary knows all about physical facts of colour vision

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9
Q

Marys room thought experiment = key moment

A

One day = Mary released form black and white room = sees colour for first Tim
= learns something from 1st person perspective = learns what colour feels like

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10
Q

Marys room thought experiment = philosophical question

A

Does Mary learn something new when she experiences colour for the first time
= if she does = means there is more to knowing about colour than the physical facts = subjective experience of qualia
Learned qualia of colour - learned something nonphysical when got out of room

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11
Q

Marys room thought experiment = implications

A

Against Physicalism (the idea that only physical/material things exist):
* If Mary learns something new upon experiencing color, it suggests that physicalism is incomplete because it cannot account for the subjective, experiential knowledge (qualia) of seeing color.

In Favor of Dualism or Non-Physicalist Views:
* The experiment supports the idea that subjective experiences (qualia) are a separate kind of knowledge that cannot be fully explained by physical facts alone.
Conclusions = idea that everything physical/material is limited - there are things in this world that are purely mental = how things feel to us

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12
Q

What does qualia lie at the heart of

A

Lie at heart of hard of problem of consciousness

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13
Q

Describe the hard problem of consciousness

A

Chanllenge remains in exploring why and how neural processes give rise to subjective experience
Questions how mere electrochemical activity in brain translated to lived experiences
No widely excepted framework for bridging the gap between neural activity and emergence of qualia = making it one of the most profound mysteries in philosophy and cognitive science

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14
Q

What is basis of colour perception - explain fully

A

Cone cells
Cannot Perceiev colour based on activity of just one type of cone cells
Did types cones more sensitive to a specific wavelength

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15
Q

Describe principle of univariance

A

Infinite set of different wavelength x intensity combos can elicit same response from single type photoreceptor
= so one type of photoreceptor cannot make colour discriminations

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16
Q

How’s does each photoreceptor respond to light

A

Each cone cell in retain responds to light by generating signal proportional to amount of light it absorbs

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17
Q

Why can’t a single photoreceptor distinguish colour

A

Bc = bright but less preferred wavelength = weakly absorbed colour at high intensity
Dim but highly preferred wavelength = strongly absorbed colour at low intensity
= give same response
Cannot distinguish between blue and red or between green and yellow

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18
Q

What do we need to see colour

A

Need to have more than one photoreceptors reacting
Bc many brightness levels irl = level of activity of cone driven by any combo of intensity and wavelength

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19
Q

Describe what is needed for every wavelength

A

Need 3 cones
For every wavelength = particular combo for activity across the 3 types of cones - remains constant for diff intensities
= resolves problem of univariance and allows colour perception - pattern unaffected by intensity - relative degree of activity perserved (even if cones shifted up)

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20
Q

Describe what happens when missing m cones - gen

A

Every frequency above s cone limit only encoded by l cones = can produce same response for diff wavelengths/intensity combos
But colours to left perserved

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21
Q

Describe what happens when missing m cones - graph

A

Cannot see indigos
- only l cones on left = colour only encoded by 1 cone = cannot discriminate = problem of univariance = Cannot tell difference between red and green

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22
Q

How many ppl colour blind

A

8% males
0.5% females
Have some form colour deficiency = blindness
More common in males bc colour normally caused by recessive gene on X chromosome - most women have other x to compensates

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23
Q

Define colour anomalous

A

Term for “colour blindness”
Most colour blind ppl can still make discriminations based on wavelength - just diff from norm

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24
Q

Describe deuteranope

A

Due to absence m cones

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25
Q

Describe protanope

A

Due to absence l cones (everything after s cones appears yellowish = affects red and green)

26
Q

Describe tritanope

A

Absence s cones
(Cannot see blue and yellow)

27
Q

Describe cone monochromat

A

Has only one type of cone
= truly colour blind, rare

28
Q

Which types of colour anomalies are similar

A

Response properties of l and m cones v similar = protanope and deuteranope
(Also the most common types)

29
Q

What is trichomacy

A

Pshycially stduying light
Theory taht the colour of any light is defined in visual system by relationships of 3 numbers - outputs of 3 receptor types now known as 3 cones
= 3 colours required to march any other colour - rgb, 2 were sometimes insufficient = cannot recreate some colours
Thomas young, Hermann con Helmholtz

30
Q

What do we see generally

A

Do not see pure wavelengths - like light that comprises of one wavelength
But we see mixture fo waveslenghts
Entirely determined by relative level of activity of 3 cones = pattern fo response, does not matter how we get there

31
Q

What happens when mix 2 pure wavelengths

A

Ex = green and violet = combo of activity of m and l cones identical to combo resulting from pure wavelength in cyan frequency
- cannot distinguish 2 = all look cyan

