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RCM History 2 > Unit Four Classical > Flashcards

Unit Four Classical Flashcards

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1
Q

Exposition

A

First movement
Theme a tonic key
Theme b diff key

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2
Q

Development

A

Themes manipulated frag seq modulations

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3
Q

Recapitulation

A

Restate tonic

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4
Q

Coda

A

Tail Latin

Conclusion tonic

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5
Q

Italian overture

A

18 century
Fast slow fast
Basis for symphony

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6
Q

Classicism

A

Highest level excellence
Timeless
Ancient Rome and Greece
Symmetry balance simplicity

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7
Q

Center of music 18 century

A

Austria Haydn Beethoven Mozart

Viennese school

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8
Q

Symphony notes

A

From Italian overture add
Menuet and trip to make sonata cycle
2nd mov: slow subdominant lyrical
3rd mov: ternary Menuet trio

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9
Q

Haydn London Symphony

A 
No 104 1795
Mov1:  D Adagio-Allegro 4/4-2/2 sonata monotheistic
Mov2: G Andante 2/4 sonata rondo lyrical
Mov3: D Allegro 3/4 Ternat rustic
Mov4: D Spiritoso 2/4 sonata folk
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10
Q

Haydn London Symphony Mov1 overture

A 
D minor Adagio
Full unison ascending P5 D to A and down
Dotted notes slow majestic French Overture
Germany's dramatic 
Homophobic texture
Chromatic tension
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11
Q

Haydn London Mov1 Exposition

A

D Major Allegro Sonata 2/2
A: elegant diatonic melody to is triad piano violin
Symmetric 4 measure phrases folk like
Bridge: vigorous broad leaps lower F A Major
B: transposed A
Codetta: two strong motives alternate contrary motion elegant syncopation contrasting staccato and legato

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12
Q

Haydn London Mov1 Development

A

B minor opening
Repeated note theme a dominates
Tension different keys contrasting dynamics
Dominant pedal over many measures extra satisfying return A

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13
Q

Haydn London Mov1 Recap

A

D Major softly theme b countermelodies wood winds coda increased rhythmic actuvity spirited close

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14
Q

Oratorio notes

A

Flourished Cathloic ban opera lent
Haydn influenced by Handel English
Oratory prayer room
Carissimi vivaldi Bach Handel

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15
Q

Haydn The Creation notes

A

1798
Book of genesis and John Milton Lost Paradise
Three parts 1:4days, 2: 3days 3:Garden Eden
Sop Gabriel Tenor Uriel Bass Raphael
Adam and Eve doubled

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16
Q

Haydn The Creation Uriel Recit And God Said

A

And God Said let there be light
Recit secco
4th day created earth heaven moon and stars

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17
Q

Haydn The Creation Uriel Recit In Splendor Bright

A

D Majo Andante 2/2
Recit accompagnato
Word Paintinf Slow D scale ascending crescendo=sun rising
Short rocket theme cello bass In Splendor bright bold orchestra chords
With softer beams G major cello bass softly ascending pale moon

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18
Q

Haydn The Creation Chorus and Trio The Heavens are telling

A

C major Allegro 2/2
Chorus, Trio, Chorus, Trio, Chorus
Full chorus open homorhythmic orches accommpany
Trio word painting night c minor
Chorus return contrapunctal immigration
Trio word painting in all the land round repeated expansive like land
Final shorts expands opening

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19
Q

Haydn Style

A

Father of symphony and string quartet
Traditional but experiment structure
Grace preclassical dramatic Sturm
Humorous Farewell Surprise symphony
Monothematic
Folk rustic pizzicato guitar like pedal bagpipe
Contribute sonata slow dramatic accents change C major Creation Light

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20
Q

Haydn Titles

A

100 symphony 94-Surprise 45-Farewell 101-clock 104-London
Concerto V P Ce Horn Tru
Quartets 68, op76-2 Quinten -3Kaiser
40 piano sonatas
Oratorio Creation Seasons Seven last words
scared masses Lord Nelson mass time of war mass
Opera 14 Armida
Novelties marionette theatre baryton instrument

21
Q

Oratorio

A

Sacred opera in concert

Solo orchestra chorus

22
Q

Opera buffa

A

Comic opera
Sung throughout
Down to earth characters

23
Q

Modified sonata form

A

Exposition recap no devlop

18th century

24
Q

Terzetto

A

Trio Italian

Vocal

25
Q

Trouser role

A

Girl plays castrati

26
Q

Overture

A

Before opera instrumental
Sonata form
Quoted themes

27
Q

Singspiel

A

German comic Opera
Some
Spoken dialogue

28
Q

Piano Sonata Notes

A 
Sonata cycle 1allego others contrast
Piano more popular in classical era
Explore piano tones colours
Beethoven wanted more keys- make like orchestra
Sonata sonare sound Italian
Slower mov lyrical outter technical
29
Q

