Tone, stress & intonation Flashcards

1
Q

suprasegmentals>

A

-supra=above
-segmentals= segment
-suprasegmentals= “above & beyond the ssegment” (aka prosody)

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2
Q

prosodic features (i.e. tone/intonation) are conveyed using which linguistic fetaures (3)>

A
  • variation in pitch
  • variation in loudness
  • variation in duration
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3
Q

what is a stroboscopy>

A
  • where a microphone & flashing light are used to view vf vibration
    -& appears in slow motion
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4
Q

fundamental frequency (f0)=

A

vibration rate of vocal folds
>what we hear as PITCH

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5
Q

what does higher frequency mean in terms of pitch>

A

higher frequency= higher pitch

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6
Q

what does higher frequency look like on waveform?

A

more cycles over same time period

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7
Q

what does ‘blue line’ across a spectrogram mean?

A

fundametnal frequency

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8
Q

why is there no blue line (f0) in voiceless segments on spectrograms?

A

1>pratt measures ‘repeating’ pattern in a periodic wave–.then calculated f0 (blue line)
2>f0 releated to vf vibration
3>if voicelessm, there is no vf vibration to calculate f0 from

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9
Q

pitch & f0 in voiceless sounds>

A

-have different sources to voiced sounds
-‘frication’ at different points in VT as source
-some perception of pitch due to VT shape & resonant frequencies produced by it

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10
Q

what does loudness equate to phonetically?>

A

amplitude

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11
Q

how does high/low amplitude look on a spectrogram?>

A
  • high as far up/down on wave
    -low as close to middle wave
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12
Q

tone=

A

use of suprasgemental features for at word/syllable level for LEXICAL meaning

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13
Q

stress=

A

use of suprasegmental features at word/syllable level that DOES NOT change the meaning

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14
Q

register tone languages=

A

typically have ‘level tones’ (i.e. HIGH & low; HIGH MID and low), with few or no contour tones (rising/falling)

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15
Q

contour tone languages=

A

typically have tone with pitch modulation (NOT same pitch throughout)

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16
Q

word-accent/pitch accent languages=

A

where language makes LIMITED use of tone
>(i.e swedish)

17
Q

phonetics of stress>

A

-higher pitch
-greater duration
-greater loudness
-full vowel when stressed (reduced vowel when unstressed)

18
Q

fixed vs variable stress=

A

in some langs the stress occur in a fixed position (french), in others it is variable (eng)

19
Q

intonation=

A

use of suprasegmental features across an UTTERANCE

20
Q

typical eng intonation>

A
  • statment–>fall typical at end
    -yes/no qn–>rise typical at end
    -info qn–>fall typical at end
    -emphatic–>big pitch movement from H>L in emphatic word (extra loudness & duration too)
21
Q

common trends across langs for intonation

A
  • falling pitch at end of utterance
    -qns & uncertainty expressed with a phrase-final rise
22
Q

production code is for=

A

why falling pitch is associated with phrase endings

23
Q

what is frequency code for=

A

why rising pitch is associated with qns & uncertainty

24
Q

production code>

A

1>usually, speaking involve egressive airstream
2>airflow as weakest towards end of phrase (used up air in lungs)
3>loss of amplitude=quieter
4>less tension on vf= lower pitch
5>eventually natural effect (of 1-4) becomes part of the phonology of lang

25
Q

frequency code>

A

1>small mammals have small larynxes
2>large dominant mamals have larger larynxes
3>pattern across animal kingdom leads to lower pitch associated with dominance

26
Q

variation across UK (intonation)>

A

-‘urban northern british group’–>rising intonation in declaratives
-‘high rising terminal’/ ‘uptalk’–>rise that keeps on rising until end of phrase

27
Q

Analysis of why ‘high-rising terminal/uptalk’ is used>

A

-been said to communicate uncertainty & lack of confidence
-seen to communicate politeness, mutual understanding & support within a conversation
-not all perceptions as positive

28
Q
A