Tin Pan Alley: The Start of a New Era Flashcards

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1
Q

Octave

A

Span of pitches in music. 8 whole tones.

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2
Q

In ragtime music, melodies are ___.

A

Tonal

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3
Q

There is often one ___ passing tone in ragtime music.

A

Chromatic.

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4
Q

The vocal range in ragtime music is within an ___.

A

Octave.

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5
Q

Ragtime music was primarily developed from ___ to ___.

A

1900 to 1920.

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6
Q

Vanderville and theatrical producers began to consolidate their offices in an area known as…

A

Tin Pan Alley.

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7
Q

Tin Pan Alley was located in…

A

NYC.

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8
Q

Tin Pan Alley is both a ___ ___ and name of a ___.

A

Physical location, style.

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9
Q

Ragtime was primarily developed by which ethnic group?

A

African Americans.

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10
Q

What other styles were being developed at the same time as ragtime?

A

Victorian ballad and waltz.

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11
Q

Who was the most preeminent figure in ragtime?

A

Irving Berlin.

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12
Q

Irving Berlin was born as…

A

Israel Baline

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13
Q

Irving Berlin was born in…

A

West Siberia.

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14
Q

Irving Berlin grew up wealthy / impoverished and made a name for himself ___.

A

Impoverished, singing.

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15
Q

Berlin began to collaborate with notable Tin Pan Alley figures, and managed to write music that reflected…

A

The unique complex community of Tin Pan Alley.

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16
Q

According to Charles Hamm, Berlin’s work was characteristic as a result of:

A

Ethnic identities, authorship functions, and growing production of sheet music.

17
Q

Ethnic identities were important to Berlin’s work, because…

A

Berlin managed to retain characteristics of ethnic groups in his music, but also managed to gain acceptance from a broader audience.

18
Q

Authorship functions played an important role in Berlin’s work, because…

A

Different people would collaborate on one work.

19
Q

Growing production of sheet music played what role in Berlin’s work?

A

There was a standardization of songs, which allowed more flexibility in performance.

20
Q

Lead Sheet

A

Sheet music for Jazz.

21
Q

What is on a lead sheet?

A

Minimal music, just chord symbols.

22
Q

Jazz Parallel

A

Jazz was developed at about the same period of time as ragtime.

23
Q

Why was jazz accepted immediately?

A

It assimilated and accommodated enough of America’s older and more dominant culture.

24
Q

Describe the structure of Tin Pan Alley Songs:

A
  1. Brief piano intro.
  2. 2 or 4 bar vamp, with melodic and rhythmic material drawn from and leading into verse. Often repeated during solo.
  3. 2 or more verses, typically 16-32 bars in length.
  4. A chorus, usually equal in length to the verse, with first and second endings.
25
Q

Victorian music was very “___” and ___.

A

White, straight.

26
Q

Ragtime was considered “___” music.

A

Black.

27
Q

What do the lyrics of “Strange Fruit” describe?

A

Lynching of African Americans.

28
Q

Why is Billie Holliday’s rendition of “Strange Fruit” more subdued and restrained?

A

She could not bring out harsh lyrics, as the performance in itself was already risque for the 1930’s.

29
Q

Why is India Arie’s version of “Strange Fruit” so much more extravagant and emphasized?

A

Harsh lyrics have to be emphasized to differentiate and grab attention.

30
Q

Tori Amos’ version of “Strange Fruit” can be described as…

A

Sparse, as she uses piano as accompaniment, and uses her voice almost as an instrument.

31
Q

Who came up with the “Theory of Markedness”?

A

Robert Hatten.

32
Q

What theory is explored in the article “Markedness and a Theory of Musical Expressive Meaning”?

A

Theory of Markedness.

33
Q

What does the Theory of Markedness explore?

A

How individual lyrics and musical events can be emphasized or “marked” in a variety of ways.

34
Q

Obvious ___ ___ that are commonly used to “mark” words are explored in the Theory of Markedness.

A

Aural Gestures.