Tremolo

A

Rapid alternation bw two notes

30
Q

Rondo

A

ABACA A must appear 3 times in tonic

Other sections contrast

31
Q

Beethoven Sonatas notes

A 
32 infouential to piano lit
Op 2 dedicated Hydn 1795
Op 111 1822
Explored diverse ways
Frowned upon most nicknames for his sonatas but named Pathetique sorrow foreshadow turbulence of middle period works
32
Q

Beethoven Pathetique mov1 intro

A

C minor
Grave C
Homorhythmic opening
Crisp dotted contrast unexpected pause changes in volume
DimVII chords tension
Descending 128th note Chrom scale lead into Expo

33
Q

Beethoven Pathetique Mov1 Expo1

A 
C min Allegro sonata allegro di motto e con brio cuttime
A: rapi Asc RH 2Oct 
Agitated aug staccato broad cresc
LH tremolo octaves 
bridge: mod started synco forward
34
Q

Beethoven Pathetique Mov1 Expo2

A

B1: Ebmin instead of EbMajor
Sharp contrast rapid hand crossing
B2: to EbMajor contrary motion Alberti-type fig Chrom colours
Codetta: EbMajor Theme A used

35
Q

Beethoven Pathetique Mov1 Expo3

A

Dev: Gminor dotted notes from opening
Eminor key signature bridge mat combined with intro wo dotted
Recap: c’min restored bridge replaced with ThemeA rep expanded themeB Fminor unusual restated inCminor
Codetta returns tonic
Coda: Intro recalled frag no downbeat uncertain

36
Q

Beethoven Pathetique mov2 1/2

A

Ab Major Rondo ABACA CODA Adagio cantabile 2/4
A: soft legato middle then high rep 8/8
B: Fmin to EbMajor new RH melody chord accomp LH
A2: rep just once 8
C: Ab min triplet brooding Emajor u expect
A3: Ab major with triplets from C
Rep higher 8/8
Coda: mm4 from A reiterates P cadence Ab Major

37
Q

Beethoven Mov3 1/2

A

Cminor Rondo ABACABA CODA
Allegro cuttime
A: agitated P4 GC melody spans 9th endsPcadence in Cminor
B: Fminor to Eb Major RH scale melody LH broken chords. desc scale leads to Fermata over V7 prep

38
Q

Beethoven Pathetique Mov3 2/2

A

A returns unaltered
C: Ab major contrapunctal contrary motion dialogue
Syncopated desc staccato scale LH then RH, Dom prep extended 16th the. Triplets desc scale from B ends
A3: Cminor ending changed to go direct to B
B2: C Major to C’min shortened
A4: no pickup shortened coda
Coda: triplet brief A the. Desc scale to forced perfect cadence

39
Q

Chamber Notes

A

‘music convo bw friends’ Viennese +Schubert great contributors amature music SQs oneplaer per part pop: duo sonata, SQ, Piano trio

40
Q

String Quartet

A

fast slow med fast, instruments popular

41
Q

Piano Quintet

A

SQ + piano or other +piano

42
Q

Theme and variations

A

melody followed by series of variations often used in slow movement

43
Q

Schubert Trout Notes

A

song Die Forelle piano splashing water
used basis mov 4 piano vio vila cel DB :)
1819
5mov

44
Q

Schubert Trout Mov 4 V1-2

A

D Major Andantino 2/4 theme var
Theme: strings only, line violin homophoc binary
V1: themepiano oranmtd trills octave DB pizz V&C triplet imitation graceful elegant
V2: Violatheme counterM in V 16 triplets, Piano immit frag, lighthearted

45
Q

Schubert Trout Mov 4 V3-5

A

V3: DBtheme comical effect, P virtuosic accomp, V,VA synco 16th, humourous
V4: Alltheme dialoge P-Strings, Dmin abruptChanges, forceful effect
V5: CelloTheme BbMaj jagged dotte, piano respond immit, more elegdance, broad lyrc, transintion harmonic progression
V6: Violin&CTheme, piano 16 orignal song, Allegretto, gentle Coda quiet close

46
Q

Beethoven Style

A

architect, explsive acct, innovator, influential, introduced piccolo,tromboneCTbassoon, techimprov piano, expad classical forms, innov: Sherzo Sym5, cyclical Sy5, progra Sy6 chorus Sy9

47
Q

Schubert Style

A

Classical+Roman, formal struc sonata, genres, symm phrase, size makeup orchest; Rom: chrom harm, major minor, un mod, Lied, poems, supernatural. MozartInflu lyric, BeeSymph. German poets. piano role in art song, intensity song, song cycle, sorrow in winterreise, Fantasy F Minor Death adn the Maiden Quartet

48
Q

Schubert Titles

A

600 Lieder An die Musik, Standchen, Dieforelle, heidenroslein, ave maria. Songcycles Wint, Die Schone Mullerin. Syp 9, 8 unfishined 9 the great. Chamber 15 SQ
piano sonata,impromptus,variations,dances, choral 7 mass Opera Fierrabras

RCM History 2 (5 decks)

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