Chapter 16 Flashcards

1
Q

Medieval poet-musicians in southern France.

A

troubadours

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2
Q

Medieval poet-musicians in northern France.

A

trouvères

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3
Q

French monophonic or polyphonic song, especially of the Middle Ages and Renaissance, set to either courtly or popular poetry.

A

chanson

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4
Q

Musical form in which the first section recurs several times, usually in the tonic. In the Classical multimovement cycle, it appears as the last movement in various forms, such as A-B-A-B-A, A-B-A-C-A, and A-B-A-C-A-B-A.

A

rondo

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5
Q

A form of English street song, popular from the sixteenth through the eighteenth centuries. characterized by narrative content and strophic form.

A

ballad

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6
Q

In the Western tradition, music has been linked with _____ and ___ since antiquity

A

mathematics, geometry

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7
Q

Ancient Greek mathematician _____ was renowned for his musical experiments

A

Pythagoras

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8
Q

In medieval times, the four topics (_____) considered essential to education were ____, ____, ____, and ____

A

Quadrivium; music, mathematics, geometry, astronomy

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9
Q

Musicians have remained involved in exploring the ____ or ____ implications of their art and conveying ____ through sound

A

mathematical, geometrical; puzzles

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10
Q

Alongside the learned music of the cathedrals and choir schools grew a popular repertory of _____ and ____ that reflected every aspect of medieval life

A

songs, dances

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11
Q

Some musicians lived on the fringe of society, wandering among the _____ and ____ and entertaining audiences with their songs, dancing, juggling, and tricks

A

courts and towns

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12
Q

On a higher social level were the ____-____ who flourished at the various ____ of Europe. Those in the south of France were known as ______, while those in northern France were _____ - both terms mean “_____” or “_____”

A

poet-musicians; courts; troubadours; trouveres; “finders”, “inventors”

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13
Q

Aristocratic musicians wrote ____ with ____ that ranged from ____ songs and ____ to _____ and ____ ditties and chronicles of _____

A

poetry with music, love, laments. political, moral, Crusades

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14
Q

Medieval lyrics dealt with unrequited, or unconsummated, _____, idealizing the unobtainable object. At first these songs were _____, but the _____ developments in sacred music soon carried over to the ____ realm, as we will hear in the works of _____ _ ____, whose music bridges the tradition of the _____ and a new creative sensibility

A

passion; monophonic; polyphonic; secular; Guillame de Machuat; trouveres

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15
Q

Extending over some 200 years from 1095 to 1291, the ___ were a series of religious wars waged by Western Europeans to win back the Holy Land of Palestine from the Muslim, at once were the violent episodes in recorded history and one of the most influential forces on medieval _____

A

Crusades; Europe

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16
Q

Crusades: the movement of vast armies across the European Continent created increased ____ along routes, and allowed westerns to gain more knowledge of the world and other ways of life through their contact with Islam.

A

trade

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17
Q

Crusades: The crusading knights learned from expert ____ skills of the Turkish and Morrish warriors, the advanced ____ and ____ knowledge of the Arab world was imported to Europe. The Arab ____ system was adopted in the West

A

military; medical, scientific; number

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18
Q

Musicians who traveled eastward with crusading armies brought ____, ____ ideas, and ______ of all types back to their homeland

A

music, theoretical, instruments

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19
Q

The medieval ____, a small bowed-string instrument that was a forerunner of the modern violin, derived from the Arba rabbi and the loud, double-reed ____, the predecessor of the modern boa, was a military instrument used by Turkish armies. Many of out orchestral percussion instruments stem from Turkish models as well, including _____, ____, and ____ ____.

A

rebec; shawm; cymbals, bells, and bass drum

20
Q

Crusaders heard the sounds of the Muslim military ____ and ___ and soon adopted these as their call to battle. The foundation of our Western system of early ____ (____) also came from Eastern theoretical systems

A

trumpets, drums; scales (modes)

21
Q

Crusades: an aura of ____ and ____. Stories of knightly ____ and chivalric ____

A

romance, mystery; courage, love

22
Q

European contacts with Eastern cultures, along with developments in feudal ___ structure; inspired new concepts of life, art, and beauty. These changes were reflected in the musical style known as ____ ___ (new art), which appeared in the early 1300s in France, and soon thereafter in Italy

A

Ars nova

23
Q

The music of the French ___ ___, more refined and complex than music of the ____ _____ (old art), which it displaced, ushered in developments of ____, _____, _____, and ____ that transformed the art of music

A

Ars nova; ars antiqua; rhythm, meter, harmony, counterpoint

24
Q

Writers like Petrarch, Boccaccio, and Chaucer were turning from otherworldly ideals to human subjects; painters soon discovered the beauty of nature and attractiveness of the human form; Similarly, composers like the French master _____ turned increasingly from ____ to ____ themes

A

Machaut; religious, secular

25
Q

Influence of Machaut’s, a ___-___, was far-reaching, his music and poetry admired long after death; he was also the first composer to….