32
Q

Define metamers

A

Diff mixtures of wavelengths that look identical = more generally = any pair of stimuli that are perceived as identical in spite of physical differences
Perceived as same colour = metamers of each

33
Q

Metamers ex

A

480nm = metamers for 534 + 270 nm
Cyan=480
Green =534 and purple = 370 = looks bright ere and produces same pattern as cyna

34
Q

Name the 2 types of colour mixing

A

Additive
Subtractive

35
Q

Define additive colour mixing

A

Process of creating colours by combing diff wavelengths of light

36
Q

What primary colours in additive colour mixing

A

Red
Green
Blue

37
Q

additive colour mixing = if mix all what produced

A

At full intensity = produce white light
Like colour displays for tv screens and computer monitors

38
Q

Define subtractive colour mixing

A

Process of creating colours by removing - absorbing certain wavelengths of light

39
Q

What primary colours in subtractive colour mixing

A

Cyan
Magenta
Yellow

40
Q

subtractive colour mixing = if mix all what produced

A

Absorb more light and produce darker colour = all 3 mix to form black
Basis of printing, painting, pigments

41
Q

Describe ex of subtractive colour mixing

A

Yellow pigment = absorbs blue and reflects red, oranges, yellow, green
Cyan = absorbs red organge yellow an reflects blue and green
So add together = get green, bc green only one in common

42
Q

What does mixing colour do

A

Produces colours not on spectrum visible light = doesn’t exist

43
Q

Define nonspectral hues

A

Hues that can arise only from mixtures of wavelengths

44
Q

What is purple

A

No purple in spectrum = produced by combo of s m l cones
= activates s and l cones but not m
Nonspectral hue = only by mixing diff types light

45
Q

dEscribe ex nonspectral hues

A

Purple - colours in this range not associated with specific wavelength —> produced by activity in l and s cones but not m cones - specific mixture of light wirh lot of long and short wavelengths

46
Q

What is opponent colour theory

A

4 unique hues/pure colours
Some colour combos Legal and others illegal

47
Q

Name legal colours

A

Bluish green = cyan
Reddish yellow = orange
Blueish red = purple

48
Q

Name illegal colours

A

Reddish green
Blueish yellow
- cannot really have these

49
Q

Describe how colours are processes in opponent process theory

A

Supports opponent process theory = colours processes in opposite pairs
Red vs green
Blue vs yellow
Etc

50
Q

Define hue cancellation experiments

A

Method used to determine opponent colour processing
Participants adjust amount of an opponent colour - like add green to cancel our red
Until no trace of original hue remains - helps map sensitive of visual system to diff colour opponencies - red green, blue yellow
Have to shine opponent colour

51
Q

Ex hue cancellation experiments

A

If blue reddish = add green to make perfectly blue
If blue reddish = add green to make perfectly blue - if add too much = will look greenish blue
To remove green = add more red to be perfectly blue again

52
Q

What are pure colours

A

At certain transition points = get pure colour
4 spots associated with unique hues - transition points = pure colours
Unique blue, yellow, green, red

53
Q

What is informative for opponent colour theory

A

Cones in general v sensitive to itensity of light for wide range of wavelengths
Absolute level of activity for a particular cone type = uninformative
Difference of activity between types of cone s= VERY informative

54
Q

What computes red vs green

A

[L-M]
[M-L]

55
Q

What computes blue vs yellow

A

[L + M] - S
S - [L + M]

56
Q

What encodes general brightness

A

[L + M + S]

57
Q

What combo oof cones is uninfomative

A

[L-S] OR [S-L] AND [M-S] OR [S-M]
Bc m and l are so simialr and are not used

58
Q

Describe organization of cones for opponent colour theory

A

Centre surround organizing - ganglion cells
Green and red cones = undifferentiated = add up = makes yellow

59
Q

Describe dress phenomenon

A

50% = blue or black, 20-30% - white/gold
Visual system does not care about exact wavelength - just about enhancing contrast
So some ppl see diff bc of discounting illuminant

Assume yellow illuminant = so dress looks blue
Assume blue illuminant = dress looks white
Depends on what ppl interpret - visual system just wants to increase contrast

60
Q

Describe colour constancy = gen

A

Visual system guesses illumiant and discounts it

61
Q

Describe colour constancy = define

A

Brain estimates light source and adjusts perception to maintain stable colours
= colour constancy (even when inside/outside colours look the same)
= allows us to discount influence of illuminant and focus on true colours of objects

62
Q

Describe colour constancy = ex

A

Illumiant a = like white light - along with surface = resembles it
But with illuminant b = with short lambda = will not look like surface but wont matter
Guess average wavelength that is illluminating science and subtract from light reaching retina