Week 4 - Hearing Flashcards

1
Q

The nature of sound

A
  • cause by changes in air pressure
  • pressure waves characterised by
    amplitude: loudness
    frequency: pitch
    phase: position within a cycle
  • pure tone (sine wave) is the simplest sound wave
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2
Q

Loudness of common sounds

A

Space shuttle launch - 180dB
loudest rock band - 160dB
pain threshold - 140dB
loud thunder - 120dB
loudest recorded shout - 111dB
Heavy traffic noise - 100dB
Vacuum cleaner - 80dB
Normal conversation - 60dB
quiet office - 40dB
soft whisper - 20dB
Threshold of hearing - 0dB

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3
Q

Inner ear - Cochlea

A

contains auditory sensory receptors
- oval window (smaller than eardrum to amplify soundwaves)
- membrane covering opening in the cochlea
- stapes attached directly to the oval window
- filled with watery liquid that responds to vibrations from middle ear

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3
Q

Complex sounds

A
  • built up from series of sine waves of varying amplitude, frequency and phas
  • can decompose complex sounds into their sine waves through a process called Fourier analysis
  • lowest frequency is called the fundamental
  • made up of harmonics - integer multiples of the fundamental
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4
Q

Human hearing range

A

20-20000 Hz
typical vocal range 80-1100 Hz

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5
Q

The outer ear

A

Pinna:
- increases the sound amplitude
- helps determine the direction from which a sound is coming
External auditory canal:
- provides protection
- increases the sound amplitude
Eardrum:
- vibrates in response to sound waves
- moves bones in the middle ear

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5
Q

The middle ear - Ossicles

A
  • Malleus
  • Incus
  • Stapes
    smallest bones in the human body that transmit the vibration of the eardrum into the cochlea through lever action. They also provide protection against high amplitude sounds
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6
Q

Canals in the cochlea

A
  • vestibular canal
  • tympanic canal
  • cochlear duct
    seperated by Reissner’s and Basilar membrane that vibrate in response to vibrations of the oval window
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7
Q

Inner ear - hair cells

A

Vibrate from the basilar membrane. Converts vibrations into neural signals.
- Basilar membrane is about 30mm long and varies in stiffness and width along its length
- tuned to different ranges of frequency according to the location along the basilar membrane

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8
Q

Central Auditory Pathways

A
  • Nerve fibres from each cochlea synapse in a number of sites on the way to the primary auditory cortex
  • The signal arriving at the cochlear nucleus splits and goes to each of the superior olivary nuclei
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9
Q

Auditory tasks that can be performed without auditory cortex being present?

A
  • the onset of sound
  • changes in sound intensity
  • changes in sound frequency
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10
Q

Auditory tasks that cannot be performed without the cortex?

A
  • discriminating the pattern of several tones
  • discriminating the duration of sounds
  • localising sounds in space
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11
Q

The auditory cortex

A

deals with complex auditory tasks while lower structures deal with simple aspects of sound

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12
Q

Frequency coding

A
  • sounds are made up of a mixture of sine wave components
  • the auditory system isolates and identifies the frequencies of these components
  • travelling waves move along the basilar membrane and peak at different points depending on the frequency of the sound
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13
Q

Binaural pitch encoding

A

structures beyond the cochlear nucleus should be contributing to pitch perception

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14
Q

Human auditory range

A

0-120dB

15
Q

Mechanisms of loudness perception

A
  • overall firing rates
  • range of firing
    more neurons fire when a sound is more intense
16
Q

Factors that effect loudness perception

A
  • sound duration (longer = louder)
  • frequency (high frequency sounds are perceived to be louder)
  • 3000-5000 Hz are perceived to be the loudest
  • as amplitude goes up, frequency becomes smaller
17
Q

Auditory space perception

A

sound is determined by:
- horizontal direction
- vertical direction
- distance
- vision is more precise when detecting an objects location

18
Q

How do we localise sounds

A

binaural process
- interaural time difference (onset difference and phase difference)
- interaural intensity difference

19
Q

Interaural time difference

A
  • Unless a sound is directly in front of or behind you, it reaches two ears at different times (onset difference)
  • onset difference detected by ‘delay line’ mechanism in the brain
20
Q

Interaural Intensity difference

A

sound should be more intense in the ear closer to the sound source
- energy of sound decreases as it travel farther
- head is a barrier that reduces intensity of sound (sound shadow), this is more obvious in high-frequency sounds

21
Q

Frequency effects of auditory space perception

A
  • interaural time difference is useful for localising low-frequency sounds
  • interaural intensity difference is useful for localising high-frequency sounds
  • neither cue works for neutral sounds (1000-3000 Hz)
22
Q

Horizontal vs vertical direction

A
  • horizontal directions better than vertical through auditory cues
  • pinnae more effective in distinguishing front/back than above/below
  • ear positions are more freely varied along horizontal dimensions (ears are on horizontal plane, head movement better on horizontal dimension)
23
Q

Limits of auditory localisation

A
  • auditory localisation cues are dependent on the distance between a sound source and ears
  • difficult to distinguish locations of sounds that are equidistant to an ear (cone of confusion)
24
Q

Auditory distance perception

A

two cues:
- loudness
- energy ratio of direct and reverberant sound
utility of cues limited to:
- loudness cues tell us only about relative distance
- reverberation cues very depending on various properties of the reflection surface

25
Q

Visual Capture

A
  • when we can visually perceive where a sound should be coming from, it override auditory localisation
  • the same happens when we have visual information about how a stimulus should sound (the mcgurk effect)