topic 2 - sub cultural participation Flashcards
social class, ingram 2
- working class boys created own youth subcultures bc they desired social cohesion and solidarity in working class communities
- close network of fam and friends were key part of boys habitus, key sense of belonging
social class, archer 3
- working class teens gain symbolic capital through clothes
- nike = gain social status in group, those who didnt conform would be excluded
- clothes popular in working class were diff to middle class showing diff in habitus
social class, smith and king 4
- ‘jack wills crowd’ = elite youth subculture
- students from exclusive group of priv skls (eton, harrow) attend top unis (oxbridge)
- form network which lets them connections helping with employment and protect wealth
- ‘rahs’ = jack wills clothes, going on ski trips and posh accent
social class evaluation, muggleton 2
- class, gender and ethnicity no longer significant in defining our culture
- no need to study how these diff social groups react to societal pressures
social class evaluation, lury 2
- bc of consumer culture, all social groups can access wealthy fashion
- due to loans, overdrafts and credit cards
social class evaluation, skeggs 2
- decline of manual jobs and bad media representation led to loss of pride in working class identity
2, ‘dis-identification’ = less likely to identify as being working class, lack of working class subcultures
gender, kimmel 2
- boys and girls conform to traditional notions of gender to avoid bullying
- female subcultures are passive femininity and male subcultures are hegemonic masculinity
gender, mcrobbie 3
- ‘bedroom culture’ main way girls are involved in their own youth subcultures
2, whilst being safe at home, girls exercise freedom and youth through ‘teeny bop’ culture with their friends - read magazines, listen to music and gossip at sleepovers
gender, hey 3
- ‘hyper-femininity’ girls exaggerate feminine appearance and highly concerned with beauty and fashion
- middle class girls have money to be immaculately groomed, styling is symbolic capital gaining them status
- middle class girls see it as a distinction against working class girls, less able to gain hyper-feminine appearance
gender, frosh 2
- key part of hegemonic masculinity is being sporty
- boys gain status by being good at sports, relate to eachother in convos
gender, kimmel 2
- mostly white 16-26 yr olds ‘living in guyland’, space between boyhood and manhood
- fun in guyland is watching sports and playing video games
gender evaluation, mac an ghail 3
- challenged notion that boys are involved in deviant subcultures and found 2 types of male ‘pro-school’ subcultures
- academic achievers = achieve success by focusing on traditional subjects
- new enterprisers = study subjects like business and computing to achieve upward mobility by exploiting school-industry links to their advantage
gender evaluation, simpson 2
- boys have a more metrosexual style
- focus on fashion, appearance and going gym
gender evaluation, jackson
ladette culture, not based on passive femininity. laddish behaviour
gender evaluation, blackman 3
- ‘assertive feminity’ = groups of girls highly visible in school
- membership of group gave them confidence to challenge sexism and male culture of skl
- feminists say that this type of femininity emerged due to changes they helped to create
gender evaluation, muggleton
class, gender and ethnicity dont matter
ethnicity, sewell
cultural comfort zones
asian ethnicity, johal 2
- some british asians adopted ‘hyper-ethnic’ style
- ‘empowerment through difference’ = exaggerated cultural style in terms of dress, watching indian films and traditional music
black ethnicity, alexander 2
- ‘being black’ important to black youths
- act stereotypically to fit in
black ethnicity, mirza 2
- ‘young, female and black’ = black girls form pro skl subcultures and motivated to achieve academic success
- high aspirations and black female role models, confident in themselves and future
white ethnicity, hall 2
- in areas of low white ppl, white ppl form exclusive subcultures
- cultural resistance to change and protect ‘britishness’
hybrid ethnicity, cashmore 3
- ‘gansta rap’ = concept of youth hybridity
- begain in 1960s jamaica and became popular in black neighbourhoods of new york by 1970s. promoted worldwide by 1980s
- original rap changing to adapt to variety of youth orientated circumstances
hybrid ethnicity, back 2
- local youths from all ethnic backgrounds developed shared ethnicity based on mixed ethnicity and ‘neighbourhood nationalism’
- feeling of solidarity with ppl from same area
hybrid ethnicity, polhemus (evaluation for ethnicities)
supermarket of style. young ppl pick when constructing identity