Beethoven 9 Flashcards

1
Q

Overview

A

Final symphony containing Ode to Joy melody, previous themes permeating the symphony and structurally complex.

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2
Q

Form

A

I: Allegro (d) II: Scherzo: molto vivace (d) III: Adagio molto e cantabile (Bb) IV: Allegro – Andante – Allegro (d/D)

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3
Q

Mvt 1: Overview

A

Tentative start, aggressive unison melody, melodic developments and dramatic and unexpected chord changes (B major appearance in Dm exposition). Huge scale.

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4
Q

Mvt 1: Expo

A

Shimmering strings start before aggressive unison D minor theme, transition; lyrical theme in Eb major feel, 2nd subject consists of multiple themes and complex dialogue

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5
Q

Mvt 1: Dev

A

Triple fugue and much thematic variation - including Cm, Gm, Dm and Am. Second subject appears but in minor key.

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6
Q

Mvt 1: Recap

A

D major (not minor) and second subject becomes minor. New theme appears in coda.

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7
Q

Mvt 2

A

Scherzo - Trio - Scherzo. Each scherzo is in sonata form and each theme is a 5 part fugue. Rhythmic figure dominates. Scalic trio theme before abrupt finish - Trio trails off, octave Scherzo theme finishes.

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8
Q

Mvt 3

A

Set of variations on two alternating themes - 6 sections plus coda.

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9
Q

Mvt 4

A

Previous movement themes re-appear but are rejected. Recitative use of double bass playing melody and ‘quasi operatic’ passages with Baritone voice. New musical theme introduced - the brotherhood of mankind. Fugues, obscure key changes and huge accelerando.

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10
Q

Orchestra

A

Huge orchestra (including contrabassoons), use of choir and also a double bass recitative feel in movement 4.

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11
Q

Harmony & Tonality

A

Minor to major, similar to Symphony no.5, unexpected shifts in movement 1, second subject returning in a minor key.

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12
Q

Humour, drama, narrative & programme

A

Aggressive theme of movement 1. Humourous end to movement 2. Drama of movement 4 - bass recitative idea followed by inclusion of choir.

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13
Q

Melody and theme

A

Previous movement themes re-introduced in movement 4 before rejection by the double basses.

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14
Q

Texture

A

Complex fugual writing in the Scherzos, aggressive unison writing and monophonic recitative near start of movement 4.

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15
Q

Rhythm/Tempo/Metre

A

Use of compound time in movement 3, free tempo in recitative feel of movement 4, very speedy movement 2 scherzo.

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16
Q

Dance, folk & national

A

Ode to Joy seen as anthem for humanity

17
Q

Patronage

A

Subscription concert - more money available for writing for more instruments such as contrabassoon

18
Q

Key info

A

Beethoven 9 1824 D minor