Week 9- Sensation and Perception 2 Flashcards

1
Q

Define perception

A

The process of interpreting sensory information

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2
Q

What are the two key factors in perception?

A
  • Bottom-up, based on sensory input
  • Top-down, driven by knowledge, expectation etc
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3
Q

Outline the process of bottom-up processing

A

Bottom-up processing
|
Detect features of sensory data
|
Analyse specific features and combine component parts into more complex form
|
Form perception

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4
Q

Outline top-down processing

A

Top-down processing
|
Use prior knowledge and experience to organise and interpret sensations
|
Select specific features that meet expectations about stimulus
|
Form perception

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5
Q

Outline how the Adelson Figure uses different types of processing

A
  • Bottom-up processing- the cones signal two identical colours (sensation)
  • Top-down processing- the brain takes the shadow into account
  • Result- we see two different colours (perception)
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6
Q

Outline how the Ponzo Illusion uses different types of processing

A
  • A function of both bottom-up and top-down processing
  • Top-down processing- understanding of depth, viewing distance, knowledge, expectation, relationship to other objects
  • Bottom-up processing- the size of the bars on the retina
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7
Q

Outline how the rotating mask illusion uses different types of processing

A
  • Why? Regardless of whether we look at the convex or concave side of the mask, our brain interprets the neural signals such that we see a protruding face
  • Based entirely on our knowledge of real faces (always convex
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8
Q

Give examples of top-down factors that drive perception

A

Numerous but include:
* Context
* Schemas (enduring knowledge structures)
* Experience or learning
* Motivation
* Your knowledge of the world
* Your expectations

Top-down factors are very powerful and can dominate perception

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9
Q

What are Gestalt’s laws of perceptual organisation?

A
  • A group of German and Austrian researchers in the 1920s and 1930s were particularly interested in how sensations were organised into percepts, what we call perceptual organisation
  • These researchers were called Gestalt psychologists
  • Gestalt= form/shape
  • Argued that in perception, the whole, the percept is greater than the sum of its sensory parts. Attributes of the whole are not deducible from analysis of the parts in isolation
  • A small number of basic perceptual rules that the brain automatically and unconsciously uses to organise sensory input into meaningful wholes
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10
Q

Outline Gestalt’s Laws (6)

A

Laws of Similarity
* Things that are similar are grouped together

Law of Proximity
* Things near each other appear grouped together

Law of Good Continuation
* Stimuli tend to be organised into continuous lines or patterns rather than being perceived as discontinuous elements

Law of Closure
* Every stimulus pattern completed such that any gaps are seen as closed, complete, whole figure

Law of Familiarity
* Things are more likely to form groups if the groups appear familiar or meaningful

Law of Common Fate
* Things moving in the same direction appear to be grouped together

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11
Q

How do Gestalt’s principles exemplify the way the brain organises perceptual experience?

A
  • To reflect the regularities of nature
  • They are ‘rules of thumb’ or heuristics
    -Reflect experience
    -Used unconsciously
    -Occasionally misleading
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12
Q

What dimensions is perception organised into?

A
  • Depth
  • Distance
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13
Q

What kinds of information are essential for depth perception?

A
  • Binocular cues (visual input from two eyes)
  • Monocular cues (visual input from one eye)
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14
Q

Define convergence in relation to binocular depth perception cues

A

By comparing how much work your eye muscles have to do, your brain can extrapolate how close or far away the object is

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15
Q

Define retinal disparity in relation to binocular depth perception cues

A

The differences between the two retinal images of the same scene

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16
Q

Outline monocular depth perception cues (7)

A
  • Interposition (occlusion)- one object blocks another
  • Linear perspective- lines converge
  • Texture gradient- distant objects appear finer
  • Shading- 3D objects cast shadows
  • Arial perspective- far objects are fuzzy and appear blue tinted
  • Familiar size- familiar objects that appear small are inferred to be distant
  • Relative size- the smaller of 2 objects is seen as further away
17
Q

Outline perceptual constancies (3)

A
  • Colour constancy- tendency to perceive object colour as stable, even under conditions of changing illumination
  • Shape constancy- we recognise an object as having the same shape although we may view it from a different angle, at a different distance
  • Size constancy- objects do not differ in size when viewed from different distances
18
Q

How are illusions caused by perceptual constancies?

A

Your brain is familiar with the rule that objects that are further away are seen as being smaller than objects that are close to you. If you see an object like this with clear depth cues indicating that the top car is further away than the bottom car, and if the size of the retinal images is the same, the brain will extrapolate this as meaning the top car must be larger than the bottom car.