Basic Music III Flashcards

1
Q

major seventh chord

A

1 3 5 7 of major scale

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2
Q

dominant seventh chord

A

1 3 5 ♭7 of a major scale

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3
Q

minor / major sevent chord

A

1 ♭3 5 7 of a major scale

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4
Q

minor seventh chord

A

1 ♭3 5 ♭7 of a major scale

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5
Q

indicators for raised fifth

A

Aug, +, (+5), (♯5)

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6
Q

indicators for half diminished

A

Ø

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7
Q

the seventh

A

The chord includes a pitch a minor 7th above the root unless it is qualified.

Qualifiers that affect the 7th raise or lower it by 1 half step.

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8
Q

minor seventh (flat five) chord

A

1 ♭3 ♭5 ♭7 of a major scale

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9
Q

the root

A

The letter name of a chord symbol.

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10
Q

the fifth

A

The chord includes a pitch a perfect 5th above the root.

Qualifiers that affect the 5th raise or lower it by a half step.

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11
Q

the sixth

A

The chord includes a pitch a major 6th above the root when the numeral 6 is part of the chord symbol.

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12
Q

delta sign

(Δ)

A

Orignially used to indicate use of a triad.

It’s meaning has come to include chords of the sixth and major seventh.

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13
Q

the third

A

The chord includes a pitch a major 3rd above the root.

Qualifiers that affect the 3rd. always lower it a half step.

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14
Q

indicators for lowered fifth

A

dim, 0, Ø, (♭5), (-5)

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15
Q

indicators for diminished

A

dim, 0

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16
Q

minor sixth chord

(structure)

A

1 ♭3 5 6 of a major scale

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17
Q

major 6th chord

(structure)

A

1 3 5 6 of major scale

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18
Q

indicators for minor

A

min, – , m, mi, minor

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19
Q

indicators for lowered seventh

A

dim 7, 07

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20
Q

9 commonly used chord structures

A

major sixth

major seventh

minor sixth

minor/major seventh

dominant seventh

minor seventh

minor seventh (flat five)

augmented seventh

diminished seventh

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21
Q

augmented seventh chord

A

1 3 ♯5 ♭7 of a major scale

22
Q

indicators for raised seventh

A

Maj 7, M7, Ma7, (+7), (♯7)

23
Q

order of sharps

A

F♯ C♯ G♯ D♯ A♯ E♯ B♯

24
Q

The blues scale

A

primarily used as a device while playing the blues.

1 ♭3 4 ♭5 5 ♭7

25
Q

pentatonic major scale

A

May be used with M6, M7, and dom 7 chords.

1 2 3 5 6 8

26
Q

pentatonic minor scale

A

May be used with m7 or as a sub. for the blues scale.

1 ♭3 4 5 ♭7 8

27
Q

diminished seventh

chord scales

A

The diminished scale is used for dim 7 chords

28
Q

Major 6th and Major 7th chord scales

A

The major or ionian scale is used for tonic M6 or M7 chords.

The lydian scale is used for all other M6 and M7 chords

29
Q

dominant 7th chord scales

A

The mixolydian scale is used for all dom 7th chords which move from V-I.

The lydian seventh scale is used for all other dom 7th chords.

30
Q

minor seventh chord scales

A

The dorian scale is used for min 7th chords.

31
Q

minor seven (flat five) chord scales

A

The locrian scale is used for M7 (♭5) chords

32
Q

minor 6th and minor / major 7th chord scales

A

The ascending melodic minor scale is used.

33
Q

augmented seventh chord scales

A

The whole tone scale is used for Aug7

34
Q

anticipation

A

when you are excited to see your wife … naked

Occurs when a note normaly on the beat is attacked a half beat early.

The result is melodic, harmonic, and rhythmic syncopation.

35
Q

short percussive note

A

In swint time, the ♪ or its tied equivalent.

Duration is determined by style and tempo.

36
Q

long percussive note

A

In swing time, a note marked with a horizontal (>) accent.

37
Q

chromatic approach tones

A

Non-chord tones that approach chord tones or scale approach tones by half steps.

38
Q

approach tones

(melodic contruction)

A

Tones that lead into chord tones by a step.

Usually of half beat duration.

Two types:

scale

chromatic

39
Q

scale approach tones

A

Non-chord tones within a given chord scale that approach the chor tones by step.

40
Q

chord tones

(melodic construction)

A

May be primarily used.

May be played in any order, in any octave, and with a rhythm pattern aainst that chord.

41
Q

melody contsruction

A

Pitches used may be chord tones or approach tones.

42
Q

altered chords

A

Created when the 5th, 9th, 11th, and 13th are chromatically altered.

43
Q

extended chords

A

Created when the 9th, 11th, or 13th are present in the chord.

44
Q

lowered 13th

A

The chord includes a pitch, a minor 13th (m6) above the root when ♭13 or -13 is part of the chord symbol.

(Dom 7 with altered 9 + ♯11 chords)

45
Q

lowerd 9th

A

The chord includes a pitch a minor 9th above the root of the chord when “♭9” or -9 is part of the chord symbol.

(Dominant 7th type chords).

46
Q

natural 11th

A

The chord include a pitch a perfect 11th (P4) above the root of the chord when 11 is part of the chord symbol.

(min 9, min 9 (♭5), dim9 chords)

47
Q

raised 11th

A

The chord includes a pitch an aug 11th (aug 4) above the root when ♯11, +11, is part of the chord symbol.

(Dom9, Aug9, M69, and M9 chords)

48
Q

suspended 4th

(SUS 4)

A

The chord includes a pitch a perfect 4th above the root of the chord when SUS 4 is part of the chord symbol.

Replaces M3 as a chord tone.

(Dom7, Dom9, M6, M69, M7, and M9 chords)

49
Q

raised 9th

A

The chord includes a pitch an augmented 9th (A2/m3) above the root when ♯9 or +9 is part of the chord symbol.

(Dominant 7th type chords).

50
Q

natural 13th

A

The chord includes a ptich a major 13th (M6) above the root when 13 is part of the chord symbol.

(Dom9 ♯11, M9 ♯11 chords)

51
Q

natural 9th

A

The chord includes a ptich a major 9th above the root of the chord when “9” is part of the chord symbol.

52
Q
A