Technology and Big Band Swing Music Flashcards

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1
Q

What kinds of technology emerged in the 1920’s that was relevant to the music industry?

A

Records and record players, live radio broadcasts.

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2
Q

The music industry began to classify music in the 1920’s. How did this impact the types of music that became popular?

A

The music industry can decide what music would be published, played, recorded, etc.

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3
Q

Developing styles of the 1920’s:

A
  • Ragtime.
  • Jazz.
  • Vaudeville.
  • Crooning.
  • Torch singing.
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4
Q

Jazz and popular music were one and the same between the years…

A

1920 and 1940.

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5
Q

1920’s was known as the…

A

Jazz Age.

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6
Q

Was the jazz music of the 1920’s similar or distinct from jazz as we know it today?

A

Distinct.

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7
Q

Who was the “King of Jazz”?

A

Paul Whiteman.

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8
Q

What was the name of the “King of Jazz” article we studied?

A

“On Wax”.

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9
Q

What does the article “On Wax” discuss?

A

The difficulties faced in recording music. For example, the upright bass was much too quiet to use in a recording studio, and was replaced by a tuba. Every instrument has a pitch that would destroy the record, so instrumentation would have to change to make music recordable.

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10
Q

The period between 1930 and 1940 was known as…

A

“The Swing Era” or “The Big Band Era”.

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11
Q

What was distinct about “The Swing Era”?

A

It reached mass audiences for the first time.

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12
Q

What is a “Swung Note”?

A

A performance practice, mainly in jazz-influenced music, in which some notes with equal written time values are performed with unequal durations, usually as alternating long and short.

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13
Q

In his article, what did Freedman mainly discuss?

A

The conflicts in American popular music, which is personified in the conflict between “black” and “white” music.

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14
Q

The conflict Freedmen writes about is supposedly manifested in the form of ___.

A

Swing.

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15
Q

Characteristics of “white” music:

A
  • Cold.
  • Clean.
  • Conscious.
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16
Q

Characteristics of “black:” music:

A
  • Rich.
  • Loose.
  • Relaxed.
17
Q

Examples of “white” musicians:

A

Leon Bismarck, Frank Teschemacher.

18
Q

Examples of “black” musicians:

A

Louis Armstrong, Sidney Bechet, Coleman Hawkins.