A

poet-composer; self-consciously collect his works and leave them for posterity

26
Q

Machaut’s music introduced a new freedom of rhythm characterized by gentle ____ and the interplay of ___ and ___ meters.

A

syncopations; duple, triple

27
Q

Machaut: In his secular works, he favored the _____, which was generally set to a French courtly love poem written in one of several fixed text forms

A

chanson

28
Q

Several text forms of chanson: ______, ____, and ____- established the musical ____ scheme of the chansons

A

rondeau, ballade, virelai; repetition

29
Q

A rondeau by Machaut presents both an ____ text and a hidden musical structure, involving _____, words or phrases that read the same backward or forward (in music, it is the ____ movement).

A

enigmatic; palindromes; retrograde

30
Q

Machuat’s text reiterates the refrain “______”, a sentiment found in several biblical passages and one taken up by various rulers. used by Mary, Queen of Scots

A

My end is my beginning and my beginning is my end

31
Q

Machaut’s chanson, propose may not be merely to ____ but to carry a ____ connotation as well

A

amuse; religious

32
Q

_____ the foremost poet-composer of the Ars nova.

A

Machaut

33
Q

Machaut: took early orders at an early age but worked most of his life at various _____ courts, including that of Charles, duke of Normandy (later became King)

A

French

34
Q

Machaut’s double career as ____ and ____ inspired him to write both ____ and ____ music

A

cleric, courtier; religious, secular

35
Q

Machaut;s poetry embraces the ideals of medieval _____. One of his writings more than 9000 lines tells the platonic love story of an aging Machaut and a girl, Peronne. The two exchanged poems and letters, some of which he set to ____. He spent his final years as a priest and canon at the Cathedral of ____; admired as greatest musician and poet of the time

A

chivalry; music; Reims

36
Q

Machaut major works: ____. ____, (both _____ and _____), a polyphonic ____ (Messe de Notre Dame), one of the earliest complete settings of the Ordinary of the Mass

A

motets, chansons, polyphonic and monophonic, Mass

37
Q

As a priest and canon at the Reims Cathedral, Machaut was familiar with the famous octagonal ____ or ____ built into the floor of the church, and with ritual processions held on holy days that traversed this, with _____ in motion in each direction symbolic of Christ’s path through hell to resurrection

A

labyrinth; maze; retrograde

38
Q

Machaut: labyrinth: _____ structure of Ma fin est mon commencement, which the two ____ voices trade parts in ____ at the center of the work (the ___ B section is the ____ A section in and vice versa) While the bottom voice, the ___, is a ____ of itself at midpoint. He provides clues to the structure in ____

A

palindromic; upper; retrograde; cantus; triplum

39
Q

Elements of balance and symmetry can be heard in Machaut’s other works; the ____ works of Machaut and his contemporaries in the Ars nova reflect a growing interest in both ____ and ____ of musical patterns . These puzzles often require the listener to focus carefully and listen several times to understand expression.

A

secular; regularity; complexity

40
Q

Machaut: Ma fin est mon commencement (My end is my beginning): Melody: _____, with long ____

A

wavelike, melismas

41
Q

Machaut: Ma fin est mon commencement (My end is my beginning): rhythm/meter: ____ meter, ____

A

duple meter, syncopated

42
Q

Machaut: Ma fin est mon commencement (My end is my beginning): Harmony; open, hollow _____

A

cadences

43
Q

Machaut: Ma fin est mon commencement (My end is my beginning): Texture: non-_____ _____

A

imitative; polyphony

44
Q

Machaut: Ma fin est mon commencement (My end is my beginning): Form: ___ sections, A and B, repeated ABaAabAB (uppercase=_____; lowercase=____) _____ in voices

A

two; refrain; verses; palindromes

45
Q

Machaut: Ma fin est mon commencement (My end is my beginning): Performing forces: ____ ____

A

three voices

46
Q

Machaut: Ma fin est mon commencement (My end is my beginning): text: _____ by the composer; ____ text

A

rondeau; puzzle